Definitive Limited Run Ultra High Quality Record 45rpm 200g 2LP!
Steely Dan's Gold-Selling Second Studio Album Now on UHQR - Limited to 20,000 Numbered Copies!
Mastered Directly from the Original Master Tape by Bernie Grundman!
Pressed at Quality Record Pressings using Clarity Vinyl®!
Steely Dan's second studio album, originally released in 1973 by ABC Records, was certified gold-selling by the Recording Industry Association of America (RIAA) for selling 500,000 copies in the U.S.
Founded by core members Walter Becker (bass) and Donald Fagen (vocals, keyboards), Steely Dan's popularity rose throughout the late 1970s on, and their seven albums throughout that period of time blended elements of jazz, rock, funk, R&B, and pop. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. Becker and Fagen, with producer Gary Katz, gradually changed Steely Dan from a performing band to a studio project, hiring session musicians to record their compositions. The duo didn't perform live between 1974 and 1993. But their popularity nevertheless grew throughout the '70s as their albums became critical favorites and their singles became staples of Adult Oriented Radio and pop radio stations.
Like Steely Dan's 1972 debut album Can't Buy A Thrill, Countdown to Ecstasy has a rock sound that exhibits a strong influence from jazz. It comprises uptempo, four-to-five-minute rock songs, which, apart from the bluesy vamps of "Bodhisattva" and "Show Biz Kids," are subtly textured and feature jazz-inspired interludes. Countdown to Ecstasy was the only album written by Steely Dan for a live band. "My Old School" features reverent horns and aggressive piano riffs and guitar solos. "The Boston Rag" develops from a jazzy song to unrefined playing by the band, including a distorted guitar solo by Jeff "Skunk" Baxter. Jim Hodder's drumming eschews rock music for pop and jazz grooves. Bop-style jazz soloing is set in the context of a pop song on "Bodhisattva." Commenting on the album's style and production, Tom Hull says it is "clean, almost slick," with "no dissonance, no clutter," reminiscent of 1940s bop and "the overproduced early 60s pop rock."
This stereo UHQR reissue will be limited to 20,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.
The Boston Rag
Your Gold Teeth
Show Biz Kids
My Old School
Pearl of the Quarter
King of the World
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