{"title":"SACDs","description":"","products":[{"product_id":"aretha-franklin-arethas-gold-sacd-hybrid-sacd-limited-numbered-mfsl","title":"Aretha Franklin - Aretha's Gold SACD Hybrid SACD MFSL, limited\/numbered","description":"\u003cdiv class=\"custom-field custom-field__track-listing custom-field__type--html teaser rte\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"custom-field--value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eASTONISHING COLLECTION OF THE QUEEN OF SOUL'S GREATEST SONGS FOR ATLANTIC RECORDS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginal Master Recording from Mobile Fidelity Sound Lab.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAretha Franklin made her Hall of Fame reputation at Atlantic Records between 1967-1968. This astonishing two-year period witnessed the singer score nine Top 10 hits and define soul music. Pairing with producer Jerry Wexler and a flawless Muscle Shoals studio band, Franklin unleashed bolder sides of her artistry kept under wraps during her tenure at Columbia. The rest is history – a history that, until now, has never been in heard in true audiophile sound. And if there's any voice you want to experience to the most realistic extent, it's that of the vocalist Rolling Stone crowned the Greatest Singer of All Time.\u003c\/p\u003e\n\u003cdiv class=\"musicTrackList\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI Never Loved a Man (The Way I Love You)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDo Right Woman-Do Right Man\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRespect\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDr. Feelgood\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBaby I Love You\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(You Make Me Feel Like) A Natural Woman\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eChain of Fools\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSince You've Been Gone (Sweet Sweet Baby)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAin't No Way\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThink\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYou Send Me\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe House That Jack Built\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI Say a Little Prayer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSee Saw\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__description rte custom__description complete\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHear why Franklin is even better than you likely think or remember. You just haven't been able to hear the Detroit native on a format that mirrors exactly what went down in the studios when she recorded songs that, to this day, remain the bar by which all other singers are measured. The same goes for Franklin's backing band, known as the Swampers, whose instrumental savvy, feel, and textures are so unique, the group is credited with creating its own style: The Muscle Shoals Sound. On this edition of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAretha's Gold\u003c\/em\u003e, experience every picked guitar note, brushed snare, and fluid bass line. Seldom has a band and vocalist ever made a more formidable, memorable, and emotional combination.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe evidence plays out across these 14 songs, each a soul landmark, each unforgettable thanks to Franklin's impassioned performances and empowering attitude. The Sweet Impressions (Franklin's backing vocalists) and sweeping string arrangements bolster the foundation, but the material belongs to Franklin. A veritable hit parade, the track listing on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAretha's Gold\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereads like a dictionary of soul.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"I Never Loved a Man (The Way I Loved You),\" \"Respect,\" \"(You Make Me Feel Like) A Natural Woman,\" \"Chain of Fools,\" \"Since You've Been Gone (Sweet Sweet Baby),\" \"Think,\" \"The House That Jack Built,\" \"I Say a Little Prayer,\" \"Baby I Love You\": All Top 10 hits. Plus five more tunes, including a riveting cover of Sam Cooke's \"You Send Me,\" that charted.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39423951077574,"sku":"MFSL-UDSACD 2142","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Aretha_Franklin_Gold_1500x_c1648ea7-4bce-4c40-8aea-7f282e3e661d.jpg?v=1616174340"},{"product_id":"carly-simon-hotcakes-sacd-hybrid-sacd-limited-numbered-mfsl","title":"Carly Simon - Hotcakes SACD MFSL Hybrid SACD, limited\/numbered","description":"\u003cdiv class=\"custom-field custom-field__track-listing custom-field__type--html teaser rte\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"custom-field--value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eINCLUDES SMASH DUET \"MOCKINGBIRD\" WITH JAMES TAYLOR AND CONTRIBUTIONS FROM ROBBIE ROBERTSON, MICHAEL BRECKER, BUCKY PIZZARELLI, AND DR. JOHN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginal Master Recording from Mobile Fidelity Sound Lab (MoFi)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCarly Simon found a peaceful, happy place when she made 1974's platinum-selling\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHotcakes\u003c\/em\u003e. Aptly depicted on the cover smiling, radiant, and pregnant, the singer evolved from a jet-setting lifestyle into one marked by domestic bliss thanks to her recent marriage to James Taylor and decision to settle down. Simon's refreshed perspective and feel-good moods define the autobiographical\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHotcakes\u003c\/em\u003e, a homespun celebration of bucolic delights and simple pleasures performed with utmost sincerity and sweetness. In addition to spawning two hit singles, the record marks Simon and Taylor's attempt to begin an artistic franchise together.\u003c\/p\u003e\n\u003cdiv class=\"musicTrackList\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSafe and Sound\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMind on My Man\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThink I'm Gonna Have a Baby\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOlder Sister\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJust Not True\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHotcakes\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMisfit\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eForever My Love\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMockingbird\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGrownup\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHaven't Got Time for the Pain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__description rte custom__description complete\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComing from a tranquil place, Simon's voice emerges with terrific ease, composure, and contentment. Surrounded by ravishing instrumental and jazz-based blends that, thanks to added detail and clearer tones, feel more joyous and spirited than on any prior pressing, Simon's words take on a reassuring quality conveyed by the best singer-songwriter albums of the era. Consider this stellar-sounding reissue the equivalent of a crackling fireplace on a winter night. Such is the level of coziness and amiability provided.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLargely based around Simon's feelings and experiences before giving birth,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHotcakes\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewonderfully channels a prevailing attitude during the mid-70s that found many people returning to the basics and getting back in touch with familial surroundings after the upheaval following the end of the Sixties. Simon's first three albums captured this transition in frank, feminist-inspired, take-no-muss fashion. On\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHotcakes\u003c\/em\u003e, her fourth and second consecutive platinum-selling set, she both reflected and led the dominant spirit of the time, delivering with nursery-rhyme purity and soothing tenderness playful songs about homey euphoria and marital glee.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnchored by the duet with her then-partner James Taylor, \"Mockingbird,\" a cover that the power couple took into the Top Five,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHotcakes\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eshuns any tension or negativity in favor of optimism, intimacy, and tranquility. Standout fare such as \"I Think I'm Gonna Have a Baby\" and the Simon-Taylor penned \"Forever My Love\" testify on behalf of personal bonds and the importance of love. Similarly, \"Mind on My Man,\" the husband-focused \"Misfit,\" and humorous \"Safe and Sound\" – a theme-setting opener that describes much of the world in disarray but which maintains all is fine as long as Simon has her soulmate\" speak on behalf of the artist's new priorities and the gravity of strong relationships.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMusically,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHotcakes\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis appointed with first-rate session work from a stream of Hall of Fame-worthy instrumentalists. Robbie Robertson, Michael Brecker, Bucky Pizzarelli, Dr. John, and Taylor are among the guests gracing the arrangements with nimble touches and heartfelt accents indicative of Simon's emotionalism. Factor in the tasteful horn sections, excellent backing vocal tracks, and producer Richard Perry's illustrative orchestrations, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHotcakes\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emay reign as Simon's finest-ever studio hour.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39424074514630,"sku":"MFSLU-DSACD2168","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Carly_Simon_HotCakes_1500x_0e02225c-eab8-4f8c-8dc1-88a545f0329f.jpg?v=1616175508"},{"product_id":"charles-mingus-mingus-ah-um-sacd-hybrid-sacd-limited-numbered-to-3000","title":"Charles Mingus - Mingus Ah Um SACD MFSL Hybrid SACD, limited\/numbered to 3000","description":"\u003cdiv class=\"custom-field custom-field__track-listing custom-field__type--html teaser rte\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"custom-field--value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBLUES- AND GOSPEL-ROOTED JAZZ BRILLIANCE SPARKS WITH DIVERSITY, PERSONALITY, AND INDIVIDUALISM: MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 3,000 NUMBERED COPIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginal Master Recording from Mobile Fidelity Sound Lab (MoFi)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Better Git It in Your Soul\" not only serves as the name of the inviting, holler-appointed opening track of Charles Mingus'\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMingus Ah Um\u003c\/em\u003e. It epitomizes the spirit, urgency, freedom, and feel-it-in-your-bones passion of an album that – along with Miles Davis'\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eKind of Blue\u003c\/em\u003e, Dave Brubeck's\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTime Out\u003c\/em\u003e, and John Coltrane's\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eGiant Steps\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– forms the Mount Rushmore of quintessential records from 1959-1960, jazz's watershed graduating class. Indeed,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMingus Ah Um\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis cited on practically every \"greatest\" list assembled and enjoys the rare distinction of wearing a prestigious crown in the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePenguin Guide to Jazz\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eand membership in the Grammy Hall of Fame. Now, it receives the sonic treatment on disc that it's always deserved.\u003c\/p\u003e\n\u003cdiv class=\"musicTrackList\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBetter Git It in Your Soul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGoodbye Pork Pie Hat\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBoogie Stop Shuffle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSelf-Portrait in Three Colors\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOpen Letter to Duke\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBird Calls\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFables of Faubus\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePussy Cat Dues\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJelly Roll\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__description rte custom__description complete\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStrictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of \u003cem data-mce-fragment=\"1\"\u003eMingus Ah Um\u003c\/em\u003e pops with contagious vibrancy, command, energy, and scale. \u003c\/strong\u003eThe bassist's church-music roots spring to life in the form of blues themes, moaned vocals, spiritual motifs, and preacher-inspired riffs that register with hyper-realistic dimensionality and natural intimacy. Experienced as a seamless whole – just as the cigar-chomping composer intended – the band enters your listening room, its intertwined assembly of notes, phrases, pauses, shapes, and solos yielding something more music.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd clearly, Mingus ardently honored and prized even every seemingly non-musical aspect on his Columbia Records debut. Witness the unforgettable cover art, a painting by S. Neil Fujita, whose varied hues, abstract geometries, free-base forms, and ornate albeit clean presentation mirrors the seemingly impossible blend of accessibility, complexity, experimentalism, consistency, focus, individualism, and collectivity reflected in every passage of the incredibly diverse album. Or, simply look at the reverence Mingus displays for his ancestors – and their contributions to jazz's ongoing conversation and cultural relevance – via \"Jelly Roll\" (for Jelly Roll Morton), \"Open Letter to Duke\" (for Duke Ellington), and the hallmark ballad \"Goodbye Pork Pie Hat\" (an homage to Lester Young).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAbove all, however,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMingus Ah Um\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003estands as an exuberant tribute to the idea (and blueprint-caliber execution) of fully realized musical frameworks serving as launching pads for expressive interactions, responses, exchanges, and improvisations. At the core, personality, character, invention, and, color remain paramount.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMingus Ah Um\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eacts as an aural representation of a philosophy the artist espoused before and after the recording sessions. In the liner notes to the record's follow-up, and penned shortly after the recording of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMingus Ah Um\u003c\/em\u003e, he spoke of striving for \"primitive, mystic, supra-mind communication\" and avoiding the repetition, boredom, apathy, and cliché associated with falling into set patterns and mimicking the approach of recognized giants. In other words, he demanded each member of his band \"play himself.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNothing could be truer when you hear in such vivid detail the work of saxophonists John Handy, Shafi Hadi, and Booker Ervin, trombonists Willie Dennis and Jimmy Knepper, pianist Horace Parlan, drummer Dannie Richmond, and the genius bass playing of Mingus himself. The collective's technical acumen – be it multi-tone row scales, pedal point rhythmic patterns, traditional chords, melodic moods, harmonic lines, beginning\/ending-blurring context, high registers, major and minor thirds (and absence thereof), pivot-point chromatics, diatonic manners, open fifths, and more, lingers not only in the mind, but invigorates the senses.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNO EXPORT TO JAPAN\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39426795798726,"sku":"MFSL-UDSACD 2208","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/CharlesMingus_MingusAhUm_1500x_ed6e3783-949c-4824-8927-50866d1685dd.jpg?v=1616209040"},{"product_id":"dire-straits-communique-sacd-mfsl-hybrid-sacd-limited-numbered","title":"Dire Straits - Communique SACD MFSL Hybrid SACD, limited\/numbered MFSL","description":"\u003cdiv class=\"custom-field custom-field__track-listing custom-field__type--html teaser rte\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"custom-field--value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eREFERENCE-LEVEL DETAIL, DEPTH, SOUNDSTAGING, BALANCE, AND PRESENCE: \u003cem data-mce-fragment=\"1\"\u003eCOMMUNIQUÉ\u003c\/em\u003e HAS NEVER SOUNDED BETTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginal Master Recording from Mobile Fidelity Sound Lab. MoFi does it again with the Dire Straights reissue series.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe performances on Dire Straits'\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCommuniqué\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare so smooth and effortless, they were originally criticized for replicating the blueprints of the band's breakout debut. Time, however, has a way of changing perspectives and exposing the truth. More than 35 years after its original release in June 1979,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCommuniqué\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erightfully takes its place as the group's most underrated record – a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity.\u003c\/p\u003e\n\u003cdiv class=\"musicTrackList\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOnce Upon a Time in the West\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNews\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhere Do You Think You're Going?\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCommunique\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLady Writer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAngel of Mercy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePortobello Belle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSingle-Handed Sailor\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFollow Me Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__description rte custom__description complete\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMastered from the original master tapes, Mobile Fidelity's numbered-edition hybrid SACD of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCommuniqué\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eelevates Dire Straits' sophomore album to an even higher plane. Recorded in the Bahamas by Muscle Shoals veterans Barry Beckett and Jerry Wexler, the songs benefit from a laidback approach that makes guitarist\/vocalist Mark Knopfler and company's stellar playing seem even more fluent – particularly when experienced on this collector's version.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKnopfler's mesmerizing guitar textures and composed vocals appear as if they're right in front of you, holding court amidst expansive soundstages and deep-black backgrounds. Details, imaging, and presence are on a level associated with the finest audiophile recordings. You'll be hard-pressed to find another SACD with cleaner, pinpoint-accurate tones. Mobile Fidelity's SACD also brings into transparent view Knopfler's seemingly perfect intricate lines as well as the simpatico accompaniment from his band mates. Whole, lively, and balanced, the bass and drums arrive with a solidity rarely heard on albums of this era.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCommuniqué\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas truly never sounded better.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOf course, the audiophile sonics mean little if the artistic content is lacking. Needless to say, Dire Straits' technical perfectionism and creative elan prevail throughout. Knopfler's penchant for sketching cynical characters is further developed on moody tracks like \"Where Do You Think You're Going\" and \"News,\" while Wexler's presence at the boards ensures the band keeps the rhythms extra tight. The quartet's low-key blues and swampy, Southern-styled grooves turn every song into an exercise in understated virtuosity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRefusing to give into excess, magnetic tunes such as \"Lady Writer\" and \"Angel of Mercy\" split a fine line between insinuating and insisting. The group shows off a combination of control, virtuosity, and tunefulness that harkens back to a rock n' roll's classic period while also pointing the way ahead. Need indisputable evidence of Dire Straits' compositional strengths? Cue up the closing \"Follow Me Home\" on this pressing and get lost amidst the peacefulness of the gentle surf and chirping crickets that frame the song. Heavenly.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUPC: 821797218566\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39426832400582,"sku":"MFSL-UDSACD 2185","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Dire_Straits_Communique_1500x_645cdd2a-584d-4bf3-b424-a2d5dd1b37a6.jpg?v=1616209857"},{"product_id":"dire-straits-love-over-gold-sacd-mfsl-hybrid-sacd-limited-numbered","title":"Dire Straits - Love Over Gold SACD MFSL Hybrid SACD, limited\/numbered","description":"\u003cdiv class=\"custom-field custom-field__track-listing custom-field__type--html teaser rte\"\u003e\n\u003cdiv class=\"custom-field--value\"\u003e\n\u003cp\u003e\u003cstrong\u003eUNSURPASSED SPACIOUSNESS, IMAGING, AND TRANSPARENCY: MASTERED FROM THE ORIGINAL TAPES, MUSIC EMERGES WITH NEW DETAILS AND TONES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Master Recording from Mobile Fidelity Sound Lab. MoFi does it again with the Dire Straights reissue series.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLove Over Gold\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis all about contrast, tension, and crafty composition. Dire Straits' fourth album finds the band continuing to evolve by welcoming increasingly bold arrangements and exploring moody variations. Parts edgy and sharp, and part seductive and relaxed, the five lengthy songs on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Over Gold\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esprawl out like a long, winding road cutting through a pastoral landscape. The addition of a new rhythm guitarist, Hal Lindes, encourages deeper atmospheric interplay while the presence of engineer Neil Dorfsman – his first appearance in what would be a long string of collaborations with Mark Knopfler – ensures stunning sonic properties that now come to life like never before.\u003c\/p\u003e\n\u003cdiv class=\"musicTrackList\"\u003e\n\u003col\u003e\n\u003cli\u003eTelegraph Road\u003c\/li\u003e\n\u003cli\u003ePrivate Investigations\u003c\/li\u003e\n\u003cli\u003eIndustrial Disease\u003c\/li\u003e\n\u003cli\u003eLove Over Gold\u003c\/li\u003e\n\u003cli\u003eIt Never Rains\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__description rte custom__description complete\"\u003e\n\u003cp\u003eMastered from the original master tapes, Mobile Fidelity's hybrid SACD of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Over Gold\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eteems with superb balances, front-to-back soundstages, and crystalline purity. It brings forward previously obscured details, extra information, and mastering-studio-quality transients. The distinctive textures of a host of instruments – marimbas, acoustic and electric guitars, vibes, synthesizers – further enhance the ambitiousness of the 1982 album.\u003c\/p\u003e\n\u003cp\u003eOn this audiophile disc, everything Knopfler does seemingly turn to gold. Gearheads will hear the unique characteristics afforded by his use of a Mesa Boogie Mark II guitar amplifier (soon again employed on Brothers in Arms) and carefully chosen selection of Schecter Stratocasters, 1937 National steel guitar, and Ovation six- and twelve-string models. Reference-level separation and lifelike imaging place Knopfler and company in your room, while tube-like warmth, spaciousness, and airiness causes the music to breathe anew. This SACD will be in your rotation for months.\u003c\/p\u003e\n\u003cp\u003eIt doesn't take long to realize\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Over Gold\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis like no other Dire Straits album – and a staunch proclamation of independence from a band that continued to take longer creative strides with each successive project. Fearlessly extending over metaphoric hills, valleys, and plains for nearly 14-and-a-half minutes, the opening \"Telegraph Road\" is a guitar hero's dream and exhilarating showcase for Lindes' give-and-take capabilities. In tandem with keyboardist Alan Clark, Lindes provides the ideal foil for not only Knopfler but the long-time rhythm section of bassist John Illsley and drummer Pick Withers.\u003c\/p\u003e\n\u003cp\u003eTaking its time to arrive at destinations, the quintet paints evocative musical and lyrical portraits steeped in patience, drama, and, often times, sadness. Desolate emotions color the sweeping \"Telegraph Road\" and barren \"Private Investigations,\" which finds Knopfler in the role of a tired private eye contemplating the emptiness and scars of his profession. Vocally, the Dire Straits leader remains in top form throughout, his whiskey-coated rasp conveying romantic ache, ongoing frustration, and what\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRolling Stone\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebeautifully deemed \"wracking schizophrenia between the heart and the heartless, the loving and the pain.\"\u003c\/p\u003e\n\u003cp\u003eUPC: 821797218764\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39426905505990,"sku":"MFSL-UDSACD 2187","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/UDSACD2187-2_1500x_53fae629-804f-4fe4-a886-2d1abaf8323d.jpg?v=1616211470"},{"product_id":"ry-cooder-boomers-story-sacd-mfsl-hybrid-sacd-limited-numbered-to-2000","title":"Ry Cooder - Boomer's Story SACD MFSL Hybrid SACD, limited\/numbered to 2000","description":"\u003cdiv class=\"custom-field custom-field__track-listing custom-field__type--html teaser rte\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"custom-field--value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePAYS TRIBUTE TO THE PAST AND UPDATES MUSIC FOR FUTURE ON RUSTIC RECORD STEEPED IN FOLK, BLUES, AND SOUL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginal Master Recording from Mobile Fidelity Sound Lab (MoFi)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRy Cooder's development as a peerless musician capable of grasping virtually any style began with his time spent with Taj Mahal and Captain Beefheart, but for all intents and purposes reaches epic proportions on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBoomer's Story\u003c\/em\u003e. With two ambitious albeit uneven studio albums behind him, the California native plunged into roles that still define him today – that of sonic archeologist and cultural historian, shaping his 1972 Reprise effort with enlightened selections carved into the bedrock of America's folk, blues, and soul landscapes. Inspired, virtuosic, and poignant,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBoomer's Story\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eendures as a ravishing portrait of inspired translation and inventive craftsmanship that after years of neglect finally boasts sonics deserving of the performances.\u003c\/p\u003e\n\u003cdiv class=\"musicTrackList\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBoomer's Story\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCherry Ball Blues\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCrow Black Chicken\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAx Sweet Mama\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMaria Elena\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Dark End of the Street\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRally ‚Around the Flag\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eComin' in on a Wing and a Prayer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePresident Kennedy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGood Morning Mr. Railroad Man\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__description rte custom__description complete\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMastered from the original master tapes and limited to 2000 numbered copies, Mobile Fidelity's hybrid SACD of Cooder's breakout teems with natural tones, front-to-back imaging, and vintage tube warmth.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBoomer's Story\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebenefits from vibrant textures and organic openness, two prized traits that come to fore with breathtaking realism on this audiophile reissue. Details ranging from the audible resonance of the drum skins, drifting reverb on the guitar, and inner cavity of the piano take up residence on deep-black soundstages. Individual notes appear and recede with lifelike decay. Cooder and company sound as if they're in the room, playing in real time with one another. This record has never been more dynamic or involving.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHaving initiated his self-taught learning of customs established by the likes of Josh White, Woody Guthrie, Charlie Johnson, and Robert Johnson as early as age four, and grown up a son of parents obsessed with Folkways Records, Cooder never suffers from the retro rehash fakery plaguing countless contemporary revivalists. A true original, the guitarist simultaneously pays tribute to the past and updates it for the future.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBoomer's Story\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebrims with traditional tunes (the title track, \"Good Morning Mr. Railroad Man\"), classic blues (\"Ax Sweet Mama,\" \"Cherry Ball Blues\"), and World War II standards (\"Comin' in on a Wing and a Prayer\").\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA spellbinding blend of personality, respect, and innovation grace every song. Evoking the timeless rusticism and \"weird, old America\" vibe of Bob Dylan and the Band's\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBasement Tapes\u003c\/em\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBoomer's Story\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eunfolds with a relaxed ease and back-porch chemistry underlined by the musicians' unpretentious demeanors and potent abilities. Drummer Jim Keltner, percussionist Milt Holland, and bassist Jim Dickinson (also a producer) are among the cast fleshing out Cooder's visions. The headliner also welcomes country-blues legend Sleepy John Estes to sing on his own \"President Kennedy\" and leans on pianist Randy Newman to help him transform the normally bellicose \"Rally 'Round the Flag\" into a patient, mournful protest.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCooder attains equally meaningful, emotional results on a definitive wordless interpretation of the staple soul ballad \"The Dark End of the Street,\" expressing unfathomable depths of regret and longing via slide-guitar work that draws a line back to Blind Willie McTell's immortal spiritual \"Dark Was the Night\" – a song Cooder called \"the most transcendent piece in all American music.\" Indeed, the degree of interplay attained by twinkling keys, rambling beats, brass accents, and dazzling guitar lines – also finger-picked and strummed – on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBoomer's Story\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebreathes with a rare air increasingly endangered in an era of on-demand immediacy and auto-tuned imitation. This, as it's said, is the real deal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39427560964294,"sku":"MFSL-UDSACD 2154","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Ry_Cooder_BoomersStory_1500x_2b519150-b0bd-4b75-894f-ed4c897b0526.jpg?v=1616216798"},{"product_id":"simon-garfunkel-parsley-sage-rosemary-and-thyme-sacd-mfsl-hybrid-sacd-limited-numbered","title":"Simon \u0026 Garfunkel - Parsley, Sage, Rosemary and Thyme SACD MFSL Hybrid SACD, limited\/numbered","description":"\u003cdiv class=\"custom-field custom-field__track-listing custom-field__type--html teaser rte\"\u003e\n\u003cdiv class=\"custom-field--value\"\u003e\n\u003cp\u003e\u003cstrong\u003eMASTERED ON MOBILE FIDELITY'S WORLD-RENOWNED MASTERING SYSTEM FOR SUPREME SOUND\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Master Recording from Mobile Fidelity Sound Lab (MoFi)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe liner notes pioneering writer Ralph J. Gleason penned for the back cover of Simon and Garfunkel's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eParsley, Sage, Rosemary and Thyme\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ering as true now as they did upon the record's original release in 1966. He mused: \"Today's popular music is in good shape indeed – at least the portion of it represented by this album. It has strength and it has beauty, it has lyricism, meaning and, above all, that quality of broad appeal which still retains form. And its music speaks for more than the moment. The songs in this album are songs for all time.\" Indeed, they are, and they can now be experienced in the highest fidelity they've ever enjoyed.\u003c\/p\u003e\n\u003cdiv class=\"musicTrackList\"\u003e\n\u003col\u003e\n\u003cli\u003eScarborough Fair\/Canticle\u003c\/li\u003e\n\u003cli\u003ePatterns\u003c\/li\u003e\n\u003cli\u003eCloudy\u003c\/li\u003e\n\u003cli\u003eHomeward Bound\u003c\/li\u003e\n\u003cli\u003eThe Big Bright Green Pleasure Machine\u003c\/li\u003e\n\u003cli\u003eThe 59th Street Bridge Song (Feelin' Groovy)\u003c\/li\u003e\n\u003cli\u003eThe Dangling Conversation\u003c\/li\u003e\n\u003cli\u003eFlowers Never Bend in the Rainfall\u003c\/li\u003e\n\u003cli\u003eA Simple Desultory Philippic\u003c\/li\u003e\n\u003cli\u003eFor Emily, Whenever I May Find Her\u003c\/li\u003e\n\u003cli\u003eA Poem on the Underground Wall\u003c\/li\u003e\n\u003cli\u003e7 O'Clock News\/Silent Night\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__description rte custom__description complete\"\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cp\u003eMastered on Mobile Fidelity's world-renowned mastering system, this hybrid SACD presents the famed duo's landmark third record in superlative sound. Reflecting the perfectionist-minded nature of Bob Johnston's meticulous production and the group's painstaking arrangements, Mobile Fidelity's reissue brings to light textures, nuances, details, and microdynamics obscured on prior editions. The hyper-realistic results give you a seat at the recording studio.\u003c\/p\u003e\n\u003cp\u003eThe first Simon and Garfunkel set captured on an eight-track recorder,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eParsley, Sage, Rosemary and Thyme\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ehere bursts with colors crucial to the scope of the songs. Separation between vocals and guitars, images of individual players, and the dimensions of the wide-spanning soundstages all flourish. Harmonies crest and seemingly float on bypassing clouds. Acoustic passages blossom with lifelike structure and tone. The intent of deliberate euphonic variations – like those between the pair's singing and Charlie O'Donnell's spoken news report on the closing \"7 O'Clock News\/Silent Night,\" which function as both poetic and social commentary – is made clearer by way of the SACD's reference-caliber transparency.\u003c\/p\u003e\n\u003cp\u003eSuch punctiliousness is exactly what the duo pursued during their four months in the studio, considered then by record-company executives to be borderline excessive. Yet there's no arguing with the end results of a benchmark work Rolling Stone named the 202nd Greatest Album of All Time. Again, it proves wise to refer again to Gleason, whose observations about\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eParsley, Sage, Rosemary and Thyme's\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003echaracter remain spot-on.\u003c\/p\u003e\n\u003cp\u003e\"There's a delicate musical design of almost lapidarian detail. It has vitality but it is control, the sounds being made deliberately for the artist's conscious purpose,\" he notes, before continuing, \"Take the glorious kaleidoscope of rushing feelings, blowing winds, shifting colors, bursting moods of joy and exultation in 'Cloudy.' The song is effervescent, one is refreshed hearing it.\"\u003c\/p\u003e\n\u003cp\u003eRevitalization – and the wellspring of emotions that accompany it – endure as the most attractive aspect of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eParsley, Sage, Rosemary and Thyme\u003c\/i\u003e. Simon and Garfunkel achieve the feat time and again via interwoven harmonies, folk devices, revealing contrasts, vocal blending, spiritual imagery, and soaring melodies. The material is at once beautiful and evocative, pristine and natural, serious and joyful, pertinent and accessible. And while the individual appeal of chestnuts like \"Homeward Bound,\" \"Scarborough Fair\/Canticle,\" \"The 59th Street Bridge Song,\" and \"For Emily, Whenever I May Find Her\" remain iconic, the sum of the whole makes this 1966 masterwork a paramount expression of unbridled creativity and communal vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eUPC: 821797219969\u003cbr\u003e\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39427717103814,"sku":"MFSL-UDSACD 2199","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Simon_And_Garfunkel_ParsleySageRosemaryThyme_1500x_079f2b42-0518-4e56-affd-a0899dc03737.jpg?v=1616217985"},{"product_id":"thelonious-monk-quartet-monks-dream-sacd-mfsl-hybrid-sacd-limited-numbered-to-3000","title":"Thelonious Monk Quartet - Monk's Dream SACD MFSL Hybrid SACD, Numbered\/Limited to 3000","description":"\u003cdiv class=\"custom-field custom-field__track-listing custom-field__type--html teaser rte\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"custom-field--value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 3,000 COPIES: SACD FEATURES STUNNING CLARITY, RESPONSIVENESS, AND PRESENCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginal Master Recording from Mobile Fidelity Sound Lab (MoFi)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe historical import, musical genius, and timeless artistry of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMonk's Dream\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecan be best appreciated by first placing the record in the context of its era. In short, Thelonious Monk's joyful Columbia Records debut triggered a domino effect of mainstream attention, best-selling success, and across-the-board respect that led him to become one of only six jazz musicians to ever grace the cover of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTime\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– then America's most widely read weekly magazine. Couple the extraordinary feat with the fact the British Invasion and Beatlemania were already in full swing, and the cultural significance – not to mention its place in the jazz canon – of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMonk's Dream\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eskyrockets to near-unthinkable heights.\u003c\/p\u003e\n\u003cdiv class=\"musicTrackList\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMonk's Dream\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBody and Soul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBright Mississippi\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFive Spot Blues\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBolivar Blues\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJust a Gigolo\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBye-Ya\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSweet and Lovely\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__description rte custom__description complete\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMastered from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's numbered-edition hybrid SACD pays tribute to the 1963 album's merit and enhances the music for generations to come. This audiophile-grade collector's edition strips away any lingering audio limitations to provide a clear, transparent, and up-close view of a set that inspired\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDownBeat\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eto award the record a five-star review in which critic Pete Welding correctly proclaimed it \"a stunning reaffirmation of [Monk's] powers as a performer and composer.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSuch potency reveals itself as all the more obvious on an SACD afforded stellar reproduction of the multi-layered complexities, challenging tonalities, and nontraditional rhythms that conspire to place Monk's finest outings in a league of their own. Accurately portraying the complete scale of a piano remains one of the most difficult tasks to accomplish on a recording. And yet the sound of Monk's instrument here captures its wide-bandwidth frequency response and inner cavity, allowing notes to individually register all the while pairing with succeeding and decaying chords in seamless fashion. The presence, tones, and contributions of the colleagues surrounding Monk – tenor saxophonist Charlie Rouse, bassist John Ore, and drummer Frankie Dunlop – come across, too, with a lifelike realism rivaled only by sitting in an intimate club.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBenefitting from the newfound immediacy, clarity, and ink-black backgrounds on Mobile Fidelity's reissue are five originals and three covers that demonstrate the boundless vistas of Monk's vision, aptitude, and inventiveness. As acclaimed scribe Gary Giddins wrote while reminding us the North Carolina native's motto was \"jazz is freedom,\"\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMonk's Dream\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eexposes his \"dauntless concentration, impressive faith, and an almost childlike glee.\" These traits spark works such as the spry interpretation of \"Body and Soul,\" which Monk handles sans accompaniment, and guide the quirky angles that snake around and shape \"Bolivar Blues,\" the title of which refers to a Manhattan hotel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMonk's Dream\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003econveys an exhilarating freedom that mirrors the improvisational twists, dissonant techniques, and melodic turns Monk embraced not only in the studio (and on the stage) but in everyday life. Considered by some to be too idiosyncratic for his own good, his flawless craftsmanship, underlying irreverence, and deep-seated knowledge of swing, stride, blues, and gospel raise this 1963 album to mythical levels – and let the inner contours, deliberate phrasings, and urgent solos on tracks like \"Bye-Ya\" and the title cut exhibit new details, themes, and directions with each listen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIndeed, above everything,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMonk's Dream\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eencourages constant exploration and repeat plays. Forever bursting with fresh ideas, it refuses to stand still, instead buzzing with the energy of a city celebrating its internal commotion and dancing to the influences that made its current modernism possible. Monk was just decades ahead of everyone else in figuring out how this seemingly incongruent yet delightfully cool tango sounded. Fortunately for the rest of us, he documented it and called it\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMonk's Dream\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39427818160326,"sku":"MFSL-UDSACD2207","price":32.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Thelonious_Monk_MonksDream_1500x_95fa0a5c-ad07-44d2-aae6-b03f927c7714.jpg?v=1616218672"},{"product_id":"dire-straits-dire-straits-sacd-hybrid-sacd-limited-numbered","title":"Dire Straits - Dire Straits [SACD] (Hybrid SACD, limited\/numbered)","description":"\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eDire Straits' Self-Titled 1978 Debut Distinguished by Jazz-Inflected Mix of Folk, Blues, Country, and Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, and Texture \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered from the Original Master Tapes for Optimal Sound: Transparent Mobile Fidelity Hybrid SACD Engages With Natural Tones, Superb Balances, Reference Imaging, Sterling Clarity \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBreakout Dire Straits Album Includes ''Sultans of Swing'' and ''Down to the Waterline'': Band's Shuffles, Boogies, and Ballads Spark With Crispness, Soulfulness, Coolness\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over – and which has never been better in digital than on this meticulous hybrid SACD.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered from the original master tapes, Mobile Fidelity's numbered-edition SACD version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all discs should sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCrucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings – an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads – mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. ''Down to the Waterline,'' ''Wild West End,'' and ''Lions'' all feature colloquial touches that add to their reach. By extension, ''In the Gallery'' functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, ''Sultans of Swing,'' pays homage to struggling bar bands.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNumbered Hybrid Stereo SACD\u003cbr data-mce-fragment=\"1\"\u003eNUMBERED SPECIAL EDITION\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack List\u003cbr data-mce-fragment=\"1\"\u003e1. Down to the Waterline\u003cbr data-mce-fragment=\"1\"\u003e2. Water of Love\u003cbr data-mce-fragment=\"1\"\u003e3. Setting Me Up\u003cbr data-mce-fragment=\"1\"\u003e4. Six Blade Knife\u003cbr data-mce-fragment=\"1\"\u003e5. Southbound Again\u003cbr data-mce-fragment=\"1\"\u003e6. Sultans of Swing\u003cbr data-mce-fragment=\"1\"\u003e7. In the Gallery\u003cbr data-mce-fragment=\"1\"\u003e8. Wild West End\u003cbr data-mce-fragment=\"1\"\u003e9. Lions\u003cspan data-sheets-userformat='{\"2\":12351,\"3\":{\"1\":0,\"3\":1},\"4\":{\"1\":2,\"2\":16776960},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"15\":\"Arial\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Dire Straits' Self-Titled 1978 Debut Distinguished by Jazz-Inflected Mix of Folk, Blues, Country, and Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, and Texture \\r\\n\\r\\nMastered from the Original Master Tapes and Pressed at RTI for Optimal Sound: Mobile Fidelity 45RPM 2LP Set Engages With Natural Tones, Superb Balances, Reference Imaging, Sterling Clarity \\r\\n\\r\\nBreakout Dire Straits Album Includes ''Sultans of Swing'' and ''Down to the Waterline'': Band's Shuffles, Boogies, and Ballads Spark With Crispness, Soulfulness, Coolness\\r\\n\\r\\nDire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over – and which has never been better than on this meticulous analog pressing.\\r\\n\\r\\nMastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.\\r\\n\\r\\nCrucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.\\r\\n\\r\\nDire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings – an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads – mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.\\r\\n\\r\\nDrawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. ''Down to the Waterline,'' ''Wild West End,'' and ''Lions'' all feature colloquial touches that add to their reach. By extension, ''In the Gallery'' functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, ''Sultans of Swing,'' pays homage to struggling bar bands.\\r\\n\\r\\nThrough it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.\\r\\n\\r\\nNumbered 180g 45RPM Vinyl 2LP\\r\\nNUMBERED SPECIAL EDITION\\r\\n\\r\\nTrack List\\r\\nSIDE ONE \\r\\nDown To The Waterline               3:55 \\r\\nWater of Love                       5:23 \\r\\n\\r\\nSIDE TWO \\r\\nSetting Me Up                       3:18 \\r\\nSix Blade Knife                     4:10 \\r\\nSouthbound Again                    2:58 \\r\\n\\r\\nSIDE THREE \\r\\nSultans of Swing                    5:47 \\r\\nIn The Gallery                      6:16 \\r\\n\\r\\nSIDE FOUR \\r\\nWild West End                       4:42 \\r\\nLions                               5:05\u0026quot;}\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39575690510534,"sku":"MFSLUDSACD 2184","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Dire_Straits_SelfTitled_1500x_b0f663c0-d14d-494d-9def-269cc4460c29.jpg?v=1618079666"},{"product_id":"dire-straits-making-movies-sacd-hybrid-sacd-limited-numbered","title":"Dire Straits - Making Movies [SACD] (Hybrid SACD, limited\/numbered) MFSL","description":"\u003cp\u003e\u003cstrong\u003eDire Straits Expand Musical Framework and Come Into Own on Making Movies: Co-Produced by Jimmy Iovine, Thematic Album Soars With Personal Songwriting and Epic Arrangements\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eCinematic Landscapes and Intricate Passages Sound Sublime: Mobile Fidelity Hybrid SACD of Making Movies Mastered from Original Master Tapes, Features Audiophile Dynamics\u003cbr\u003e\u003cbr\u003eBruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, and Passionate Performances Turn Making Movies Into a Classic: Includes ''Romeo and Juliet,'' ''Tunnel of Love,'' ''Solid Rock''\u003cbr\u003e\u003cbr\u003eMaking Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a melange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.\u003cbr\u003e\u003cbr\u003eMastered from the original master tapes, Mobile Fidelity's hybrid SACD of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record – which contains many Springsteen-esque elements – features the cleanliness and clarity that have long been Dire Straits trademarks. Compared to all prior digital editions, this disc features previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about.\u003cbr\u003e\u003cbr\u003eYou know you're in the presence of sonic greatness as soon as the first few seconds of the opening ''Tunnel of Love'' pass, as the introductory passage built on organ and piano – new additions to Dire Straits' palette – intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity SACD is alone worth the price of admission. Crisp, rich, and balanced, the sound brings Knopfler's Fender Vibrolux and Music Man HD130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.\u003cbr\u003e\u003cbr\u003eAlways more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.\u003cbr\u003e\u003cbr\u003eThe album's power isn't lost on Iovine, who later told Rolling Stone: ''The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that.''\u003cbr\u003e\u003cbr\u003eIndeed, the first five tracks – ''Tunnel of Love,'' ''Romeo and Juliet,'' ''Skateaway,'' ''Expresso Love,'' ''Hand in Hand'' – comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.\u003cbr\u003e\u003cbr\u003eNumbered Hybrid Stereo SACD\u003cbr\u003eNUMBERED SPECIAL EDITION\u003cbr\u003e\u003cbr\u003eTrack List\u003cbr\u003e1. Tunnel of Love\u003cbr\u003e2. Romeo and Juliet\u003cbr\u003e3. Skateaway\u003cbr\u003e4. Expresso Love\u003cbr\u003e5. Hand in Hand\u003cbr\u003e6. Solid Love\u003cbr\u003e7. Les Boys\u003c\/p\u003e\n\u003cp\u003eUPC: 821797218665\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39575722819782,"sku":"MFSLUDSACD 2186","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Dire_Straits_MakingMovies_1500x_c047d887-ca98-4a1d-80d6-f8cba77f898b.jpg?v=1618080225"},{"product_id":"patricia-barber-smash-sacd-hybrid-cd-sacd-mfsl-original-master-recording","title":"Patricia Barber - Smash SACD Hybrid CD\/SACD MFSL Original Master Recording","description":"\u003cdiv class=\"custom-field custom-field__track-listing custom-field__type--html teaser rte\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"custom-field--value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAN INSTANT AUDIOPHILE CLASSIC: WHISPER-SOFT TRANSIENTS, ACOUSTIC DIMENSIONS, AND IMAGING WITH UTMOST DETAIL AND PRECISION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAccessible and complicated, alluring and challenging, sensuous and liberating, Patricia Barber's\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSmash\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eonce and for all confirms the pianist\/singer exists in an elevated artistic plane reached by none of her generational peers. Four years in the making, and the beloved musician's first studio record since 2008, her Concord Records debut defies expectations and crystallizes her status as a preeminent songwriter. Informed by personal episodes of significant loss and yearning, the album masterfully unites harmony and melody via uncommon delicacy, tonal intimacy, and ethereal surrealism. It will likely stand as 2013's finest jazz effort, an instant classic.\u003c\/p\u003e\n\u003cdiv class=\"musicTrackList\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCode Cool\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Wind Song\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRomanesque\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSmash\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRedshift\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSpring Song\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDevil's Food\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eScream\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Swim\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBashful\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Storyteller\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMissing\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__description rte custom__description complete\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMastered from the original master tapes, Mobile Fidelity's hybrid SACD possesses audiophile-quality fidelity and dynamic transparency unmatched by the commercially released CD. Akin to the reissue label's previous Barber releases,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSmash\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebrings the singer and her band into your listening room, converting it into a recreation of the stage at Chicago's Green Mill, Barber's home base. Sonic characteristics crucial to Barber's sophisticated compositions – atmospherics, decay, whisper-soft transients, mood, acoustic dimensions, precise imaging – are rendered with utmost detail, balance, and accuracy. All else that's required for your trip to the Green Mill is a stereo and glass of chardonnay.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePunctuated by deft instrumental passages and mysterious verses,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSmash\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emarks a triumphant return for Barber after she endured a series of melancholic episodes, including the death of her mother and four other people close to her. In addition, a disagreement with business associate cost her untold amount of money. She also broke away from Blue Note after its president stepped down from his position. Barber channels these painful, often-angry experiences and transitional periods into expressionistic poetry on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSmash\u003c\/em\u003e, transferring her emotions to arrangements that mirror the deep, meaningful cycle of human life and death.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBacked by a brilliant trio, Barber opts for her now-signature subdued methods, allowing each syllable to linger, every note to hover before fading, each rhythmic line to develop unique relationships with the groove. Chicago Tribune jazz critic Howard Reich wrote in his rave review of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSmash\u003c\/em\u003e: \"No one else writes or sounds like this, in other words, because no one else approaches the art of singing, songwriting, and piano playing with Barber's particular interests. The liquidity of her vocals, the sharp edge of her jazz pianism, and the quirkiness of her original songs cannot be imitated and remain a work in progress.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese aspects, and more, are immediately apparent on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSmash\u003c\/em\u003e, arguably the boldest and most satisfying set of the reclusive talent's career. Her famously seductive and breathy vocals, supple right-hand runs, and nuanced harmonics simultaneously engage, hypnotize, and tempt. Her mates follow suit with aptly sculpted bass lines, taut percussion, and suggestive guitar fills. A model of economical succinctness,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSmash\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etakes risks, harbors intensity, and utilizes silences to communicate. It represents a new level for 21st century jazz, and there's no way to better way to experience it and immerse yourself in its powers than via Mobile Fidelity's superb digital edition.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39577836781766,"sku":"MFSLUDSACD2136","price":32.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Patricia_Barber_Smash_1500x_6dfa4d6d-7cf0-40b5-bcd7-da23c6dc4d5a.jpg?v=1618110620"},{"product_id":"bob-dylan-new-morning-sacd-mfsl-mobile-fidelity-sound-lab-stereo-hybrid-sacd-cd","title":"Bob Dylan New Morning SACD MFSL Mobile Fidelity Sound Lab Stereo Hybrid SACD\/CD","description":"\u003cdiv class=\"custom-field custom-field__track-listing custom-field__type--html teaser rte\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"custom-field--value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSUBLIME 1970 ALBUM AMONG LOOSEST, JOVIAL OF DYLAN'S CAREER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe album might have saved Bob Dylan's career. At the least, it proved the icon still relevant, and his wits still in tact. And it immediately followed what remains the artist's biggest disaster, the yet-unexplained and forever puzzling\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSelf Portrait\u003c\/em\u003e, a nearly unlistenable attempt that caused many to wonder whether Dylan had lost his mind. If intended as a joke, it bombed, making the sublime\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNew Morning\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eall the more important to restore faith in the singer's creativity and songwriting prowess. It did all this and more, and stands as his finest studio effort during a five-year span.\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIf Not for You\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDay of the Locusts\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTime Passes Slowly\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWent to See the Gypsy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWinterlude\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIf Dogs Run Free\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNew Morning\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSign on the Window\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOne More Weekend\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Man In Me\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThree Angels\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFather of Night\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__description rte custom__description complete\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Many of the songs seem to have been made up on the spot, with confidence in the ability of first-rate musicians to move in any direction at any time,\" wrote Dylan expert and cultural critic Greil Marcus in his original review for the New York Times. \"The riffs, inventions, and studio jams of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNew Morning\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehave their own personality...the full joy of anticipating the right move and the exhilaration of hitting it square and bouncing off a chord into a new lyric.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese observations hold true today, for the 1970 effort claims a daring flair Dylan rarely exhibited on albums before or since. Enthusiasm and excitement surround his singing, and his work on the 88s underlines the liberating arrangements. Offbeat and eclectic, the record frolics and swings, with the Bard and his crack band pursuing jazzy steps (\"Sign on the Window\"), shuffling spoken-word experiments (\"If Dogs Run Free\"), and soulful rock (\"The Man In Me,\" used to wonderful and prominent effect in the Coen Brothers film\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Big Lebowski\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout, Dylan's phrasing communicates joyousness and simplicity seemingly carried over from the stripped-down\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eJohn Wesley Harding\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNashville Skyline\u003c\/em\u003e. The record's dominant sentiments trace to the lead track, \"If Not For You,\" one of the singer's all-time greatest singles, stitched with country threads and warmth that pervades everything that follows. Yes,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNew Morning\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emay lack the iconic status of some of Dylan's better-known records. Yet the underdog stature makes repeat listens all the more rewarding.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39578015727814,"sku":"MFSLUDSACD2127","price":37.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Bob_Dylan_NewMorning_1500x_f761b5b8-a906-48e6-b4a1-df8d5c0d7483.jpg?v=1618112499"},{"product_id":"bob-dylan-bringing-it-all-back-home-mono-sacd-mfsl-numbered-limited-to-3000","title":"Bob Dylan - Bringing It All Back Home Mono SACD MFSL Numbered Limited to 3000","description":"\u003cdiv class=\"custom-field custom-field__track-listing custom-field__type--html teaser rte\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"custom-field--value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBLOWS UP BOUNDARIES, STYLES, PRACTICALITIES: DYLAN PAIRS WITH A BAND ON SIDE ONE, GOES IT ALONE ON \"THOUGHT DREAM\" ODYSSEYS ON SIDE TWO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBring it all back home – in mono. Originally designed by the artist for mono listening, Bob Dylan's\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBringing It All Back Home\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erepresents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. It's a disarming broadcast that declares Dylan's surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed.\u003c\/p\u003e\n\u003cp class=\"musicTrackList\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSubterranean Homesick Blues\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShe Belongs To Me\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMaggie's Farm\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLove Minus Zero\/No Limit\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOutlaw Blues\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOn the Road Again\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBob Dylan's 115th Dream\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMr. Tambourine Man\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGates of Eden\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIt's Alright, Ma (I'm Only Bleeding)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIt's All Over Now, Baby Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__description rte custom__description complete\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs part of its Bob Dylan catalog restoration series, Mobile Fidelity is humbled to have the privilege of mastering the iconic album on its world-renowned mastering system and in its original mono format. Limited to just 3,000 copies, the end result is the very finest, most transparent SACD of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBringing It All Back Home\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eever produced. Forever renowned for its organic sound, the album's you-are-there-presence is fantastically enhanced on this superb version.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSince\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBringing It All Back Home\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efeatures the most instrumentation Dylan implemented in arrangements at that stage of his career, the set is undoubtedly vivid in stereo – particularly the electric half. Yet the Minnesota native paid particular attention to the mono mix, which here presents Dylan with unparalleled directness. The record's second half sounds especially genuine, lifelike, and intimate in mono. It paints listeners an incredibly accurate portrait of the attention-getting mass of acoustic-based sound – and features no artificial panning or echo chamber of its stereo counterpart. Instead, you are immersed right into the music.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIndeed, the sonics on this Mobile Fidelity reissue are so realistic, balanced, and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins, amplified pitch of the electric guitars, and ambient hum of the interior space of Columbia's Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics, spaciousness, imaging, and warmth that will send even the most rabid Dylan fans into a tizzy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMore than 50 years after its release,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBringing It All Back Home\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003econtinues to come on like a prophetic transmission from a savant who's privy to cerebral viewpoints, mental transferences, and \"thought dreams\" elusive to everyone but him. With the flipside of the album, Dylan strings together four of the most unflinching, forward-reaching, and boundary-breaking acoustic-based compositions ever played. In addressing liberating psychedelia, lost innocence, institutional naivet%eacute;, and tarnished relationships, respectively, Dylan constructs a compositional quartet\/suite that functions as metaphor for his waving goodbye to political folk music's imprisoning rules and bounding restrictiveness – and a rough guide to the transcendental poetry, shape-shifting vocal phrasing, and alternate tunings he now embraced.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide One remains one of the boldest cohesive artistic statements ever made. Dylan, forever throwing down the gauntlet to detractors and narrow-minded fans, plugging in with a band and kicking it all off with the in-your-face hootenanny \"Subterranean Homesick Blues\" before romping, slashing, and rolling through \"Maggie's Farm,\" another fun albeit caustic indictment of homogenous thought and bohemian method. Dylan's attitude undergoes a self-awakening metamorphosis, his lyrical scope broadened, his hallucinogenic interests increased, his willingness to embrace paradoxes and shake them out with mind-convulsing aptitude in line with his progression towards bizarre imagery.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRanked 31 on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eRolling Stone\u003c\/em\u003e's list of the 500 Greatest Albums of All Time,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBringing It All Back Home\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emarks the moment when paradigms permanently shifted, preexisting standards fell, and fresh aural, poetic, and sonic dialects came to fore. Albums don't come more vetted. You deserve to experience the mono edition in the finest-possible quality, just as Dylan intended.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cspan class=\"more\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39578146275526,"sku":"UDSACD2181M","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Bob_Dylan_BringingItAllBackMONO_1500x_39cf6ed1-e05e-4a20-a2a3-a41dbb2f6dee.jpg?v=1618115333"},{"product_id":"companion-by-patricia-barber-sacd-mobile-fidelity-sound-lab-mfsl-oop","title":"Companion by Patricia Barber SACD Mobile Fidelity Sound Lab MFSL OOP","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMastered from the Original Master Tapes - Mobile Fidelity Original Master Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis live recording of Patricia Barber has all the texture of her acclaimed studio recordings with Mobile Fidelity's Gain 2 mastering system capturing all the ambiance on this dual-layered hybrid SACD. And don't worry at all about the audience getting in the way of the music. The crowd at Chicago's Green Mill, Barber's hometown headquarters, remains hushed with respect.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMoFi's version of this recent classic has also been expanded with a charming closer, \"You Are My Sunshine.\" It's a bit of a different sound for Barber as well, where she substitutes Hammond B-3 for piano on several tracks. Of course, she let's her fellow musicians shine, in particular bassist Michael Arnopol and guitarist John McLean.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe booklet also contains liner notes by Michael Fremer detailing engineer Jim Anderson's masterful approach. Absolutely essential for fans of vocal music, piano, and jazz.\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39578262110406,"sku":"MFSLCMFSA2023","price":120.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Companion.jpg?v=1618117033"},{"product_id":"portraits-of-cuba-hybrid-sacd-by-paquito-drivera","title":"Paquito d'Rivera - Portraits of Cuba Stereo\/Multichannel Hybrid SACD Chesky","description":"\u003cp\u003eStereo\/Multi-Channel Hybrid SACD Super Audio CD plays on both CD and SACD Players\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBest Latin Jazz Album of the 39th Annual Grammy Awards!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis absolutely classic jazz recording is entitled Portraits of Cuba and is a milestone project of Paquito D'Rivera. Arranged by Carlos Franzetti, the large band ensemble provides an orchestral ambiance akin to the legendary Gil Evan sound with Miles Davis, in the classic \"Sketches of Spain.\" This recording couldn't come at a better time, as it presents an artistic commentary on a national and social transition as it unfolds in a new and evolving Cuba. It is truly a work that will be applauded worldwide as the quality of the writing and performance is at a level few artists are capable of achieving today. 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And how beautifully Sam Yahel's organ-while not the dominant voice, surely a prominent presence-sets the aesthetic tone for these proceedings: nothing rushed or forced or extravagant...elegant and swinging and exploratory, never stepping on anyone's toes-deceptively laid back and responsive, always listening intently, with plenty of rhythmic vitality...a sensibility he shares with collaborators Mike Moreno, Ari Hoenig and Seamus Blake, which goes a long ways towards explaining why their take on Pink Floyd's music is so engaging and stands up so well to repeated listenings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBreathe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn the Run, Pt. 1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTime\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eAny Colour You Like\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eGreat Gig in the Sky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eMoney\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eUs and Them\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrain Damage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn the Run, Pt. 2\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist(s)\u003cbr\u003eAri Hoenig\u003cbr\u003ePerformer(s)\u003cbr\u003eSeamus Blake\u003c\/span\u003e\u003c\/p\u003e","brand":"Chesky Records","offers":[{"title":"Default Title","offer_id":39696213180614,"sku":"CKY338SACD","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/AriHoenigJazzSideofTheMoon.jpg?v=1619277962"},{"product_id":"hotel-california-by-the-eagles-hybrid-sacd-import-japan","title":"Hotel California by The Eagles (Hybrid-SACD) [Import] Japan","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan face=\"Arial\" style=\"font-family: Arial;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJapan Import Hybrid CD SACD that many regard as the best sounding version of this classic rock recording!\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan face=\"Arial\" style=\"font-family: Arial;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv 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SACD hybrid that will play on all SACD and CD players\u003cbr\u003e\u003cbr\u003eTracks:\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhat a Shame\u003c\/li\u003e\n\u003cli\u003eMourning Grace\u003c\/li\u003e\n\u003cli\u003eThe Thrill Is Gone\u003c\/li\u003e\n\u003cli\u003eRomanesque\u003c\/li\u003e\n\u003cli\u003eYellow Car\u003c\/li\u003e\n\u003cli\u003eWood Is a Pleasant Thing to Think About\u003c\/li\u003e\n\u003cli\u003eInch Worm\u003c\/li\u003e\n\u003cli\u003eOde to Billy Joe\u003c\/li\u003e\n\u003cli\u003eToo Rich for My Blood\u003c\/li\u003e\n\u003cli\u003eA Taste of Honey\u003c\/li\u003e\n\u003cli\u003eNardis\u003c\/li\u003e\n\u003cli\u003eManha de Carnaval\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eUPC: 669179076058\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Premonition Records","offers":[{"title":"Default Title","offer_id":39696658268358,"sku":"PREM907605SACD","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/PatriciaBarberCafeBlueUnmasteredSACD.jpg?v=1619284580"},{"product_id":"antiphone-blues-by-gustav-sjokvist-arne-domnerus-sacd-proprius-music","title":"Antiphone Blues by Gustav Sjokvist\/Arne Domnérus SACD Proprius Music","description":"\u003cspan face=\"Arial\" style=\"font-family: Arial;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJust saxaphone and organ beautifully recorded in a church results in one of the most stunning audiophile recordings available. Now available in Super Audio CD format. This hybrid SACD offers stereo as well as 4.0 multi-channel and also plays on CD player. A must have for any audiophile.\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTracks:\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan face=\"Arial\" style=\"font-family: Arial;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlmighty God\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan face=\"Arial\" style=\"font-family: Arial;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNobody Knows the Trouble I've Seen\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan face=\"Arial\" style=\"font-family: Arial;\" 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data-mce-fragment=\"1\"\u003eCome Sunday\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan face=\"Arial\" style=\"font-family: Arial;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHeaven\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan face=\"Arial\" style=\"font-family: Arial;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEntonigt Klingar Den Lilla Klockan\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan face=\"Arial\" style=\"font-family: Arial;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDen Signade Dag\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan face=\"Arial\" style=\"font-family: Arial;\" data-mce-fragment=\"1\"\u003e\u003cspan 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Immediately recognizing her potential, Elektra Records founder Jac Holzman signed and paired her with legendary producer Eddie Kramer. The pair's chemistry resulted in a remarkable record that birthed an instant Top Ten hit, \"That's the Way I've Always Heard It Should Be,\" a potent statement about marriage that, in the era, doubled as a feminist statement. Simon's star-making self-titled album went on to garner critical acclaim and two Grammy nominations, including an award for Best New Artist. Now, more than four decades later, the album receives the sonic treatment it's long deserved.\u003cbr\u003e\u003cbr\u003eThat's the Way I've Always Heard It Should Be\u003cbr\u003eAlone\u003cbr\u003eOne More Time\u003cbr\u003eThe Best Thing\u003cbr\u003eJust a Sinner\u003cbr\u003eDan, My Fling\u003cbr\u003eAnother Door\u003cbr\u003eReunions\u003cbr\u003eRolling Down the Hills\u003cbr\u003eThe Love's Still Growing\u003cbr\u003eFor the first time, Kramer's production gets the opportunity to truly shine. Boasting stellar sonics and gorgeous subtleties, this SACD is tailor-made for relaxing listening sessions with a glass of wine at arm's reach. It also places Simon's lyrical arc about moving from living a carefree youth to entering adulthood – and the doubts, curiosities, heartbreaks, vulnerabilities, and anticipations that accompany the transition – in greater relief. Melodic counterpoints provided by the scored orchestrations, steel guitar accents, and hybrid pop-jazz progressions further amplify Simon's emotional reach.\u003cbr\u003e\u003cbr\u003eWhile Simon achieved greater commercial success with successive releases, rarely did she again sing with the kind of nuanced character, understated poignancy, and outstanding control present here. Before evolving into one of rock's premier singer-songwriters, Simon used her eponymous debut as a standout platform to showcase the art of vocal intricacies and phrasing. Coupled with the record's nimble arrangements and narrative palette, the performances elevate Carly Simon to a level on par with the artist's breakout No Secrets and Hotcakes albums.\u003cbr\u003e\u003cbr\u003eSimon's instinct for introspection can't be denied. She approaches the material in strikingly personal fashion. A majority of songs concern a young woman's reflections on development, expectations, disappointment, individuality, and romance. Chronicling human changes and growth, the singer explores the peaks and valleys between highs and lows with candid eloquence and bittersweet beauty that foreshadow what's to come. Whether on the balladic \"The Best Thing,\" folk-laden \"Reunions,\" or harmony-drenched \"The Love's Still Growing,\" Simon touches hearts and reaches into souls with her expressive feeling and aching melodies. If only every debut had such resonance.\u003c\/p\u003e\n\u003cp\u003eUPC: 821797216562\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39721964241094,"sku":"MFSLUDSACD 2165","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Carly_Simon_CarlySimon_1500x_89352047-c19b-4aef-b62e-b794c44b071e.jpg?v=1619588389"},{"product_id":"the-cars-the-cars-hybrid-sacd-limited-numbered-mobile-fidelity-sound-lab-mfsl","title":"The Cars - The Cars Hybrid SACD, limited\/numbered Mobile Fidelity Sound Lab MFSL","description":"\u003cp\u003e\u003cstrong\u003e\"MY BEST FRIEND'S GIRL,\" \"JUST WHAT I NEEDED,\" \"YOU'RE ALL I'VE GOT TONIGHT\" AMONG TUNES ON THE HIT PARADE\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the most successful and enjoyable debuts in history, The Cars doubles as a greatest-hits collection. That's because not one song here is unrecognized or unknown. A huge reason why the Boston quintet became America's most popular new-wave band, The Cars launched eight tracks still regularly heard on radio stations everywhere. Consider the hit list: \"You're All I've Got Tonight.\" \"Good Times Roll.\" \"Just What I Needed.\" \"Moving in Stereo.\" \"My Best Friend's Girl.\" \"Don't Cha Stop.\" If you're a fan of pop music, this album is mandatory. Just call it the best new-wave rock album ever made.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003eGood Times Roll\u003cbr data-mce-fragment=\"1\"\u003eMy Best Friend's Girl\u003cbr data-mce-fragment=\"1\"\u003eJust What I Needed\u003cbr data-mce-fragment=\"1\"\u003eI'm in Touch With Your World\u003cbr data-mce-fragment=\"1\"\u003eDon't Cha Stop\u003cbr data-mce-fragment=\"1\"\u003eYou're All I've Got Tonight\u003cbr data-mce-fragment=\"1\"\u003eBye Bye Love\u003cbr data-mce-fragment=\"1\"\u003eMoving in Stereo\u003cbr data-mce-fragment=\"1\"\u003eAll Mixed Up\u003cbr data-mce-fragment=\"1\"\u003eLed by Ric Ocasek and Benjamin Orr, The Cars managed to unite then-disparate styles: bubblegum pop melodies, angular art rock, progressive arrangements, and terse minimalism. Orr's low, understated singing and Ocasek's cool, detached vocals lend shades of doubt and double meaning to the lyrics, which are further counterbalanced by orchestral keyboard flourishes and electronic beats. The brilliant arrangements also benefit from a laidback cool and understated irony that remain uncommon in the over-the-top world of mainstream music. Obsessed with incorporating the latest technologies and sounds into its palette, the band spiced its tunes with delightfully quirky accents – country-tinged guitar fills, echoing Syndrums, reggae splashes, hard-rock tones, robotic pulses.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe results are the sounds of a creative landmark. At once accessible and eccentric, edgy and catchy, The Cars explodes with emotion, energy, and hooks. It's impossible not to get caught up humming and singing along to every song, an appeal that comes courtesy of Roy Thomas Baker's stellar production. The legendary producer, best known for his work with Queen, ensured that the record seamlessly packed a smooth midrange, spacious imaging, and call-and-answer choruses in one tight package. Baker's trademark touches with harmony vocals abound.\u003c\/p\u003e\n\u003cp\u003eUPC: 821797216265\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39721998024902,"sku":"MFSLUDSACD 2162","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/TheCars_TheCars.jpg?v=1619589082"},{"product_id":"dire-straits-brothers-in-arms-hybrid-sacd-limited-numbered-mfsl-mobile-fidelity","title":"Dire Straits Brothers In Arms Hybrid SACD limited\/numbered MFSL Mobile Fidelity","description":"\u003cp\u003e\u003cstrong\u003eMORE THAN 9 MILLION COPIES SOLD IN U.S. ALONE, RANKED #351 ON ROLLING STONE'S 500 GREATEST ALBUMS OF ALL TIME\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere are hit records. And then there are blockbusters. One of the world's best-selling records, a winner of two Grammy Awards, an era-defining reference statement, an MTV favorite, and a set that catapulted an already-acclaimed band to arena status, Brothers in Arms is the kind of epic spectacular that comes around only once or twice a decade. Surpassed only in fame and visibility during the period by Michael Jackson's Thriller, the 1985 album remains idiosyncratic for its covetable combination of adventurous songwriting, precision-based performances, and reference-caliber fidelity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo Far Away\u003cbr data-mce-fragment=\"1\"\u003eMoney for Nothing\u003cbr data-mce-fragment=\"1\"\u003eWalk of Life\u003cbr data-mce-fragment=\"1\"\u003eYour Latest Trick\u003cbr data-mce-fragment=\"1\"\u003eWhy Worry\u003cbr data-mce-fragment=\"1\"\u003eRide Across the River\u003cbr data-mce-fragment=\"1\"\u003eThe Man's Too Strong\u003cbr data-mce-fragment=\"1\"\u003eOne World\u003cbr data-mce-fragment=\"1\"\u003eBrothers in Arms\u003cbr data-mce-fragment=\"1\"\u003eMastered from the original master tapes, and possessing a richness befitting the album's stellar reputation, our numbered edition hybrid SACD of Brothers in Arms breathes with transparent highs, atmospheric heft, and lifelike tonalities. The sense of realism this edition delivers will leave slack-jawed even the most hard-to-please audiophiles. As the recipient of the Grammy for Best-Engineered Recording, the album has always been a go-to sonic standard, but never has it sounded so reach-out-and-touch-it realistic as it does here. All of the hallmark characteristics – ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production – are here in spades. As is music-making of enviable proportions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile it's easy to speculate that the colossal success of Brothers in Arms relates to its timing – its release during an era obsessed with catchy singles, flashy MTV videos, and whistle-friendly melodies – reasons for the album's chart-busting success primarily owe to the expertly crafted songs and memorable playing turned in by a group hitting its creative peak. Not to mention the spatial dimensions that cause instruments and vocals to naturally float in a fixed area.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnchored by \"Money for Nothing,\" a caustically themed smash immediately identifiable via Mark Knopfler's resonant finger-picked guitar riff and Sting's \"I want my MTV\" vocal refrain, Dire Straits' fifth album is stuffed with bluesy signatures, jazz-rock motifs, clever lyrics, and organic accents. Diversity and consistency also extend to the songs' moods. Singing with his trademark light-to-the-touch timbre, Knopfler conjures feelings of poignancy, peacefulness, and mellowness, channeling wistfulness on the Top 10 single \"So Far Away\" and somber assurance on \"Why Worry.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePerfection abounds, not only in the manner in which the band nails its pop hooks and uptempo boogies with debonair flair - but also in the control room. Iconic session jazz drummer Omar Hakim supplies fluid beats and solid rhythmic foundations while Knopfler and Co. comb over grooves so smooth it seems that they're made of honey butter. Dire Straits would never play with such effortless again.\u003c\/p\u003e\n\u003cp\u003eUPC: 821797209960\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39726369865926,"sku":"UDSACD 2099","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Dire_Straits_BrothersInArms.jpg?v=1619642223"},{"product_id":"jefferson-airplane-surrealistic-pillow-hybrid-mono-sacd-limited-numbered-mfsl","title":"Jefferson Airplane - Surrealistic Pillow Hybrid Mono SACD, Limited\/Numbered MFSL","description":"Mono Hybrid SACD from Mobile Fidelity Sound Lab.\u003cbr data-mce-fragment=\"1\"\u003eACID-ROCK EXPERIMENTALISM AND FOLK-BASED ARRANGEMENTS YIELD MYSTERIOUSNESS, DARKNESS, AND BEAUTY: GRACE SLICK'S CLARION-CALL SINGING MATCHES VIRTUOSIC PLAYING OF BAND MEMBERS AND GUEST JERRY GARCIA\u003cbr data-mce-fragment=\"1\"\u003eThey were the best of times for Jefferson Airplane, and the good vibes are heard throughout the band's iconic Surrealistic Pillow. The group's first album with vocalist Grace Slick and drummer Spencer Dryden, the 1967 effort bowed as the first psychedelic-rock breakout from the potent San Francisco scene, climbing to #3 and boasting two Top 10 singles. By bringing the then-unpolluted counterculture to the attention of the mainstream, the effort ranked by Rolling Stone #146 on its 500 Greatest Albums of All Time eradicated boundaries and opened up creative vistas for a parade of likeminded artists that followed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe Has Funny Cars\u003cbr data-mce-fragment=\"1\"\u003eSomebody to Love\u003cbr data-mce-fragment=\"1\"\u003eMy Best Friend\u003cbr data-mce-fragment=\"1\"\u003eToday\u003cbr data-mce-fragment=\"1\"\u003eComin' Back to Me\u003cbr data-mce-fragment=\"1\"\u003e3\/5 of a Mile In 10 Seconds\u003cbr data-mce-fragment=\"1\"\u003eD.C.B.A.-25\u003cbr data-mce-fragment=\"1\"\u003eHow Do You Feel\u003cbr data-mce-fragment=\"1\"\u003eEmbryonic Journey\u003cbr data-mce-fragment=\"1\"\u003eWhite Rabbit\u003cbr data-mce-fragment=\"1\"\u003ePlastic Fantastic Lover\u003cbr data-mce-fragment=\"1\"\u003eMastered from the original master tapes, this hybrid SACD grants Surrealistic Pillow audiophile-grade sound remarkable for its sense of balance, clarity, and tonality. While fans have always preferred the original mono version of the LP, it went out of print soon after its release, causing prices to soar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOffering greater information retrieval and superior pacing, this numbered edition disc gives listeners the chance to enjoy Jefferson Airplane's blockbuster set in faithful-to-the-original mono without having to pay a premium. Along with immersive detail and dynamics, the level of instrumental and vocal separation allows the sensory-altering songs' complexities to emerge with full-bloom color and renewed perspective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAllegedly given its name by Grateful Dead guitarist Jerry Garcia, who remarked that the music was as surrealistic as a pillow, Jefferson Airplane's sophomore effort remains renowned for its inimitable combination of collective symmetry, concise melodic frameworks, and razor-edged assertiveness. Reflecting the atmosphere of the period, the sextet spread the songwriting duties among all the members. Slick and Marty Balin share lead vocal duties. Jorma Kaukonen and Paul Kantner come into their own as guitarists. The family affair even extended to Garcia, who plays on several tracks and by nearly all accounts, served as the record's arranger and spiritual guide. Never again would the Airplane convey so much in such a straightforward fashion.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSurrealistic Pillow folds acid-rock experimentalism into folk-derived constructs with a blend of mysteriousness, assuredness, darkness, beauty, and romanticism that mirrored the very traits Slick possessed. Her authoritative, clarion-call voice leaps out from the explosive, fractal-pulsating smash \"Somebody to Love\" like a truthful challenge that cannot be ignored. Similarly, Slick's measured deliveries and Alice In Wonderland-inspired lyrics give the bolero-based \"White Rabbit\" its hallucinogenic power while simultaneously bringing drug references into mainstream culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOf course, the former model's two songs don't define Surrealistic Pillow – they merely reflect its kaleidoscopic brilliance. Slick and Balin duet to enchanting effect on \"She Has Funny Cars.\" Stripped to its bare acoustic foundations, the mellow ballad \"Comin' Back To Me\" shimmers and whispers, a quaint recorder underlining echoing the yearning mood. Similarly quixotic, the instrumental \"Embryonic Journey\" hints at the possibilities explored throughout the album and particularly manifested on the gorgeously textured \"Today,\" originally written for Tony Bennett. Inside these 34 minutes, Jefferson Airplane achieves sublime surrealism and more.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNO EXPORT TO JAPAN","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39737304940742,"sku":"UDSACD 2175","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/JeffersonAirplane-SurrealisticPillowMonoSACDMFSL.jpg?v=1619754531"},{"product_id":"santana-santana-iii-numbered-limited-edition-hybrid-stereo-sacd-mfsl-mobile-fidelity","title":"Santana - Santana III Numbered Limited Edition Hybrid Stereo SACD MFSL Mobile Fidelity","description":"\u003cstrong\u003eStereo Hybrid SACD from Mobile Fidelity Sound Lab. Original Master Recording\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMUSICAL MAGIC THAT TRULY SPANS THE GLOBE YEARS BEFORE \"WORLD MUSIC\" BECAME A GENRE\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe final Santana album recorded with the leader's famed Woodstock lineup, one of the most capable and explosive bands ever assembled, Santana III (commonly referred to as The Third Album) is a beacon of Latin-tinged rock, melodic creativity, and cohesive interplay. The record also marks the debut of young guitar virtuoso Neal Schon, who functions as the ideal foil to Santana, whose playing on this 1971 set rivals that of the finest in his career. If not for arriving after the monumental Abraxas, it is likely Santana III would be mentioned in the same breath as groundbreaking psychedelic classics such as Bitches Brew. It's that good and now, it's even better.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBatuka\u003cbr data-mce-fragment=\"1\"\u003eNo One to Depend On\u003cbr data-mce-fragment=\"1\"\u003eTaboo\u003cbr data-mce-fragment=\"1\"\u003eToussaint L'Overture\u003cbr data-mce-fragment=\"1\"\u003eEverybody's Everything\u003cbr data-mce-fragment=\"1\"\u003eGuajira\u003cbr data-mce-fragment=\"1\"\u003eJungle Strut\u003cbr data-mce-fragment=\"1\"\u003eEverything's Coming Our Way\u003cbr data-mce-fragment=\"1\"\u003ePara los Rumberos\u003cbr data-mce-fragment=\"1\"\u003eSantana III features sumptuous warmth, immersive dynamics, refined textures, and you-are-there realism. The tension of Schon's guitar lines, the album's open sound, and extensive use of studio echoes (check the presence of the backward echo on \"No One to Depend On\") fill the soundstage, replete with the kind of depth one expects from a first-rate audiophile recording. Santana's playing, too, resonates with tonal and physical detail that brings you closer to his creative visions. Fueled by a cavalcade of exotic percussion, Santana III has never sounded more balanced, vivid, or natural. The record remains a landmark in Santana's revered catalog.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn Santana III, while embracing the concept that all of the members should share their musical ideas, Santana added two crucial components to his band: Schon, discovered at the age of 15 playing in a Palo Alto club, and Thomas \"Coke\" Escovedo, who during the sessions temporarily replaced ill percussionist Chepito Areas, and whose percussive assistance helped define the album's feel. With Schon in the fold, Santana strives for the unknown, and yet, manages to stave off the numbing excesses that define much of the period's output.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the opening \"Batuka,\" peppered with Schon's stirring guitar lines, to the sensitive \"Everything Is Coming Our Way,\" infused with a mesmerizing Hammond organ underpinning that supports Santana's vocal pathos, the record teams with inventiveness. Involving albeit accessible concoctions of funk, jazz, rock, blues, and soul run throughout the set. Spanish-styled flavors infuse a majority of the material, ranging from the salsa piano on \"Guarjira\" to the distinctive \"No One to Depend On,\" a lively take on the cha-cha-cha.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA globe-spanning armada of percussive instruments – timbales, congas, drums, vibes, tambourines, and more – as well as the existence of a three-person percussion team that fits in harmoniously with Santana, Schon, and company makes Santana III a masterful accomplishment in musical chemistry and the exploration of worldly sounds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMobile Fidelity Sound Lab (MFSL\/Mofi) Audiophile SACD\u003cbr data-mce-fragment=\"1\"\u003eNO EXPORT TO JAPAN","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39737356189894,"sku":"UDSACD 2158","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Santana-SantanaIIISACDMFSL.jpg?v=1619755317"},{"product_id":"blood-sweat-tears-bloodlines-4-sacd-box-set-booklet-analogue-productions","title":"Blood, Sweat \u0026 Tears - Bloodlines 4 SACD Box Set + Booklet Analogue Productions","description":"\u003cstrong\u003eIncludes Blood, Sweat \u0026amp; Tears' first four studio albums!\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMastered by Ryan Smith at Sterling Sound from the original analog master tapes\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e4 Hybrid Stereo SACD box set plus booklet\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBST self-titled disc is multichannel (4.0 Quadraphonic)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eChild Is Father To The Man is multichannel (5.1 Surround mix by Al Kooper)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFeaturing exclusive liner notes from David Clayton-Thomas\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePlus archival photos from Sony Music Entertainment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn unorthodox mixture of rock, jazz and classically trained musicians — ranging from hardcore blues artists such as David Clayton-Thomas, to conservatory master's graduates like Dick Halligan and Berklee-educated jazz musicians like Fred Lipsius, together with the powerful Broadway lead trumpet of Lew Soloff — defined the sound of the band in its groundbreaking years, 1968 through 1972.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBloodlines, a Hybrid Stereo 4 disc box set produced by Analogue Productions, packs a heavyweight wallop that's a knockout for audiophiles! The legendary band's first four studio albums have been remastered by Ryan Smith at Sterling Sound from the original analog master tapes. You get their self-titled second album with its three gold-selling Top 10 singles: \"You've Made Me So Very Happy,\" \"Spinning Wheel,\" and \"And When I Die\" as well as BS\u0026amp;T's iconic album debut: Child Is Father To The Man, their third LP Blood, Sweat \u0026amp; Tears 3 and lastly, the Top 10 chart smash Blood, Sweat \u0026amp; Tears 4.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe band's Grammy-winning self-titled second album disc is multichannel (4.0 Quadraphonic) and Child Is The Father To The Man is also multichannel (5.1 Surround mix by Al Kooper)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe transfers for the Hybrid Stereo SACD box set were authored by Gus Skinas at the Super Audio Center in Boulder, Colo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor a brief period at the end of the 1960s and the start of the '70s, Blood, Sweat \u0026amp; Tears, which fused a rock 'n' roll rhythm section to a horn section, held out the promise of a jazz-rock fusion that could storm the pop charts. The band was organized in New York in 1967 out of the remnants of the Blues Project by keyboard player\/singer Al Kooper and guitarist Steve Katz of that group, and saxophonist Fred Lipsius. The rhythm section consisted of bassist Jim Fielder and drummer Bobby Colomby, and the horn section was filled out by trumpeters Randy Brecker and Jerry Weiss and trombonist Dick Halligan.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis eight-piece band signed to Columbia Records and recorded Blood, Sweat \u0026amp; Tears' debut album, Child Is Father To The Man, which was released in February 1968. Cofounder Kooper then departed, and the group was reorganized. Singer David Clayton-Thomas was added, Halligan moved to the keyboards, and trumpeters Chuck Winfield and Lew Soloff replaced Brecker and Weiss, with Jerry Hyman being added on trombone. This nine-piece unit, working with producer James William Guercio, made Blood, Sweat \u0026amp; Tears' self-titled second album, released in October 1968.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBlood, Sweat \u0026amp; Tears was a runaway hit, spawning three gold-selling Top 10 singles, \"You've Made Me So Very Happy,\" \"Spinning Wheel,\" and \"And When I Die,\" selling 3 million copies and winning the Grammy Award for Album of the Year. It was also Blood, Sweat \u0026amp; Tears' highwater mark. Guercio left to work on a similar concept with Chicago Transit Authority, and Blood, Sweat \u0026amp; Tears increasingly became a backup group for Clayton-Thomas. Nevertheless, the third album, Blood, Sweat \u0026amp; Tears 3 (1970), and the fourth, Blood, Sweat \u0026amp; Tears 4 (1971), were substantial hits.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eChild Is The Father To The Man\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e 1. Overture\u003cbr data-mce-fragment=\"1\"\u003e 2. I Love You More Than You'll Ever Know\u003cbr data-mce-fragment=\"1\"\u003e 3. Morning Glory\u003cbr data-mce-fragment=\"1\"\u003e 4. My Days Are Numbered\u003cbr data-mce-fragment=\"1\"\u003e 5. Without Her\u003cbr data-mce-fragment=\"1\"\u003e 6. Just One Smile\u003cbr data-mce-fragment=\"1\"\u003e 7. I Can't Quit Her\u003cbr data-mce-fragment=\"1\"\u003e 8. Meagan's Gypsy Eyes\u003cbr data-mce-fragment=\"1\"\u003e 9. Somethin’ Goin’ On\u003cbr data-mce-fragment=\"1\"\u003e 10. House In The Country\u003cbr data-mce-fragment=\"1\"\u003e 11. The Modern Adventures Of Plato, Diogenes And Freud\u003cbr data-mce-fragment=\"1\"\u003e 12. So Much Love \/ Underture\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBlood, Sweat \u0026amp; Tears\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e 1. Variations On A Theme By Erik Satie (1st And 2nd Movements)\u003cbr data-mce-fragment=\"1\"\u003e 2. Smiling Phases\u003cbr data-mce-fragment=\"1\"\u003e 3. Sometimes In Winter\u003cbr data-mce-fragment=\"1\"\u003e 4. More And More\u003cbr data-mce-fragment=\"1\"\u003e 5. And When I Die\u003cbr data-mce-fragment=\"1\"\u003e 6. God Bless The Child\u003cbr data-mce-fragment=\"1\"\u003e 7. Spinning Wheel\u003cbr data-mce-fragment=\"1\"\u003e 8. You’ve Made Me So Very Happy\u003cbr data-mce-fragment=\"1\"\u003e 9. Blues - Part II\u003cbr data-mce-fragment=\"1\"\u003e 10. Variation On A Theme By Erik Satie (1st Movement)\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBlood, Sweat \u0026amp; Tears 3\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e 1. Hi-De-Ho\u003cbr data-mce-fragment=\"1\"\u003e 2. The Battle\u003cbr data-mce-fragment=\"1\"\u003e 3. Lucretia Mac Evil\u003cbr data-mce-fragment=\"1\"\u003e 4. Lucretia’s Reprise\u003cbr data-mce-fragment=\"1\"\u003e 5. Fire And Rain\u003cbr data-mce-fragment=\"1\"\u003e 6. Lonesome Suzie\u003cbr data-mce-fragment=\"1\"\u003e 7. Symphony For The Devil\u003cbr data-mce-fragment=\"1\"\u003e 8. He’s A Runner\u003cbr data-mce-fragment=\"1\"\u003e 9. Somethin’ Comin’ On\u003cbr data-mce-fragment=\"1\"\u003e 10. 40,000 Headmen\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBlood, Sweat \u0026amp; Tears 4\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e 1. Go Down Gamblin’\u003cbr data-mce-fragment=\"1\"\u003e 2. Cowboys And Indians\u003cbr data-mce-fragment=\"1\"\u003e 3. John The Baptist (Holy John)\u003cbr data-mce-fragment=\"1\"\u003e 4. Redemption\u003cbr data-mce-fragment=\"1\"\u003e 5. Lisa, Listen To Me\u003cbr data-mce-fragment=\"1\"\u003e 6. A Look To My Heart (Instrumental)\u003cbr data-mce-fragment=\"1\"\u003e 7. High On A Mountain\u003cbr data-mce-fragment=\"1\"\u003e 8. Valentine’s Day\u003cbr data-mce-fragment=\"1\"\u003e 9. Take Me In Your Arms (Rock Me A Little While)\u003cbr data-mce-fragment=\"1\"\u003e 10. For My Lady\u003cbr data-mce-fragment=\"1\"\u003e 11. Mama Gets High\u003cbr data-mce-fragment=\"1\"\u003e 12. A Look To My Heart","brand":"Analogue Productions","offers":[{"title":"Default Title","offer_id":39773831921862,"sku":"CAPP BST SA","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Bloodlinessacdcover.jpg?v=1620279612"},{"product_id":"billie-holiday-all-or-nothing-at-all-hybrid-mono-sacd-analogue-productions","title":"Billie Holiday - All Or Nothing At All Hybrid Mono SACD Analogue Productions","description":"After the publication of her autobiography, Lady Sings The Blues, Billie Holiday was doing good business in clubs in what turned out to be a last burst of stardom. We cannot know why she stopped recording for Norman Granz after January 1957 - but the present collection is a magnificent culmination of her years with the producer. This Hybrid SACD plays in both CD and SACD players, as well as all SACD-compatible DVD players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally released in 1955.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBillie Holiday, vocals\u003cbr data-mce-fragment=\"1\"\u003eLarry Bunker, drums\u003cbr data-mce-fragment=\"1\"\u003eHarry ''Sweets'' Edison, trumpet\u003cbr data-mce-fragment=\"1\"\u003eBarney Kessel, guitar\u003cbr data-mce-fragment=\"1\"\u003eRed Mitchell, bass\u003cbr data-mce-fragment=\"1\"\u003eJoe Mondragon, bass\u003cbr data-mce-fragment=\"1\"\u003eJimmy Rowles, piano\u003cbr data-mce-fragment=\"1\"\u003eAlvin Stoller, drums\u003cbr data-mce-fragment=\"1\"\u003eBen Webster, tenor saxophone\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003e1. Do Nothing'Till You Hear From Me\u003cbr data-mce-fragment=\"1\"\u003e2. Cheek to Cheek\u003cbr data-mce-fragment=\"1\"\u003e3. Ill Wind\u003cbr data-mce-fragment=\"1\"\u003e4. Speak Low\u003cbr data-mce-fragment=\"1\"\u003e5. I Wished on the Moon\u003cbr data-mce-fragment=\"1\"\u003e6. But Not for Me\u003cbr data-mce-fragment=\"1\"\u003e7. All Or Nothing at All\u003cbr data-mce-fragment=\"1\"\u003e8. We'll Be Together Again\u003cbr data-mce-fragment=\"1\"\u003e9. Sophisticated Lady\u003cbr data-mce-fragment=\"1\"\u003e10. April in Paris\u003cbr data-mce-fragment=\"1\"\u003e11. Say It Isn't So\u003cbr data-mce-fragment=\"1\"\u003e12. Love Is Here to Stay","brand":"Analogue Productions","offers":[{"title":"Default Title","offer_id":39787499487430,"sku":"CVRJ 8329 SA","price":28.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/BillieHolidayAllorNothingAtAll_2cd656e0-f1de-441d-a9e6-b5f1ef2698fe.jpg?v=1620440989"},{"product_id":"cat-stevens-tea-for-the-tillerman-hybrid-stereo-sacd-analogue-productions","title":"Cat Stevens - Tea For The Tillerman Hybrid Stereo SACD, Analogue Productions)","description":"Mastered by George Marino at Sterling Sound from the original analog master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A\/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A\/D produced the best and most synergistic sound for the project.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e''I think we've gotten something quite a bit better than what was originally issued,'' Marino says. ''I think this version is much more representative of what was on the tape. And that's not a criticism of what was originally done.'' - George Marino\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTea For The Tillerman is one of Cat Stevens' finest albums and a gem in the crown of early 1970s singer\/songwriterdom. Stevens manages to have his cake and eat it too, simultaneously achieving pop accessibility and artistic relevance. The feel is decidedly gentle and spare. Apart from the occasional string section, Stevens is accompanied only by a three-piece band as he sings his introspective lyrics with appreciable favor.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003e1. Where Do the Children Play?\u003cbr data-mce-fragment=\"1\"\u003e2. Hard Headed Woman\u003cbr data-mce-fragment=\"1\"\u003e3. Wild World\u003cbr data-mce-fragment=\"1\"\u003e4. Sad Lisa\u003cbr data-mce-fragment=\"1\"\u003e5. Miles From Nowhere\u003cbr data-mce-fragment=\"1\"\u003e6. But I Might Die Tonight\u003cbr data-mce-fragment=\"1\"\u003e7. Longer Boats\u003cbr data-mce-fragment=\"1\"\u003e8. Into White\u003cbr data-mce-fragment=\"1\"\u003e9. On The Road To Find Out\u003cbr data-mce-fragment=\"1\"\u003e10. Father And Son\u003cbr data-mce-fragment=\"1\"\u003e11. Tea For The Tillerman\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Analogue Productions","offers":[{"title":"Default Title","offer_id":39787531305158,"sku":"CAPP 9135 SA","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/AAPP_9135-45__100235__03042020034342-1975_2cdf0394-af7f-4a4f-9bc4-7d171a8b516c.jpg?v=1620441600"},{"product_id":"jimi-hendrix-people-hell-angels-hybrid-stereo-sacd-analogue-productions","title":"Jimi Hendrix - People, Hell \u0026 Angels Hybrid Stereo SACD Analogue Productions","description":"\u003cp\u003ePeople, Hell \u0026amp; Angels is an essential album premiering 12 previously unreleased studio recordings by legendary guitarist Jimi Hendrix. And now it and a newly-issued Hendrix title, Machine Gun: The Fillmore East First Show 12\/31\/69 are arriving on Hybrid Stereo SACD, the first-ever Hendrix hi-res digital releases!\u003cbr\u003e\u003cbr\u003ePeople, Hell \u0026amp; Angels is a collection of previously unreleased studio recordings; the album peaked at No. 2 on Billboard's Top 200 album chart in March 2013 following its release.\u003cbr\u003e\u003cbr\u003ePeople, Hell \u0026amp; Angels showcases the legendary guitarist working outside of the original Jimi Hendrix Experience trio. Beginning in 1968, Jimi Hendrix grew restless, eager to develop new material with old friends and new ensembles. Outside the view of a massive audience that had established the Experience as rock's largest grossing concert act and simultaneously placed two of his albums in the U.S. Top 10 sales chart, Jimi was busy working behind the scenes to craft his next musical statement.\u003cbr\u003e\u003cbr\u003eThese 12 recordings encompass a variety of unique sounds and styles using many of the elements - Hendrix toys with horns, keyboards, percussion and second guitar - that Jimi wanted to incorporate within his new music. People, Hell \u0026amp; Angels presents some of the finest Jimi Hendrix guitar work ever issued and provides a compelling window into his growth as a songwriter, musician and producer.\u003cbr\u003e\u003cbr\u003eThe tracks on People, Hell and Angels originally were planned to serve as a follow-up to Hendrix's 1968 album Electric Ladyland. Hendrix died at 27 in 1970 before those plans were realized.\u003cbr\u003e\u003cbr\u003eThe dozen previously unreleased Jimi Hendrix performances premiering on People, Hell \u0026amp; Angels include ''Earth Blues,'' ''Somewhere,'' ''Hear My Train A Comin','' ''Bleeding Heart,'' ''Baby Let Me Move You,'' ''Izabella,'' ''Easy Blues,'' ''Crash Landing,'' ''Inside Out,'' ''Hey Gypsy Boy,'' ''Mojo Man'' and ''Villanova Junction Blues.''\u003cbr\u003e\u003cbr\u003eWith an album title coined by Hendrix, People, Hell \u0026amp; Angels reveals some of Hendrix's post-Experience ambitions and directions as he worked with new musicians - including the Buffalo Springfield's Stephen Stills, drummer Buddy Miles, Billy Cox (with whom Hendrix had served in the 101st US Army Airborne and later played on the famed R \u0026amp; B 'chitlin circuit' together) and others - creating fresh and exciting sounds for the next chapter in his extraordinary career.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003e1. Earth Blues\u003cbr\u003e2. Somewhere\u003cbr\u003e3. Hear My Train A Comin'\u003cbr\u003e4. Bleeding Heart\u003cbr\u003e5. Let Me Love You\u003cbr\u003e6. Izabella\u003cbr\u003e7. Easy Blues\u003cbr\u003e8. Crash Landing\u003cbr\u003e9. Inside Out\u003cbr\u003e10. Hey Gypsy Boy\u003cbr\u003e11. Mojo Man\u003cbr\u003e12. Villanova Junction Blues\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUPC: 889853739820\u003c\/p\u003e","brand":"Analogue Productions","offers":[{"title":"Default Title","offer_id":39788359909574,"sku":"CAPP 73982 SA","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/JimiHendrix-PeopleHell_AngelsSACD.jpg?v=1620452977"},{"product_id":"the-jimi-hendrix-experience-are-you-experienced-hybrid-sacd-mono-stereo-mixes-remastered","title":"The Jimi Hendrix Experience - Are You Experienced? [Hybrid SACD] (mono \u0026 stereo mixes!) remastered","description":"\u003cp\u003e\u003cstrong\u003eAre You Experienced on Hybrid SACD from Analogue Productions!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eNewly remastered by Bernie Grundman, from the original analog master tapes!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eIncludes both mono and stereo mixes — Pure DSD sound!  \u003c\/strong\u003e*cd layer contains stereo mix only\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnalogue Productions presents the SACD Jimi Hendrix fans have asked for: Hybrid SACD of Are You Experienced, the 1967 debut full-length studio release by the Jimi Hendrix Experience. Newly remastered by Bernie Grundman from the original analog master tapes, each disc contains the mono and stereo mixes for each of these historic albums. This is pure DSD sound to applaud!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen first released in 1967 in the U.S., Are You Experienced turned the music world upside down as Hendrix showed everyone exactly what it meant to be ''experienced.'' This SACD returns to the original 11-song version that was originally released in August 1967. It contains such eternal classics as ''Hey Joe,'' ''Purple Haze,'' ''The Wind Cries Mary,'' ''Fire,'' and the title song, whose backward drum and guitar tracks and otherworldly guitar work still sound innovative almost a half-century later.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Rolling Stone states, Jimi Hendrix was the most innovative instrumental genius the rock era produced, a wizard guitar player whose sense of technique never overwhelmed the blues and rock 'n' roll spirit that was the underpinning of his genius. He improvised with the fervor of a born jazzman; he philosophized like the most cosmic rocker, but ultimately his basics were rooted in soul, a reflection of the chitlin circuit, where he cut his teeth. With the possible exception of Cream, The Jimi Hendrix Experience was debatably the world's finest-ever power trio. Axis and Are You Experienced showcased the grasp that Jimi and his cohorts - Mitch Mitchell on drums and Noel Redding on bass - had on the studio technology at their disposal, and the lyrical beauty of Hendrix's guitar playing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cbr data-mce-fragment=\"1\"\u003e1. Purple Haze\u003cbr data-mce-fragment=\"1\"\u003e2. Manic Depression\u003cbr data-mce-fragment=\"1\"\u003e3. Hey Joe\u003cbr data-mce-fragment=\"1\"\u003e4. Love Or Confusion\u003cbr data-mce-fragment=\"1\"\u003e5. May This Be Love\u003cbr data-mce-fragment=\"1\"\u003e6. I Don't Live Today\u003cbr data-mce-fragment=\"1\"\u003e7. The Wind Cries Mary\u003cbr data-mce-fragment=\"1\"\u003e8. Fire\u003cbr data-mce-fragment=\"1\"\u003e9. Third Stone From The Sun\u003cbr data-mce-fragment=\"1\"\u003e10. Foxey Lady\u003cbr data-mce-fragment=\"1\"\u003e11. Are You Experienced?\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eUPC: 190758197821\u003c\/p\u003e","brand":"Analogue Productions","offers":[{"title":"Default Title","offer_id":39788412403910,"sku":"CAPP 19782 SA","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/AreYouExperienced.jpg?v=1620453900"},{"product_id":"the-jimi-hendrix-experience-axis-bold-as-love-hybrid-stereo-sacd-includes-both-mono-stereo-mixes","title":"The Jimi Hendrix Experience - Axis: Bold As Love Hybrid Stereo SACD Includes both mono + stereo mixes","description":"\u003cp\u003eAnalogue Productions presents the SACD Jimi Hendrix fans have asked for: Hybrid SACD of Axis: Bold As Love. Newly remastered by Bernie Grundman from the original analog master tapes, each disc contains the mono and stereo mixes for each of these historic albums. This is pure DSD sound to applaud!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAxis: Bold As Love, the sensational sophomore release of the Jimi Hendrix Experience, showcased Hendrix's expansive experimentation while acknowledging his early R\u0026amp;B and soul music influences. The album features classics such as ''Spanish Castle Magic,'' ''Little Wing,'' ''Castles Made Of Sand,'' and ''If 6 Was 9.''\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Rolling Stone states, Jimi Hendrix was the most innovative instrumental genius the rock era produced, a wizard guitar player whose sense of technique never overwhelmed the blues and rock 'n' roll spirit that was the underpinning of his genius. He improvised with the fervor of a born jazzman; he philosophized like the most cosmic rocker, but ultimately his basics were rooted in soul, a reflection of the chitlin circuit, where he cut his teeth.\u003cbr data-mce-fragment=\"1\"\u003eWith the possible exception of Cream, The Jimi Hendrix Experience was debatably the world's finest-ever power trio. Axis was a showcase for Jimi's brash, scintillating songs and the grasp that Jimi and his cohorts - Mitch Mitchell on drums and Noel Redding on bass - had on the studio technology at their disposal, and the lyrical beauty of Hendrix's guitar playing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Exp\u003cbr data-mce-fragment=\"1\"\u003e2. Up From The Skies\u003cbr data-mce-fragment=\"1\"\u003e3. Spanish Castle Magic\u003cbr data-mce-fragment=\"1\"\u003e4. Wait Until Tomorrow\u003cbr data-mce-fragment=\"1\"\u003e5. Ain't No Telling\u003cbr data-mce-fragment=\"1\"\u003e6. Little Wing\u003cbr data-mce-fragment=\"1\"\u003e7. If 6 Was 9\u003cbr data-mce-fragment=\"1\"\u003e8. You Got Me Floatin'\u003cbr data-mce-fragment=\"1\"\u003e9. Castles Made Of Sand\u003cbr data-mce-fragment=\"1\"\u003e10. She's So Fine\u003cbr data-mce-fragment=\"1\"\u003e11. One Rainy Wish\u003cbr data-mce-fragment=\"1\"\u003e12. Little Miss Lover\u003cbr data-mce-fragment=\"1\"\u003e13. Bold As Love\u003c\/p\u003e\n\u003cp\u003eUPC: 190758197920\u003c\/p\u003e","brand":"Analogue Productions","offers":[{"title":"Default Title","offer_id":39788482461894,"sku":"CAPP 19792 SA","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/AxisBoldAsLove.jpg?v=1620454904"},{"product_id":"nils-lofgren-acoustic-live-hybrid-stereo-sacd-analogue-productions-audiophile","title":"Nils Lofgren - Acoustic Live Hybrid Stereo SACD Analogue Productions Audiophile","description":"\u003cp\u003e\u003cstrong\u003eAn Audiophile Favorite now on SACD!\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGuitarist and singer-songwriter Nils Lofgren in 1997 released a small treasure for longtime fans. Acoustic Live captures Lofgren alone in front of an appreciative audience, knocking out such favorites as ''You,'' ''No Mercy'' and ''Keith Don't Go,'' plus six new songs. Even with the new songs, there are no real revelations, only a selection of little gems that will put a smile on your face as you listen.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlong with his work as a solo artist, Lofgren has marked more than 25 years as a member of Bruce Springsteen \u0026amp; The E Street Band as well as a former member of Crazy Horse and Grin. Lofgren joined Neil Young's band in 1968 at age 17, playing piano on the album After the Gold Rush. Lofgren would maintain a close musical relationship with Young, appearing on his Tonight's the Night album and tour among others. He was also briefly a member of Crazy Horse, appearing on their 1971 LP and contributing songs to their catalogue. From '71 to '74 Lofgren was active in Grin, the band he founded in '69. Solo albums and tours followed every year through the 1970s as Lofgren established himself as a top guitarist and live performer earning the respect and acclaim of his peers. Bruce Springsteen made the call in 1984 and Lofgren joined the E-Street Band for the Born in the USA tour. Lofgren was an instant hit with Springsteens fans through his playing and vibrant on stage persona. Lofgren remains a stalwart of the E-Street Band to the present day.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e 1. You\u003cbr data-mce-fragment=\"1\"\u003e2. Sticks and Stone\u003cbr data-mce-fragment=\"1\"\u003e3. Some Must Dream\u003cbr data-mce-fragment=\"1\"\u003e4. Little On Up\u003cbr data-mce-fragment=\"1\"\u003e5. Keith Don't Go\u003cbr data-mce-fragment=\"1\"\u003e6. Wonderland\u003cbr data-mce-fragment=\"1\"\u003e7. Big Tears Fall\u003cbr data-mce-fragment=\"1\"\u003e8. Believe\u003cbr data-mce-fragment=\"1\"\u003e9. Black Books\u003cbr data-mce-fragment=\"1\"\u003e10. To Your Heart\u003cbr data-mce-fragment=\"1\"\u003e11. Man In The Moon\u003cbr data-mce-fragment=\"1\"\u003e12. I'll Arise\u003cbr data-mce-fragment=\"1\"\u003e13. Blue Skies\u003cbr data-mce-fragment=\"1\"\u003e14. Tears On Ice\u003cbr data-mce-fragment=\"1\"\u003e15. All Out\u003cbr data-mce-fragment=\"1\"\u003e16. Mud In Your Eye\u003cbr data-mce-fragment=\"1\"\u003e17. No Mercy\u003c\/p\u003e\n\u003cp\u003eUPC: \u003cspan data-mce-fragment=\"1\"\u003e753088009068\u003c\/span\u003e\u003c\/p\u003e","brand":"Analogue Productions","offers":[{"title":"Default Title","offer_id":39792854466758,"sku":"CAPP 090 SA","price":44.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/NilsLofgrenAcousticLive.png?v=1620506093"},{"product_id":"roger-waters-amused-to-death-hybrid-multichannel-sacd","title":"Roger Waters - Amused To Death Hybrid Multichannel SACD","description":"\u003cp\u003eAn unblinking look at an entertainment-obsessed society, Amused to Death addresses issues that have only grown in complexity and urgency over the past two decades. With Amused to Death, Roger Waters sounded the alarm about a society increasingly - and unthinkingly - in thrall to its television screens. Twenty-three years later, Amused to Death speaks to our present moment in ways that could scarcely have been anticipated two decades ago. In 2015, television is just one option in an endless array of distractions available to us anytime, anywhere, courtesy of our laptops, tablets and smartphones. With eyes glued to our screens, the dilemmas and injustices of the real world can easily recede from view.\u003cbr\u003e\u003cbr\u003eThe 2015 SACD edition of Amused to Death features a new 5.1 surround remix of the album completed by longtime Roger Waters \/ Pink Floyd collaborator and co-producer, James Guthrie. The art has been updated for 2015 by Sean Evans, the creative director of Waters' 2010-2013 ''The Wall Live'' tour and movie.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003cbr\u003e1. The Ballad of Bill Hubbard\u003cbr\u003e2. What God Wants, Part I\u003cbr\u003e3. Perfect Sense, Part I\u003cbr\u003e4. Perfect Sense, Part II\u003cbr\u003e5. The Bravery of Being Out of Range\u003cbr\u003e6. Late Home Tonight, Part I\u003cbr\u003e7. Late Home Tonight, Part II\u003cbr\u003e8. Too Much Rope\u003cbr\u003e9. What God Wants, Part II\u003cbr\u003e10. What God Wants, Part III\u003cbr\u003e11. Watching TV\u003cbr\u003e12. Three Wishes\u003cbr\u003e13. It's A Miracle\u003cbr\u003e14. Amused To Death\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUPC: 887654788429\u003c\/p\u003e","brand":"Analogue Productions","offers":[{"title":"Default Title","offer_id":39793021714630,"sku":"CAPP 468761 SA","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/RogerWatersAmusedToDeath_422b8e67-51df-45b3-99e4-0e9ae831637e.jpg?v=1620507521"},{"product_id":"the-alan-parsons-project-eye-in-the-sky-hybrid-sacd-numbered-limited-mfsl-mobile-fidelity-sound-lab","title":"The Alan Parsons Project Eye In The Sky Hybrid SACD, Numbered\/Limited MFSL Mobile Fidelity Sound Lab","description":"\u003cstrong\u003eThe Alan Parsons Project - Eye In The Sky Hybrid SACD, Numbered\/Limited Mobile Fidelity Sound Lab\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMASTERED FROM THE ORIGINAL MASTER TAPES: SACD PRESENTS HALLMARK SMOOTHNESS, LUSHNESS, BALANCE, AND DETAIL IN ALLURING SOUND\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Alan Parsons Project's Most Commercially Accessible, Successful, and Cohesive Album: Eye in the Sky Features Exquisite Arrangements, Orchestral Scope, and Pop Melodies\u003cbr data-mce-fragment=\"1\"\u003eMastered from the Original Master Tapes: Mobile Fidelity Numbered Hybrid SACD Presents Music's Hallmark Smoothness, Lushness, Balance, and Detail in Alluring Sound\u003cbr data-mce-fragment=\"1\"\u003eThe opening track to the Alan Parsons Project's Eye in the Sky remains the most recognized instrumental in sports – fanfare inseparably tied with introducing NBA legend Michael Jordan and his six-time world-champion Chicago Bulls mates before games, and still used by many teams as an energy-raising prelude. Indeed, the subdued grandiosity, cosmic bluster, and lights-out wonder of ''Sirius'' also sets the table for the band's smash 1982 album, whose hallmark smoothness, lushness, and balance reach epic heights on Mobile Fidelity's collectible reissue.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered from the original master tapes, this numbered hybrid SACD of Eye in the Sky features succulent warmth, magnificent balance, low-end heft, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road. Akin to Mobile Fidelity's meticulous restoration of Parsons and company's I Robot, this super-clean edition will test the full-range capabilities of the world's finest stereo systems. In sum, there's more information, more detail, more texture, more nuance – more of everything to be experienced.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoasting front-to-back depth, concert-hall-level separation, realistic presence, and bang-on accuracy, Mobile Fidelity's SACD of Eye in the Sky illustrates the lasting importance of perfectionist-minded engineering and recording techniques. Few works possess such a mesmerizing blend of reference-setting sonics and commercial acumen, facets that helped earn the set a Grammy nomination for Best Engineered Album – and, more than 35 years after its release, a Grammy for Best Immersive Audio Album for its surround format. Parsons' track record – he sat behind the boards for the Beatles' Abbey Road and Pink Floyd's Dark Side of the Moon – speaks for itself. As do the performances throughout Eye in the Sky, which contains not a single dull moment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMoving the overarching conceptual themes present on the group's other signature efforts to the background, Eye in the Sky uses a string of seamless melodies, hooks, and mood to draw and hold listeners' attention. It survives as Parsons' pop triumph, full of exquisite songwriting, dreamy emotions, and soft edges that parallel an underlying orchestral scope and prog-derived drama. For example, the string- and brass-laden ''Silence and I'' alone qualifies as a rhapsodic symphony. Credit for the music's craft, cohesiveness, and accessibility also falls to Parsons and Woolfson's knack for recruiting session pros that translate their visions with unquestioned emotion – particularly, the assembly of star vocalists that include Elmer Gantry (''Psychobabble''), former Zombie frontman Colin Blunstone (''Old and Wise''), and soul singer Lenny Zakatek (''You're Gonna Get Your Fingers Burned'' and ''Step by Step'').\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs with all Parsons releases, the arrangements proverbially dot every ''i'' and cross every ''t.'' Each note seems perfectly placed, every sequence painstakingly considered. Not to mention the narratives to the surveillance-obsessed title track and pulsing ''Psychobabble'' carry more weight in the 21st century than they did in the early stages of the Reagan\/Thatcher era. And, just as it begins, with an appropriate flourish announcing the catchiness that follows, the platinum-selling Eye on the Sky finishes with fitting sentimentality in the form of a spiraling, saxophone-led ballad (''Old and Wise'') that could easily fit on Pink Floyd's Wish You Were Here.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBritish progressive rock would never again sound so sophisticated, suave, or steady.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Sirius\u003cbr data-mce-fragment=\"1\"\u003e2. Eye in the Sky\u003cbr data-mce-fragment=\"1\"\u003e3. Children of the Moon\u003cbr data-mce-fragment=\"1\"\u003e4. Gemini\u003cbr data-mce-fragment=\"1\"\u003e5. Silence and I\u003cbr data-mce-fragment=\"1\"\u003e6. You're Gonna Get Your Fingers Burned\u003cbr data-mce-fragment=\"1\"\u003e7. Psychobabble\u003cbr data-mce-fragment=\"1\"\u003e8. Mammagamma\u003cbr data-mce-fragment=\"1\"\u003e9. Step by Step\u003cbr data-mce-fragment=\"1\"\u003e10. Old and Wise\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUPC: 821797222167","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39794661097670,"sku":"UDSACD2221","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Alan_Parsons_Project_EyeintheSky_800x_6741912d-6ef0-4edd-ba40-495c42846f01.jpg?v=1620537813"},{"product_id":"billy-joel-the-stranger-hybrid-sacd-limited-numbered-mfsl-mobile-fidelity-sound","title":"Billy Joel - The Stranger Hybrid SACD Limited\/Numbered MFSL Mobile Fidelity Sound","description":"\u003cp\u003e\u003cstrong\u003eBilly Joel - The Stranger Hybrid SACD Limited\/Numbered MFSL Mobile Fidelity Sound Lab Original Master Recording\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJoel's Breakthrough Record Loaded With Smash Hits: ''Movin' Out (Anthony's Song),'' ''Just the Way You Are,'' ''Only the Good Die Young,'' ''She's Always a Woman''\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBilly Joel entered 1977 with a great track record but in need of a breakthrough. Pairing with producer Phil Ramone (Carly Simon, Simon \u0026amp; Garfunkel), who developed the requisite ingredients missing from Joel's formula, the singer-songwriter became a household name and chart-topping success courtesy of The Stranger. Ranked 67 on Rolling Stone's list of the 500 Greatest Albums of All Time and certified ten-times platinum, Joel's artistic and commercial smash remains a pop-rock benchmark. Better still, it now sounds astonishing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn integral part of Mobile Fidelity's Billy Joel catalog restoration series, The Stranger is mastered from the original master tapes and made available on transparent hybrid SACD. Far superior to previous reissues, this edition emphasizes the crucial touches and insightful techniques Ramone brought to a batch of material that ranks among Joel's most clever, catchy, and sagacious. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhereas a handful of Joel's preceding efforts feature a near-flawless mix of melodic arrangements and poignant lyrics, the aspects he sought in order to graduate into a more serious artist arrive here via Ramone's more muscular, fleshed-out, and rock-enabling production. The streamlined approach slightly strips back the sweeping developments heard on Piano Man and Turnstiles, and on this edition, lays bare the core of the material, allowing the vocalist's bittersweet yearning, rollicking 88 notes, and working-class conviction to emanate with full-bodied detail, vivid color, and grand-scale dynamics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Grammy winner for both Record and Song of the Year, ''Just the Way You Are'' epitomizes Joel's balladic reach, his ability to transfer wistful sentiments and lovelorn emotions. He also flashes a mean streak. The animated ''Only the Good Die Young'' bounces and hops to an updated classic-R\u0026amp;B rhythm and, underneath its beauty, ''She's Always A Woman'' hints at trouble underfoot. And then there's the New York-centric, character-rich poetry of the vignettes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAkin to many of his influences, Joel nails the grit, personality, specificity, descriptiveness, and behavior of protagonists that populate ''Movin' Out (Anthony's Song)'' and ''Scenes From an Italian Restaurant,'' each equally at home on The Stranger as well as on a Broadway play or on a golden-era Hollywood film soundtrack. No wonder that, just months after its original release, Joel was no longer a stranger to any of the music-loving public. He would never look back.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBilly Joel The Stranger Track Listing:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Movin' Out (Anthony's Song)\u003cbr data-mce-fragment=\"1\"\u003e2. The Stranger \u003cbr data-mce-fragment=\"1\"\u003e3. Just the Way You Are\u003cbr data-mce-fragment=\"1\"\u003e4. Scenes From an Italian Restaurant\u003cbr data-mce-fragment=\"1\"\u003e5. Vienna\u003cbr data-mce-fragment=\"1\"\u003e6. Only the Good Die Young\u003cbr data-mce-fragment=\"1\"\u003e7. She's Always a Woman\u003cbr data-mce-fragment=\"1\"\u003e8. Get It Right the First Time\u003cbr data-mce-fragment=\"1\"\u003e9. Everybody Has a Dream\/The Stranger (Reprise)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUPC: 821797208963\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39794695536838,"sku":"UDSACD2089","price":37.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Billy_Joel_Stranger_800x_c1060064-d097-425a-90cc-18800ce32f70.jpg?v=1620538741"},{"product_id":"bob-dylan-pat-garrett-billy-the-kid-soundtrack-hybrid-stereo-sacd-limited-numbered-to-2500","title":"Bob Dylan - Pat Garrett \u0026 Billy The Kid Soundtrack Hybrid Stereo SACD, Limited\/Numbered to 2500","description":"\u003cstrong\u003eMastered from the Original Master Tapes for Unsurpassed Sound: Hybrid SACD Capped at 2,500 Numbered Copies\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Bob Dylan's Pat Garrett \u0026amp; Billy the Kid Is Much More Than a Soundtrack to Sam Peckinpah's Western Film: Grammy-Nominated Effort Brims with Outlaw Adventure and Sense of Place\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIncludes Original Version of ''Knockin' on Heaven's Door'' and Country-Flavored Instrumentals: A-List Cast of Musicians Features Roger McGuinn, Jim Keltner, and Booker T. Jones\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the surface, Bob Dylan's Pat Garrett \u0026amp; Billy the Kid serves as a potent soundtrack to Sam Peckinpah's western of the same name. Yet the Grammy-nominated set is much more, remaining distinctive and intriguing because of the cast Dylan assembled for its creation-and their collective performances. The 10-track album effortlessly breathes with country, folk, blues, and old-time pop flavors. A-list collaborators, including drummer Jim Keltner, fiddler Byron Berline, and Byrds legend Roger McGuinn, assist Dylan in making instrumental portraits teem with detail, character, and a definite sense of place. Then there's ''Knockin' on Heaven's Door.'' Transcending the status of song, the Bard's poignant tune has gone on to become nothing short of an anthem-a symbolic hymn whose expressiveness encompasses resilience, sorrow, forgiveness, readiness, and more. Heard anew on exquisite analog and digital editions, everything here takes on deeper meaning and conveys elevated levels of enjoyment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered from the original master tapes, and strictly limited to 2,500 copies on hybrid SACD, Mobile Fidelity's reissues feature reference-level instrumental separation and full-bodied tones that allow the songs to blossom amidst soundstages whose dimensions are limited only by the breadth of your stereo system. The flinty, raw acoustic edge of Dylan and Bruce Langhorne's guitars come into immediate relief. Booker T. Jones' relaxed albeit taut bass, Jolly Roger's downhome banjo, Russ Kunkel's textured bongos, and the crucial string accompaniments flourish. In every regard, Pat Garrett \u0026amp; Billy the Kid has never sounded better.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrack List\u003cbr data-mce-fragment=\"1\"\u003e1. Main Title Theme (Billy)\u003cbr data-mce-fragment=\"1\"\u003e2. Cantina Theme (Workin' for the Law)\u003cbr data-mce-fragment=\"1\"\u003e3. Billy 1\u003cbr data-mce-fragment=\"1\"\u003e4. Bunkhouse Theme\u003cbr data-mce-fragment=\"1\"\u003e5. River Theme\u003cbr data-mce-fragment=\"1\"\u003e6. Turkey Chase\u003cbr data-mce-fragment=\"1\"\u003e7. Knockin' on Heaven's Door\u003cbr data-mce-fragment=\"1\"\u003e8. Final Theme\u003cbr data-mce-fragment=\"1\"\u003e9. Billy 4\u003cbr data-mce-fragment=\"1\"\u003e10. Billy 7\"\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNO EXPORT TO JAPAN","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39821834518726,"sku":"UDSACD 2202","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Bob_Dylan_PatGarrettBillyTheKid.jpg?v=1620884788"},{"product_id":"carly-simon-no-secrets-hybrid-sacd-limited-numbered-mfsl-mobile-fidelity","title":"Carly Simon - No Secrets Hybrid SACD, Limited\/numbered MFSL Mobile Fidelity","description":"\u003cstrong\u003eCarly Simon No Secrets on Numbered Edition Hybrid SACD on Mobile Fidelity Sound Lab\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMastered from the Original Master Tapes: SACD Reveals Elegant Vocal Details and Disarming Simplicity of Pop\/Rock Arrangements Like Never Before\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCarly Simon's number-one smash ''You're So Vain'' lingers as one of the most clever, famous, and secretive songs ever recorded. The subject of mass speculation ever since its release, soon after which it occupied the top spot on multiple Billboard charts for several weeks, the double-edged anthem has for decades kept a captive public guessing at the identity of its smug subject. To this day, Simon has offered many hints but never revealed its inspiration. Ironically, the question surrounding the protagonist's identity is perhaps the only mystery on the otherwise sexually open and autobiographically daring No Secrets, Simon's breakthrough album and an emblem of the 70s singer-songwriter canon.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProduced by Richard Perry - famous for his work with the Beatles, David Bowie, and Elton John - No Secrets touts what many believe is the finest sound on any Simon record. Simple, elegant, and disarming, Perry's treatments make the songs seemingly float and Simon's voice take on a more confident, assertive tenor that on this SACD emerges with definitive imaging, balanced tonality, and palpable depth. String arrangements and backing vocals come through with similar realism, adding up to a soulful experience on par with other classics of the era - including Carole King's Tapestry and Joni Mitchell's Blue.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEnhanced by an all-star cast - Simon's then-husband James Taylor, Paul and Linda McCartney, Mick Jagger, Lowell George, Bobby Keys, Jim Keltner, Nicky Hopkins, and Bonnie Bramlett are among the iconic musicians lending a hand - No Secrets advances Simon's themes of personal introspectiveness, no-holds-barred reflectiveness, and feminist-inspired boldness. While acknowledging her own regrets (''You're So Vain'') and loss (''The Carter Family''), Simon also champions the highs (''The Right Thing To Do'') and unrequited pains (''His Friends Are More Than Fond of Robin'') of love in a straightforward, sincere manner indicative of her maturity as both an artist and singer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThroughout, Simon invests her all in the songs, handling beautiful ballads, sassy rock\/folk numbers, and blues fare with equal parts calm, composure, and candor. She makes every moment of No Secrets worth savoring. The New York native distinguishes ''When You Close Your Eyes'' with deep-rooted spirituality, recalls childhood joys via charming sentimentality on ''It Was So Easy,'' and instills her cover of Taylor's ''Night Owl'' with requisite fierceness. Thanks to Simon's self-assured performances and savvy lyrics, combined with Perry's expert instrumental arrangements, No Secrets retains an edginess and relevance immune to the ravages of time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCarly Simon No Secrets Track Listing:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. The Right Thing To Do\u003cbr data-mce-fragment=\"1\"\u003e2. The Carter Family\u003cbr data-mce-fragment=\"1\"\u003e3. You're So Vain\u003cbr data-mce-fragment=\"1\"\u003e4. His Friends Are More Than Fond of Robin\u003cbr data-mce-fragment=\"1\"\u003e5. We Have No Secrets\u003cbr data-mce-fragment=\"1\"\u003e6. Embrace Me, You Child\u003cbr data-mce-fragment=\"1\"\u003e7. Waited So Long\u003cbr data-mce-fragment=\"1\"\u003e8. It Was So Easy\u003cbr data-mce-fragment=\"1\"\u003e9. Night Owl\u003cbr data-mce-fragment=\"1\"\u003e10. When You Close Your Eyes","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39828384317638,"sku":"UDSACD 2167","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Carly_Simon_NoSecrets_1500x_ab3e6019-e2fc-41c0-8823-b2c1a31a206b.jpg?v=1620960953"},{"product_id":"ry-cooder-chicken-skin-music-hybrid-sacd-mobile-fidelity-sound-lab-mfsl-limited-numbered-2000","title":"Ry Cooder - Chicken Skin Music Hybrid SACD Mobile Fidelity Sound Lab MFSL Limited\/Numbered\/2000","description":"MIXES HAWAIIAN, GOSPEL, CONJUNTO, FOLK, AND BLUES INTO A VISIONARY ROOTS MUSIC TAPESTRY\u003cbr data-mce-fragment=\"1\"\u003eThe title of Ry Cooder's Chicken Skin Music – Hawaiian slang for goosebumps – serves as a direct, simple description of the album's emotional appeal. But it barely scratches the surface of a 1976 effort that triggered an interest in \"world music\" a decade before the term became commonplace and a genre into and of itself. Part of a series of inimitable mid-1970s records on which Cooder ignored traditional boundaries and instigated lasting cross-cultural communication, Chicken Skin Music blends gospel, Hawaiian, folk, blues, and Tex-Mex styles into a brilliant roots stew distinguished with virtuosic playing and inspired contextual surprises.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Bourgeois Blues\u003cbr data-mce-fragment=\"1\"\u003eI Got Mine\u003cbr data-mce-fragment=\"1\"\u003eAlways Lift Him Up\/Kanaka Wai Wai\u003cbr data-mce-fragment=\"1\"\u003eHe'll Have to Go\u003cbr data-mce-fragment=\"1\"\u003eSmack Dab in the Middle\u003cbr data-mce-fragment=\"1\"\u003eStand by Me\u003cbr data-mce-fragment=\"1\"\u003eYellow Roses\u003cbr data-mce-fragment=\"1\"\u003eChlo-e\u003cbr data-mce-fragment=\"1\"\u003eGoodnight Irene\u003cbr data-mce-fragment=\"1\"\u003eMastered from the original master tapes and strictly limited to 2000 numbered copies, Mobile Fidelity's hybrid SACD of Chicken Skin Music brings the brilliant instrumental textures and lively tonalities to the fore like no prior digital edition. Graced with silent, black backgrounds and generous soundstages, this reissue particularly underscores the depth of Flaco Jimenez's accordion contributions. You'll hear the air flowing through the reeds, pressure resonating from the bellows, and the wide-spanning timbres emanating from the register stops.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEqually transfixing are the lifelike manners in which the rich assortment of guitars come alive, with each note occupying its own space and portraying a character unique to the individual instrument, be it a slack-key, steel, or acoustic guitar. The result is a multi-detailed, organic-sounding musical tapestry that dazzles by way of beautiful interplay, unexpected dialogue, and connective eclecticism that proves music is indeed a common language when executed with a collaborative mindset, innovative exploration, and respectful authenticity – no easy feats, but achievements fully on display on Chicken Skin Music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJimenez, now a legend that's performed with everyone from the Rolling Stones to Dr. John, remains one of the keys to Cooder being able to successfully carry out what the latter deemed a \"mutuality in music\" vision. Cooder first heard conjunto accordion fare on a Mexican radio station in his car and proceeded to teach himself the instrument while committing himself to embracing the then-local, regionalized style for the set that became Chicken Skin Music. Jimenez graces three tracks, including a ravishing interpretation of Ben E. King's \"Stand by Me\" transformed into a spiritual grounded by a norteno structure and a romantic take on Jim Reeves' \"He'll Have to Go\" recast with a bolero rhythm and saxophone-accordion duet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eChicken Skin Music isn't limited to South of the Border geography and tradition. Steel-guitarist and vocalist Gabby Pahinui and slack-key guitar great Atta Isaacs represent the 50th state on stripped-down renditions of Hank Snow's smash \"Yellow Roses\" and the wordless \"Chloe.\" Elsewhere, gospel singers team with Cooder on the Appalachian-tinted \"Always Lift Them Up,\" the midsection of which features the Hawaiian standard \"Kanaka Wai Wai.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCooder bookends everything with a pair of Leadbelly numbers – \"The Bourgeois Blues\" and \"Goodnight Irene\" – chosen after Cooder witnessed Jimenez and his band perform at a local dance. Given their ordering on the album, techniques they employ, and themes, the songs also further tighten the thematic connection the headliner makes with the standout guests. In many ways, Chicken Skin Music is the equivalent of Buena Vista Social Club more than 20 years before the latter emerged. Experience it the way Cooder and company meant it to be heard – in unparalleled fidelity.","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39855180775622,"sku":"UDSACD2161","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Ry_Cooder_ChickenSkinMusic.jpg?v=1621307870"},{"product_id":"richard-thompson-rumor-and-sigh-hybrid-sacd-mobile-fidelity-sound-lab-mfsl-numbered-limited-to-2000","title":"Richard Thompson - Rumor and Sigh Hybrid SACD Mobile Fidelity Sound Lab MFSL Numbered\/Limited to 2000","description":"\u003cp\u003e\u003cstrong\u003eBRILLIANTLY DIVERSE, SAVAGELY WITTY, AND ON SACD FOR THE FIRST TIME: FEATURES LIVELY PRODUCTION BY MITCHELL FROOM AND STANDOUT DYNAMICS\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eRichard Thompson manages all of his usual superhuman feats on Rumor and Sigh. Rippled, vibrant guitar lines that sound like they're coming from four guitars? Check. Lyrics that expose the delicate quirks of human behavior in witty, truthful manners? Here. Engaging vocals that arrive as if they are sung only to you, the words doubling as whispered thoughts in your own head? Yep. But Rumor and Sigh goes further by featuring astute, lively production and well-planned arrangements that turn the 1991 album into one of the – if not the – most cohesive and accessible efforts of Thompson's storied career.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRead About Love\u003cbr data-mce-fragment=\"1\"\u003eI Feel So Good\u003cbr data-mce-fragment=\"1\"\u003eI Misunderstood\u003cbr data-mce-fragment=\"1\"\u003eGrey Walls\u003cbr data-mce-fragment=\"1\"\u003eYou Dream Too Much\u003cbr data-mce-fragment=\"1\"\u003eWhy Must I Plead\u003cbr data-mce-fragment=\"1\"\u003e1952 Vincent Black Lightning\u003cbr data-mce-fragment=\"1\"\u003eBacklash Love Affair\u003cbr data-mce-fragment=\"1\"\u003eMystery Wind\u003cbr data-mce-fragment=\"1\"\u003eDon't Sit on My Jimmy Shands\u003cbr data-mce-fragment=\"1\"\u003eKeep Your Distance\u003cbr data-mce-fragment=\"1\"\u003eMother Knows Best\u003cbr data-mce-fragment=\"1\"\u003eGod Loves a Drunk\u003cbr data-mce-fragment=\"1\"\u003ePsycho Street\u003cbr data-mce-fragment=\"1\"\u003eMastered from the original master tapes and limited to 2000 numbered copies, this hybrid SACD breathes with an effervescent openness that makes the music emerge with a livelier sheen, standout dynamics, and unstoppable energy. This definitive digital edition makes it immediately evident Rumor and Sigh endures as a very special album – a cohesive, varied, and fun set spiked with some of Thompson's finest compositions and an exoticism that extends to the modest use of the hurdy-gurdy, mandolin, concertina, and crumhorn.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCasual fans will likely even recognize the Mitchell Froom-produced release includes the incomparable \"1952 Vincent Black Lightning,\" a motorcycle-based tale of desire, love, and death rightly recognized by Time magazine as one of its All Time 100 songs. It, and the other 13 tracks, takes on newfound radiance that showcases the brilliant range of Thompson's instrumentation and tone. You could plug in a guitar amplifier right next to you, connect a Fender, and strum. Yet you still wouldn't have the depth, intimacy, and detail afforded by this audiophile edition. It's that remarkable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo is the diversity of the album's sonic signatures and themes. Opener \"Read About Love\" provides an electric-start jolt, its upbeat tempos, shimmering accents, and massive hooks framing Thompson's amusing story of an inexperienced introvert that applies pop-culture ideas of romance to the real thing. The master wordsmith finds similar ironies in the mischievous intent of \"I Feel So Good,\" a Celtic-flavored tune whose uplifting emotions contrast with the character's out-of-control desires. Humor further wriggles in the jaunty \"Psycho Street\" and spirited \"Don't Sit on My Jimmy Shands,\" an enduring tribute to the Scottish accordionist and the pursuit of collecting rare 78 records.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe singer-songwriter's knack for accentuating biting contrast – and for delving into darker regions where jealousy, bitterness, and self-deprecation reside pervades Rumor and Sigh in the same manner his band shades his every move with narrative skill. Just listen to the faint keyboard cues on \"I Misunderstood\" or Jim Keltner's crisp, hi-hat cracks on \"You Dream Too Much.\" Of course, everyone stands aside for the folk-leaning \"1952 Vincent Black Lightning,\" a solo tour de force of musicianship and lyricism that confirms Rumor and Sigh survives not only as one of the finest records of the 1990s but one of the best platters of the last three decades.\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39855306014918,"sku":"UDSACD2194","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/RichardThompson-RumorandSigh.jpg?v=1621309404"},{"product_id":"bob-dylan-another-side-of-bob-dylan-mono-hybrid-sacd-mobile-fidelity-sound-lab-mfsl","title":"Bob Dylan - Another Side of Bob Dylan MONOHybrid SACD Mobile Fidelity Sound Lab MFSL","description":"\u003cp\u003e\u003cstrong\u003eRECORDED IN ONE DAY: WHIMSICAL FEEL, SURREALIST LYRICS, ON-THE-FLY FLUIDNESS GRACE THE BARD'S LOOSEST 1960S EFFORT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered from the original master tapes and limited to 3,000 copies\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ever-evasive Bob Dylan never explicitly stated exactly what represented the \"another side\" of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Experienced in mono, Another Side of Bob Dylan is all that and more.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll I Really Want to Do\u003c\/li\u003e\n\u003cli\u003eBlack Crow Blues\u003c\/li\u003e\n\u003cli\u003eSpanish Harlem Incident\u003c\/li\u003e\n\u003cli\u003eChimes of Freedom\u003c\/li\u003e\n\u003cli\u003eI Shall Be Free, No. 10\u003c\/li\u003e\n\u003cli\u003eTo Ramona\u003c\/li\u003e\n\u003cli\u003eMotorpsycho Nightmare\u003c\/li\u003e\n\u003cli\u003eMy Back Pages\u003c\/li\u003e\n\u003cli\u003eI Don't Believe You\u003c\/li\u003e\n\u003cli\u003eBallad in Plain D\u003c\/li\u003e\n\u003cli\u003eIt Ain't Me Babe\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMastered from the original master tapes and limited to 3,000 copies, this mono hybrid SACD reissue illuminates Dylan's emotional condition – he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection – with microscopic accuracy and unparalleled directness. The preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album – making the mono mix all the more historically valuable and truthful.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe uninhibited joie de vive is discernible in the rattling piano lines on \"Black Crow Blues,\" seemingly subconscious ramble of the hysterical folk rhyming of \"Motorpsycho Nightmare,\" bluesy dream sequencing throughout \"I Don't Believe You,\" and intentionally out-of-tune yodeling during \"All I Really Want to Do.\" On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd so the apparently autobiographical and self-aware \"My Back Pages,\" one of the earliest examples of Dylan's immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant release – an essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. As an indelible piece of art, it succeeds in masquerading obvious meaning while simultaneously forcing listeners to question their own actions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs is the trifecta of relationship-themed compositions that closes the record, as well as the eternal \"Chimes of Freedom,\" the standard that journalist Paul Williams dubbed Dylan's \"Sermon on the Mount.\" Its inseparable conjunction of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signaled that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness, making Another Side of Bob Dylan that much more mysterious, unequivocal, and requisite.\u003c\/p\u003e\n\u003cp\u003eUPC: 821797218061\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39865843220678,"sku":"UDSACD2180M","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Bob_Dylan_AnotherSideMONO.jpg?v=1621403007"},{"product_id":"bob-dylan-another-side-of-bob-dylan-stereo-hybrid-sacd-mobile-fidelity-mfsl","title":"Bob Dylan - Another Side of Bob Dylan STEREO HYBRID SACD Mobile Fidelity MFSL","description":"RECORDED IN ONE DAY: WHIMSICAL FEEL, SURREALIST LYRICS, ON-THE-FLY FLUIDNESS\u003cbr data-mce-fragment=\"1\"\u003eThe ever-evasive Bob Dylan never explicitly stated exactly what represented the \"another side\" of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Another Side of Bob Dylan is all that and more.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll I Really Want to Do\u003cbr data-mce-fragment=\"1\"\u003eBlack Crow Blues\u003cbr data-mce-fragment=\"1\"\u003eSpanish Harlem Incident\u003cbr data-mce-fragment=\"1\"\u003eChimes of Freedom\u003cbr data-mce-fragment=\"1\"\u003eI Shall Be Free, No. 10\u003cbr data-mce-fragment=\"1\"\u003eTo Ramona\u003cbr data-mce-fragment=\"1\"\u003eMotorpsycho Nightmare\u003cbr data-mce-fragment=\"1\"\u003eMy Back Pages\u003cbr data-mce-fragment=\"1\"\u003eI Don't Believe You\u003cbr data-mce-fragment=\"1\"\u003eBallad in Plain D\u003cbr data-mce-fragment=\"1\"\u003eIt Ain't Me Babe\u003cbr data-mce-fragment=\"1\"\u003eAs part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic album from the original master tapes and making it available on hybrid SACD. The end result is the very finest, most transparent digital stereo edition of Another Side of Bob Dylan ever produced. Be there as the Minnesota native spends the evening of June 9, 1964 in Columbia's Studio A and, displaying an openness he'd never before revealed in a formal environment, lays down the songs that compromise his fourth album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing minimal editing, Another Side of Bob Dylan is naked, truthful, and whimsical. Mobile Fidelity's reissue illuminates the artist's condition – he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection – with microscopic accuracy. Indeed, Dylan's slightly woozy and completely playful state related to his having downed a handful of bottles of Beaujolais during the sessions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe uninhibited joie de vive is discernable in the rattling piano lines on \"Black Crow Blues,\" seemingly subconscious ramble of the hysterical folk rhyming of \"Motorpsycho Nightmare,\" bluesy dream sequencing throughout \"I Don't Believe You,\" and intentionally out-of-tune yodeling during \"All I Really Want to Do.\" On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd so the apparently autobiographical and self-aware \"My Back Pages,\" one of the earliest examples of Dylan's immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant release – an essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. As an indelible piece of art, it succeeds in masquerading obvious meaning while simultaneously forcing listeners to question their own actions. Quintessential Dylan.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs is the trifecta of relationship-themed compositions that closes the record, as well as the eternal \"Chimes of Freedom,\" the standard that journalist Paul Williams dubbed Dylan's \"Sermon on the Mount.\" Its inseparable conjunction of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signaled that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness, making Another Side of Bob Dylan that much more mysterious, unequivocal, and requisite.","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39880928493766,"sku":"UDSACD2095","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Bob_Dylan_AnotherSide_STEREO.jpg?v=1621571732"},{"product_id":"bob-dylan-bob-dylan-stereo-hybrid-sacd-mobile-fidelity-sound-lab-mfsl","title":"Bob Dylan - Bob Dylan Stereo Hybrid SACD Mobile Fidelity Sound Lab MFSL","description":"\u003cp\u003e\u003cstrong\u003eALBUM STANDS AS THE CLEAREST CONNECTION TO DYLAN'S PURIST FOLK ROOTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou're No Good\u003c\/li\u003e\n\u003cli\u003eTalkin' New York\u003c\/li\u003e\n\u003cli\u003eIn My Time of Dyin'\u003c\/li\u003e\n\u003cli\u003eMan of Constant Sorrow\u003c\/li\u003e\n\u003cli\u003eFixin' to Die\u003c\/li\u003e\n\u003cli\u003ePretty Peggy-O\u003c\/li\u003e\n\u003cli\u003eHighway 51\u003c\/li\u003e\n\u003cli\u003eGospel Plow\u003c\/li\u003e\n\u003cli\u003eBaby, Let Me Follow You Down\u003c\/li\u003e\n\u003cli\u003eHouse of the Risin' Sun\u003c\/li\u003e\n\u003cli\u003eFreight Train Blues\u003c\/li\u003e\n\u003cli\u003eSong to Woody\u003c\/li\u003e\n\u003cli\u003eSee That My Grave Is Kept Clean\u003c\/li\u003e\n\u003c\/ol\u003e\nMuch has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan's name or music is to miss the forest for the trees. Distinguished from the era's other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he'd soon trailblaze and everyone else would follow.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson's \"See That My Grave Is Kept Clean,\" Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Dylan scholar and pop-culture critic Greil Marcus observed in 2010, \"Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn't, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer's name as if it were already common coin.\" It all starts here.","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39881266823366,"sku":"UDSACD2122","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Bob_Dylan_BobDylan_STEREOSACD.jpg?v=1621574318"},{"product_id":"bob-dylan-bob-dylan-mono-hybrid-sacd-mobile-fidelity-sound-lab-mfsl","title":"Bob Dylan - Bob Dylan MONO Hybrid SACD Mobile Fidelity Sound Lab MFSL","description":"\u003cstrong\u003eUNDERSTATED 1962 DEBUT LAUNCHED IMMEASURABLY INFLUENTIAL CAREER: INSPIRED BY WOODY GUTHRIE AND BLUES LEGENDS, CLEAREST CONNECTION TO DYLAN'S PURIST FOLK ROOTS\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eMade when mono was still king, Bob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003col\u003e\n\u003cli\u003eYou're No Good\u003c\/li\u003e\n\u003cli\u003eTalkin' New York\u003c\/li\u003e\n\u003cli\u003eIn My Time of Dyin'\u003c\/li\u003e\n\u003cli\u003eMan of Constant Sorrow\u003c\/li\u003e\n\u003cli\u003eFixin' to Die\u003c\/li\u003e\n\u003cli\u003ePretty Peggy-O\u003c\/li\u003e\n\u003cli\u003eHighway 51\u003c\/li\u003e\n\u003cli\u003eGospel Plow\u003c\/li\u003e\n\u003cli\u003eBaby, Let Me Follow You Down\u003c\/li\u003e\n\u003cli\u003eHouse of the Risin' Sun\u003c\/li\u003e\n\u003cli\u003eFreight Train Blues\u003c\/li\u003e\n\u003cli\u003eSong to Woody\u003c\/li\u003e\n\u003cli\u003eSee That My Grave Is Kept Clean\u003c\/li\u003e\n\u003c\/ol\u003e\nMastered from the original master tapes, this restored mono SACD brings the contents of this seminal release as closest as they've ever come to master tape-quality in the original mono configuration. Transparent to the source, the simple sounds of Dylan's voice, acoustic guitar, and harmonica take on lifelike perspective and directness – the \"husk and bark\" to which Robert Shelton referred in his now-legendary New York Times review of a Dylan appearance at Gerde's Folk City. MoFi has made possible an inexpensive time-traveling trip back to the Greenwich Village coffeehouses and folk clubs in which Dylan cut his teeth, albeit in much better fidelity and without any annoying background chatter.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album – making the mono mix all the more historically valuable and truthful.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMuch has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan's name or music is to miss the forest for the trees. Distinguished from the era's other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he'd soon trailblaze and everyone else would follow.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson's \"See That My Grave Is Kept Clean,\" Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Dylan scholar and pop-culture critic Greil Marcus observed in 2010, \"Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn't, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer's name as if it were already common coin.\" It all starts here.","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39881310765254,"sku":"UDSACD2177M","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/BobDylan-BobDylanMONOSACD.jpg?v=1621574934"},{"product_id":"ray-charles-the-genius-after-hours-mono-sacd-mobile-fidelity-sound-lab-mfsl","title":"Ray Charles - The Genius After Hours MONO SACD Mobile Fidelity Sound Lab MFSL","description":"\u003cp\u003e\u003cstrong\u003e1961 INSTRUMENTAL SET TRUE TO ITS NAME: THE SOUND OF CHARLES LETTING LOOSE IN AN INTIMATE JAZZ CLUB\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere's no doubting Ray Charles became a legend only after moving to Atlantic Records where, in the mid and late 1950s, he rung up a string of hits that redefined popular music and gave birth to R\u0026amp;B. Yet the label refused to shoehorn Charles into strictly sticking with vocal fare. Recognizing his jazz and blues roots, Atlantic both permitted and encouraged him to record instrumental sides with jazz combos and pursue piano-based material with which he was originally associated.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Genius After Hours\u003c\/li\u003e\n\u003cli\u003eAin't Misbehavin'\u003c\/li\u003e\n\u003cli\u003eDawn Ray\u003c\/li\u003e\n\u003cli\u003eJoy Ride\u003c\/li\u003e\n\u003cli\u003eHornful Soul\u003c\/li\u003e\n\u003cli\u003eThe Man I Love\u003c\/li\u003e\n\u003cli\u003eCharlesville\u003c\/li\u003e\n\u003cli\u003eMusic, Music, Music\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eOpening up the veil onto these early 1960s sessions, the collector's disc functions as a tableside-seat at a smoky jazz club where, for sheer fun and amusement, Charles gathers with a handful of cohorts and lets loose with hard-bop standards and swinging rhythms. The cavity of Charles' instrument, acoustic signatures of the stand-up bass lines, and swish of the percussion are all presented with unfettered realism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTaken from the same three studio gatherings that yielded The Great Ray Charles, the eight tunes here feature the icon pairing with both a trio and a septet. Longtime collaborator David \"Fathead\" Newman plays tenor and alto sax, while trumpeter Joseph Bridgewater and bassist Oscar Pettiford also contribute memorable performances. Hall of Fame producer Quincy Jones handles the arrangements on the bigger-band tracks. Yet the star of the program remains Charles, and the carefree, charming manner in which he causes the music to move in any direction he wills.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRefreshingly easygoing and naturally soulful, Charles plays in time with his mates, cozying up to the ivories whether responding to Newman's brassy currents or reacting to the be-bop sway on \"Joy Ride.\" Slightly removed from the gospel trademarks of his more commercial fare, Charles burrows into the blues, engaging in back-and-forth dialog with the brushed drums on \"Dawn Ray\" and laying down countermelodies on arrangements in the septet setting. Close your eyes, and you're feet away from Ray and the boys at an intimate 3 A.M. gathering in a small club in New York's Greenwich Village.\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39881346777286,"sku":"UDSACD2073","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/RayCharles-TheGeniusAfterHoursMONOSACD.jpg?v=1621575492"},{"product_id":"bob-dylan-john-wesley-harding-mono-hybrid-sacd-mobile-fidelity-sound-lab-mfsl","title":"Bob Dylan - John Wesley Harding MONO Hybrid SACD Mobile Fidelity Sound Lab MFSL","description":"\u003cp\u003e\u003cstrong\u003eA MELLOW RETURN TO DYLAN'S ROOTS AND HARBINGER OF COUNTRY ROCK: RANKED #301 ON ROLLING STONE'S 500 GREATEST ALBUMS OF ALL TIME LIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by again deviating from the norm and straying from expectation. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with relief and freshness, the sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJohn Wesley Harding\u003c\/li\u003e\n\u003cli\u003eAs I Went Out One Morning\u003c\/li\u003e\n\u003cli\u003eI Dreamed I Saw St. Augustine\u003c\/li\u003e\n\u003cli\u003eAll Along the Watchtower\u003c\/li\u003e\n\u003cli\u003eThe Ballad of Frankie Lee and Judas Priest\u003c\/li\u003e\n\u003cli\u003eDrifter's Escape\u003c\/li\u003e\n\u003cli\u003eDear Landlord\u003c\/li\u003e\n\u003cli\u003eI Am a Lonesome Hobo\u003c\/li\u003e\n\u003cli\u003eI Pity the Poor Immigrant\u003c\/li\u003e\n\u003cli\u003eThe Wicked Messenger\u003c\/li\u003e\n\u003cli\u003eDown Along the Cove\u003c\/li\u003e\n\u003cli\u003eI'll Be Your Baby Tonight\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMastered on our world-renowned mastering system and pressed at RTI, this restored SACD version presents the 1967 album with the finite details and impressionistic tones. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylan's acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All of these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoy's bass with a previously unheard supple character.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded around the same time as the sessions that yielded The Basement Tapes, John Wesley Harding came together after just three studio sessions and approximately 12 hours of time. While many specifics are shrouded in mystery, a majority of songs are tied to Biblical figures, ominous matters, and morality themes. Making not just a clear sonic break from his most recent efforts, but a songwriting transformation as well, Dylan embraces a strict economy of scale, dropping beat-poetry techniques in favor of stanzas that waste no words and progress narratives at every turn. It's as if the Bard is saying that truth is spoken here. Few, if any artists, have captured the American myth and its population of immigrants, drifters, and outlaws with such convincing scope and parabolic sagacity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCombined with the lyrical evolution and unabashed move towards country conventions, Dylan manages to turn popular music on its side, forging a subdued hybrid style no other peers had yet attempted. Arriving during a period of intense experimentalism and psychedelia, John Wesley Harding functions as a sigh of relief, a piano- and pedal steel-flavored set steeped in requisite simplicity in an environment that was increasingly marked by chaos and madness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eClimbing to number two on the Billboard charts and quickly tallying one million in sales, the pared-down work resonated with a public ensnared by its myriad charms. Then, of course, there's the utter brilliance of every one of the songs here, each seemingly occupying a timeless space that suggests they could've been made in 1967, 1937, or 2007. With \"All Along the Watchtower,\" Dylan landed upon a tune that would soon become one of the most-covered and revered tracks in history. And yet it isn't even a standout on an album on which every note just belongs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRanked the 301st greatest album of all time by Rolling Stone, it's nothing less than seminal.\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39881437675718,"sku":"UDSACD2183M","price":25.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Bob_Dylan_JohnWesleyHardingMONO.jpg?v=1621576683"},{"product_id":"bob-dylan-the-times-they-are-a-changin-stereo-hybrid-sacd-mobile-fidelity-sound-lab-mfsl","title":"Bob Dylan - The Times They Are a-Changin' Stereo Hybrid SACD Mobile Fidelity Sound Lab MFSL","description":"Immediately distinguished by the you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are a-Changin' sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner unlike few albums before or since.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003col\u003e\n\u003cli\u003eThe Times They are a-Changin'\u003c\/li\u003e\n\u003cli\u003eBallad of Hollis Brown\u003c\/li\u003e\n\u003cli\u003eWith God on Our Side\u003c\/li\u003e\n\u003cli\u003eOne Too Many Mornings\u003c\/li\u003e\n\u003cli\u003eNorth Country Blues\u003c\/li\u003e\n\u003cli\u003eOnly a Pawn in Their Game\u003c\/li\u003e\n\u003cli\u003eBoots of Spanish Leather\u003c\/li\u003e\n\u003cli\u003eWhen the Ship Comes In\u003c\/li\u003e\n\u003cli\u003eThe Lonesome Death of Hattie Carroll\u003c\/li\u003e\n\u003cli\u003eRestless Farewell\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMarking a shift from the looseness and comedy that pepper the preceding The Freewheelin' Bob Dylan, The Times They Are a-Changin' skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy's assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They Are a-Changin' is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction \"The Lonesome Death of Hattie Carroll,\" assertive \"Restless Farewell,\" and semi-autobiographical \"North Country Blues,\" Dylan casts hardships, greed, and victimization in such relatable terms it's impossible to turn away and ignore their implications.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs correctly relayed by Dylan expert and cultural critic Greil Marcus, \"[The record] forever fixed Bob Dylan in the popular imagination: the protest singer, the young man 'able to see through metal' (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break.\"\u003c\/p\u003e\n\u003cp\u003eUPC: \u003cspan data-mce-fragment=\"1\"\u003e821797212366\u003c\/span\u003e\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39886148960454,"sku":"UDSACD2123","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/Bob_Dylan_TheTimesTheyAreAChangin_SACD.jpg?v=1621635753"},{"product_id":"jerry-garcia-and-david-grisman-garcia-grisman-hybrid-sacd-mobile-fidelity-mfsl","title":"Jerry Garcia and David Grisman - Garcia\/Grisman Hybrid SACD Mobile Fidelity MFSL","description":"\u003cstrong\u003eAS REALISTIC, NATURAL, CLOSE-UP, INTIMATE, AND ENVELOPING AS ANY ACOUSTIC RECORD RELEASED: FIRST TIME EVER ON SACD\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eJerry Garcia achieved monumental accomplishments over a prolific career, yet the guitarist never sounded better than on his first official collaboration with longtime friend and fellow instrumental maestro David Grisman. Indeed, contemporary interest in roots music can be directly traced to this stellar Grammy-nominated 1991 collaboration. Putting distinctive rustic spins on pop standards, blues classics, and folk staples, the kindred musical spirits' earnest authenticity and relaxed intimacy are matched only by virtuosic playing and superb production.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003col\u003e\n\u003cli\u003eThe Thrill Is Gone\u003c\/li\u003e\n\u003cli\u003eGrateful Dawg\u003c\/li\u003e\n\u003cli\u003eTwo Soldiers\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby\u003c\/li\u003e\n\u003cli\u003eDawg's Waltz\u003c\/li\u003e\n\u003cli\u003eWalkin' Boss\u003c\/li\u003e\n\u003cli\u003eRockin' Chair\u003c\/li\u003e\n\u003cli\u003eArabia\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eUnadorned with any post-production tricks or overdubs, Garcia\/Grisman breathes with naturalism and presence. You will effortlessly detect the full body of the instruments, witness the woody grain textures, and get lost in the surprisingly velvety qualities of Garcia's lullaby-like singing. Our pressing also marks the first time this delightfully joyous affair has been issued on hybrid SACD.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePals since the mid-1960s, Garcia and Grisman bonded over their love for traditional folk and bluegrass. The two teamed up amidst what became a gold rush of top-notch productivity and creativity for Garcia. Partnering with bassist Jim Kerwin and percussionist\/fiddler Joe Craven, the pair approaches every passage with innate ease, as if either musician could finish the others sentence. The affable chemistry and soothing interplay wash over a selection of songs as notable for their diversity as the way Garcia and \"Dawg\" turn them into the equivalent of old friends you haven't seen in years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eExquisite melodies and jewel-shaped notes decorate the simple, convivial structures of tunes that hop, jump, skip, skitter, and bop. The atmosphere is reminiscent of the legendary gypsy-jazz exchanges between Django Reinhardt and Stephane Grappelli, and equally sharp. Swirling with Middle Eastern modality, the closing 16-minute-plus rendition of Grisman's rippling \"Arabia\" – complete with a section based on a Cuban fold theme – is alone enough worth the price of admission to this sensational session. But there's so much more.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe quartet delves into Celtic themes (\"Two Soldiers\"), jazz-grass (\"Grateful Dawg\"), old-world ballads (\"Russian Lullaby\"), and Appalachian flavors (\"Walkin' Boss\") with nonpareil skill and soulfulness. Garcia and Grisman's tandem picking throughout epitomize sublime. And for many listeners, the duo's revised version of the Grateful Dead staple \"Friend of the Devil\" ranks as the finest-ever recorded, the pace patient, the narrative vocals heartfelt, and the synchronous solos tailor-made for the enveloping progression. Better yet, it's all captured in astonishing fidelity.\u003c\/p\u003e\n\u003cp\u003eUPC: 821797214063\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39886200078534,"sku":"UDSACD2140","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/JerryGarciaandDavidGrisman-GarciaGrismanHybridSACDMobileFidelityMFSL.jpg?v=1621636386"},{"product_id":"bob-dylan-the-times-they-are-a-changin-mono-hybrid-sacd-mobile-fidelity-mfsl","title":"Bob Dylan - The Times They Are a-Changin' MONO Hybrid SACD Mobile Fidelity MFSL","description":"\u003cstrong\u003eESTABLISHED DYLAN AS VOICE OF SOCIAL CONSCIOUSNESS AND 1960S MOVEMENTS\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eImmediately distinguished by the direct mono sound and you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are a-Changin' sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner like few albums before or since.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003col\u003e\n\u003cli\u003eThe Times They are a-Changin'\u003c\/li\u003e\n\u003cli\u003eBallad of Hollis Brown\u003c\/li\u003e\n\u003cli\u003eWith God on Our Side\u003c\/li\u003e\n\u003cli\u003eOne Too Many Mornings\u003c\/li\u003e\n\u003cli\u003eNorth Country Blues\u003c\/li\u003e\n\u003cli\u003eOnly a Pawn in Their Game\u003c\/li\u003e\n\u003cli\u003eBoots of Spanish Leather\u003c\/li\u003e\n\u003cli\u003eWhen the Ship Comes In\u003c\/li\u003e\n\u003cli\u003eThe Lonesome Death of Hattie Carroll\u003c\/li\u003e\n\u003cli\u003eRestless Farewell\u003c\/li\u003e\n\u003c\/ol\u003e\nMastered from the original master tapes and limited to 3,000 copies, Mobile Fidelity's restored SACD delivers the landscape-shifting music in reference-quality mono sound that transports you to Columbia's Studio A. Reflecting the austerity of the topics and Dylan's mood, the sonics are direct and unadorned – each word hitting with weight, each phrase lingering until it pulls you under, each storyline echoing as fact. The hollow body of Dylan's guitar, internal mechanisms of his harmonica, and graininess of his throat come across in full-on detail.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album – making the mono mix all the more historically valuable and truthful.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMarking a shift from the looseness and comedy that pepper the preceding The Freewheelin' Bob Dylan, The Times They Are a-Changin' skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy's assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They Are a-Changin' is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction \"The Lonesome Death of Hattie Carroll,\" assertive \"Restless Farewell,\" and semi-autobiographical \"North Country Blues,\" Dylan casts hardships, greed, and victimization in such relatable terms it's impossible to turn away and ignore their implications.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs correctly relayed by Dylan expert and cultural critic Greil Marcus, \"[The record] forever fixed Bob Dylan in the popular imagination: the protest singer, the young man 'able to see through metal' (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break.\"","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39886228619462,"sku":"UDSACD2179M","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/BobDylan-TheTimesTheyArea-ChanginMONO.jpg?v=1621636944"},{"product_id":"janis-joplin-pearl-hybrid-sacd-mobile-fidelity-sound-lab-mfsl-mobile-fidelity-sound-lab","title":"Janis Joplin - Pearl Hybrid SACD Mobile Fidelity Sound Lab MFSL Mobile Fidelity Sound Lab","description":"\u003cstrong\u003eIMPECCABLE TIMING, DEVASTATING VULNERABILITY, AND RAW EMOTION: STEEPED IN SOUL AND LOADED WITH SPIRIT\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eJanis Joplin wouldn't be denied on Pearl. The powerhouse vocalist had kicked her addictions, teamed with a stupendous band, and partnered with a producer that knew how to best showcase her voice on record. She came to the sessions with an armload of astonishing songs, and a burst of creative energy that mirrored her rejuvenated emotional state and undeniable spirit. You can hear it on every note of the 1971 record. Ranked #135 on Rolling Stone's 500 Greatest Albums of All Time list, Pearl sold more than four million copies and stands as the first female rock superstar's definitive studio work.\u003cbr data-mce-fragment=\"1\"\u003e\n\u003col\u003e\n\u003cli\u003eMove Over\u003c\/li\u003e\n\u003cli\u003eCry Baby\u003c\/li\u003e\n\u003cli\u003eA Woman Left Lonely\u003c\/li\u003e\n\u003cli\u003eHalf Moon\u003c\/li\u003e\n\u003cli\u003eBuried Alive In the Blues\u003c\/li\u003e\n\u003cli\u003eMy Baby\u003c\/li\u003e\n\u003cli\u003eMe and Bobby McGee\u003c\/li\u003e\n\u003cli\u003eMercedes Benz\u003c\/li\u003e\n\u003cli\u003eTrust Me\u003c\/li\u003e\n\u003cli\u003eGet It While You Can\u003c\/li\u003e\n\u003c\/ol\u003e\nMastered from the original master tapes, the iconic audiophile label's SACD takes Joplin and Co.'s stupendous performances to newly transcendent levels. Boasting a fidelity that further magnifies the singer's passion and producer Paul A. Rothchild's clear production, this sterling reissue reveals increased spaciousness, dynamics, and openness. Joplin's husky, strong, and penetrating singing has never sounded so vibrant or made deeper connections. Warm, organic, and free of any artificial ceilings, this version lets you step into Sunset Sound Recorders with the performers, such is the degree of realism and authenticity. Indeed, few, if any words, describe Joplin better than \"authentic,\" and her spirit comes to life on this edition in positively transcendent fashion. Like its headliner, this SACD leaves it all on the floor.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Joplin's electrifying vocal prowess is universally lauded – she's recognized as the greatest white female blues singer the world has ever seen – her mix of compassion, confidence, and charm play as large a role in attracting listeners and keeping them ensnared more than four decades after her tragic death. And on Pearl, she burrows into deeper stylistic veins, teasing out sides of her persona and craft she'd never previously displayed. Her signature desperation, sadness, and vulnerability remain – the harrowing, lonely wail that begins her soul-ravishing take on Jerry Ragovoy's \"Cry Baby,\" underlined with a Wall of Sound-like piano accompaniment, could only come from a person severely scarred by loss and disappointment - yet Joplin also reveals a sense of humor and beatnik innocence that helped propel the album to the top of the charts for nine straight weeks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlayfully introduced as \"a song of great social and political import,\" the acapella \"Mercedes Benz\" reflects Joplin's throaty timbre as well as her enhanced, sunnier mood. Similarly, her definitive read of Kris Kristofferson's \"Me and Bobby McGee\" signals a laidback demeanor and a move into country strains, with the delivery as natural, carefree, and loving as any in the rock canon. As she does throughout the record, Joplin invests her all in the narrative so that there's no line between the performer and the song. She makes everything on Pearl feel autobiographical, and by extension, gut-wrenchingly honest, and devastatingly intimate. Joplin achieved these feats often during her brief career, yet there are differences on Pearl, chiefly among them her balance of impeccable timing and raw emotion. Heart-aching anthems such as \"A Woman Left Lonely\" offer both grit and control, subtlety and attack, resulting in cathartic releases distinguished with originality, personality, and instinctual passion.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePearl remains Joplin's finest hour, with credit also owed to the Full Tilt Boogie Band the only group she ever considered to be her own as well as the Doors alum that sat behind the boards. Joplin and Rothchild both admitted to sharing a common bond and understanding, with the latter inheriting the role of teacher and Joplin, a willing student ready to discover how she could use her voice in new, more expressive ways. The fruits of the pair's labors fill Pearl, be it the guardedly optimistic \"Get It While You Can\" or assertive, fleet-footed \"Move Over.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eExperienced in the new light brought to fore by this definitive Mobile Fidelity SACD, Joplin's swan song is no longer about a masterpiece that its creator never lived to see finished. Rather, it's about a once-in-a-lifetime vocalist realizing mammoth potential and wringing passion out of every note. It's not a tragedy, but a triumph. Get it while you can.","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39886912061638,"sku":"UDSACD 2173","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/JanisJoplin-PearlSACD.jpg?v=1621650646"},{"product_id":"miles-davis-kind-of-blue-hybrid-sacd-mobile-fidelity-sound-lab-mfsl","title":"Miles Davis - Kind of Blue Hybrid SACD Mobile Fidelity Sound Lab MFSL","description":"\u003cp\u003e\u003cstrong\u003eTHE BEST-SELLING ALBUM IN JAZZ HISTORY RECEIVES THE MOBILE FIDELITY TREATMENT\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eHow does one properly introduce an epochal record? Perhaps by unequivocally stating that it is the best-selling jazz album in history. Or by affirming that, every year, it sells tens of thousands of copies more than five decades after its original release. There's also the matter of its status as the most-referenced, and arguably, most important, jazz recording of all-time. And the Dream Team lineup of Miles Davis, Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Yes, Kind of Blue is utterly inimitable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSo What\u003c\/li\u003e\n\u003cli\u003eFreddie Freeloader\u003c\/li\u003e\n\u003cli\u003eBlue in Green\u003c\/li\u003e\n\u003cli\u003eAll Blues\u003c\/li\u003e\n\u003cli\u003eFlamenco Sketches\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eIn our three-decade-plus history, Mobile Fidelity has never been prouder to have the honor of handling efforts as important as Davis' key recordings. It's why our engineers took every available measure to transport listeners to the March and April 1959 sessions that parlayed modal jazz into mainstream language. The blueprint for melodic improvisation and vamping, Kind of Blue simplifies tonal organization and chordal progression into an eminently beautiful, introspective tapestry stitched with swinging poetry, mellifluous soloing, compositional lyricism, transcendental harmonies, and group interplay of the highest caliber.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile no one has ever completely identified the magic behind the record's allure – the otherworldly nature is part of its inherent charm – much of the success lies with the band members. Davis intentionally handpicked these musicians to comprise this particular cast, with everyone from former foil Evans to blues maestro Kelly to percussive genius Cobb interacting and reacting with peerless skill.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn audiophile favorite from the day it was issued, Kind of Blue takes on nirvanic sonic proportions. The expressive warmth, imaging clarity, frequency extension, and window-on-the-world breadth afforded by this new edition places music lovers right in the studio with the sextet. Close your eyes and, no matter how many times you may have heard it before, your experience will parallel that of the players that recorded these gems. Everyone shares in the excitement of not knowing what will happen and, as the music begins to lie out in front of you, you'll feel as if you've been whisked away to a jazz holy land. Quintessential.\u003c\/p\u003e\n\u003cp\u003eUPC: 821797208567\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":39886977368262,"sku":"UDSACD2085","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/MilesDavis-KindofBlueSACD.jpg?v=1621651585"}],"url":"https:\/\/zaccardis.com\/collections\/sacds.oembed?page=22","provider":"Zaccardi's","version":"1.0","type":"link"}