{"title":"Featured Items","description":"","products":[{"product_id":"john-boos-1-3-4-thick-maple-edge-grain-butcher-block-turntable-component-board-20x15x1-75","title":"John Boos 1-3\/4\" Thick Maple Edge Grain Butcher Block Board 20X15X1.75\"","description":"\u003cp\u003e\u003cstrong\u003eJohn Boos 1-3\/4\" Thick Maple Edge Grain Butcher Block Cutting Board 20X15X1.75\" Makes a Great Turntable or Audio Component Platform\u003cbr\u003eSolid Anti Vibration Acoustic Platform \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSolid 1-3\/4 inch thickness and sized to support many standard size audiophile turntables from brands including Pro-Ject, Clearaudio, and Technics. Maple butcherblock is recognized by the audio community and recommended by turntable manufacturers as a stable non resonant platform for your premium audio components. When considering a butcher block platform, why not turn to the experts in American made butcher block - John Boos!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe have gone with the premium board for high end turntables - 1-3\/4\" Thick Northern Hard Rock Maple with beautiful edge grain construction. The board is reversible meaning it is finished on both sides and comes with side grips for easy adjustment. The board is finished in Boos Block Cream Finish with Beeswax and is NSF certified so if you ever give up on the audio hobby you can use this as a kitchen cutting board or buy one for you and one for your spouse to use in the kitchen!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDon't just limit use to turntables, these boards can be used with other high end audio components as well including pre-amplifiers, Amplifiers, DACs, disc players and more. Don't see a size you want? Let us know, we may be able to custom order it for you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNatural butcher block is beautiful and functional. To preserve your butcher block board regular maintenance is suggested with one of the John Boos care and maintenance products also available on our site.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eHard Maple Edge Grain Construction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e1-3\/4\" Thick - Reversible\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eDimensions 20X15X1.75\"\" with a 1\/4\" edge radius\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHand Grips\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBoos Block Cream Finish w\/Beeswax\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMade In The USA\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eUPC: 662969705176\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis item is excluded from additional discounts.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"John Boos","offers":[{"title":"Default Title","offer_id":39368206778566,"sku":"JBR2015","price":156.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/products\/R2015.jpg?v=1615522896"},{"product_id":"jennifer-warnes-famous-blue-raincoat-1step-numbered-limited-edition-180g-45rpm-3lp","title":"Jennifer Warnes Famous Blue Raincoat 1STEP Numbered Limited Edition 180g 45rpm 3LP","description":"\u003cp\u003e\u003cstrong\u003e1STEP Process 180g 45rpm Triple LP Pressed on VR900-Supreme Vinyl!\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCut Using Original Analog Masters from the 1986 digital recordings by Bernie Grundman at Bernie Grundman Mastering!\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStrictly Limited To 7,500 Numbered Pressings!\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImpex Records is celebrating the 35th anniversary of this seminal modern audiophile classic with our final and finest collaboration with longtime partner and raconteur Jennifer Warnes. This ultimate authorized production of Famous Blue Raincoat is getting the complete Impex 1STEP treatment! After Bernie Grundman cuts the last lacquers, Jennifer's analog mixdown master tapes will return to the vault for good.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe have always treasured our work with Ms. Warnes, from the original Famous Blue Raincoat 45 Box, The Well, The Hunter, and her latest LP, Another Time, Another Place. This ultimate release celebrates Jennifer's singular legacy of musical excellence with exceptional craft in coordination with the original production team of Jennifer, C. Roscoe Beck, and Bernie Grundman.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor FBR's ultimate Impex release, we return to Jennifer's first-generation analog mixdown master tapes (from the original digital recordings) and let Bernie work his magic within the laborious 1STEP mastering process on BG Mastering's tube-cutting lathe. We will cut as many refs and test pressings as needed to get the quietest surfaces and intimate detailing. Final discs will be pressed at RTI on VR-900 super vinyl, illuminating every note and nuance of this cherished masterwork.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe three 1STEP LPs and the elegant new 24-page booklet are housed in a deluxe four-sleeve Monster Pack tip-on jacket and booklet with metallic accents and spot gloss applications. Even if you have every version of this pop classic, you will find considerable value and benefits on this unbeatable production!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe 1STEP Process:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Impex 1STEP process relies on short, tightly controlled runs that require a new lacquer after each run of 500 pressings. This unforgiving format has the lacquer skipping the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details, and deeper bass.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReducing production complexity to just a single \"convert\" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies, and increases signal integrity from the master tape to your system.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide A:\u003cbr data-mce-fragment=\"1\"\u003eFirst We Take Manhattan\u003cbr data-mce-fragment=\"1\"\u003eBird on a Wire\u003cbr data-mce-fragment=\"1\"\u003eFamous Blue Raincoat\u003cbr data-mce-fragment=\"1\"\u003eSide B:\u003cbr data-mce-fragment=\"1\"\u003eJoan of Arc\u003cbr data-mce-fragment=\"1\"\u003eAin't No Cure for Love\u003cbr data-mce-fragment=\"1\"\u003eSide C:\u003cbr data-mce-fragment=\"1\"\u003eComing Back to You\u003cbr data-mce-fragment=\"1\"\u003eSong of Bernadette\u003cbr data-mce-fragment=\"1\"\u003eA Singer Must Die\u003cbr data-mce-fragment=\"1\"\u003eSide D:\u003cbr data-mce-fragment=\"1\"\u003eCame So Far for Beauty\u003cbr data-mce-fragment=\"1\"\u003eNight Comes On\u003cbr data-mce-fragment=\"1\"\u003eSide E:\u003cbr data-mce-fragment=\"1\"\u003eThe Ballad of the Runaway Horse\u003cbr data-mce-fragment=\"1\"\u003eIf It Be Your Will\u003cbr data-mce-fragment=\"1\"\u003eA Singer Must Die (8-track Analog Demo Version)\u003cbr data-mce-fragment=\"1\"\u003eSide F:\u003cbr data-mce-fragment=\"1\"\u003eJoan of Arc (Live)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUPC: 856276002336\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis item not eligible for economy shipping\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Impex Records","offers":[{"title":"Default Title","offer_id":45943326310722,"sku":"IMXLPO6033-45","price":159.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/files\/JenniferWarnesFamousBlueRaincoat1STEPNumberedLimitedEdition180g45rpm3LP1.jpg?v=1691296089"},{"product_id":"patricia-barber-companion-1step-numbered-ltd-edition-180g-45rpm-2lp-box-set-impex","title":"Patricia Barber - Companion 1STEP Numbered Ltd Edition 180G 45RPM 2LP Box Set Impex","description":"\u003cp\u003e\u003cstrong\u003e1STEP Process 180g 45rpm Double LP Pressed on VR900-Supreme Vinyl!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMastered from the Analog Mix-Down Tapes of the Original Digital Recording by Bernie Grundman!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eUltra-Luxe \"Monster Pack\" Jacket with a Deluxe 16-Page Booklet \u0026amp; Striking Outer Slipcase!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStrictly Limited to 5,000 Numbered Pressings!\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eImpex 1STEP #5 celebrates Patricia Barber's 1999 \"return\" to The Green Mill, Chicago's fabled jazz club. Conceived as a \"companion\" to her Grammy-winning studio album Modern Cool, Companion finds Barber and her touring band in inspired form, playfully and energetically performing hits and deep tracks from her celebrated oeuvre.\u003cbr\u003e\u003cbr\u003eThe dynamic interaction between the artist and her reverent audience adds a palpable sense of space and community. At the same time, the fans' hushed attention creates a studio-like sense of precision and detail. The snap and crackle of Barber, her grand piano, and her onstage partners practically leaps off the groove into your listening room!\u003cbr\u003e\u003cbr\u003eCompanion's fan-favorite reputation is enhanced immeasurably by Jim Anderson's jaw-dropping, lifelike recording. Eschewing the crystalline sterility of digital recordings of the time, Anderson's sound is always warm, natural, and lacking unforced \"hype.\"\u003cbr\u003e\u003cbr\u003eLike Anderson, Impex aims to present great recordings that are as natural as possible. And we couldn't wait to put our favorite Patricia Barber release, using Jim's analog mix-down master tapes, on 180 grams of VR900 Super Vinyl. The deep, inky black backgrounds and absence of surface noise will pull listeners right into those three evenings in 1999, capturing a seminal modern jazz artist at a creative and professional peak and reveling in a perfectly rendered and joyous audio time capsule.\u003cbr\u003e\u003cbr\u003eFinally, our deluxe Impex Treatment packages the whole party with a lovely outer slipcase, a booklet containing a new note from Patricia, and a dazzling array of photographs from the evenings by frequent Barber collaborator Valerie Booth, exclusive to our 1STEP. Heavy paper stock with spot gloss coating and a faithfully recreated exterior design will satisfy original fans and aesthetes throughout the music-loving world.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe 1STEP Process:\u003c\/strong\u003e\u003cbr\u003eThe Impex 1STEP process relies on short, tightly-controlled runs that require a new lacquer after each 500 pressings. This unforgiving format has the lacquer skipping the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass.\u003cbr\u003e\u003cbr\u003eReducing production complexity to just a single \"convert\" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew, deluxe edition of Patricia Barber's famed live recordings at The Green Mill in Chicago in 1999\u003c\/li\u003e\n\u003cli\u003eMastered from the analog mix-down tapes (of the original digital recording) by Bernie Grundman at Bernie Grundman Mastering\u003c\/li\u003e\n\u003cli\u003eTwo 45-rpm 1STEP LPs pressed on VR900 super vinyl by RTI\u003c\/li\u003e\n\u003cli\u003eNew lacquers cut after each run of 500 pressings\u003c\/li\u003e\n\u003cli\u003eDistinctive ultra-luxe Impex 1STEP packaging featuring a deluxe 16-page booklet with exclusive concert photography by Valerie Booth, a remembrance from Patricia Barber, a heavy-stock three-sleeve Monster Pack jacket and striking color-matched slipcase\u003c\/li\u003e\n\u003cli\u003eStrictly limited to 5,000 copies\u003c\/li\u003e\n\u003cli\u003eMusicians\u003c\/li\u003e\n\u003cli\u003ePatricia Barber piano, vocals, Hammond B-3\u003c\/li\u003e\n\u003cli\u003eMichael Arnopol bass\u003c\/li\u003e\n\u003cli\u003eJohn McLean guitar\u003c\/li\u003e\n\u003cli\u003eEric Montzka drums\u003c\/li\u003e\n\u003cli\u003eRuben P. Alvarez percussion\u003c\/li\u003e\n\u003cli\u003eJason Narducy guest vocalist on \"Touch of Trash\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide One:\u003c\/em\u003e\u003cbr\u003eThe Beat Goes On\u003cbr\u003eUse Me\u003cbr\u003eYou Are My Sunshine\u003cbr\u003e\u003cem\u003eSide Two:\u003c\/em\u003e\u003cbr\u003eLike JT\u003cbr\u003eLet It rain\u003cbr\u003eTouch of Trash\u003cbr\u003e\u003cem\u003eSide Three:\u003c\/em\u003e\u003cbr\u003eIf This Isn't Jazz\u003cbr\u003eSo What\u003cbr\u003e\u003cem\u003eSide Four:\u003c\/em\u003e\u003cbr\u003eBlack Magic Woman\u003cbr\u003e\u003cbr\u003eUPC: 856276002275\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis item not eligible for economy shipping\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Impex Records","offers":[{"title":"Default Title","offer_id":48041804857666,"sku":"IMXLPO6053-45","price":132.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/files\/PatriciaBarberCompanion1STEPNumberedLimitedEdition180g45rpm2LPc.jpg?v=1710128275"},{"product_id":"taylor-swift-the-tortured-poets-department-beige-colored-vinyl-2lp-explicit","title":"Taylor Swift - THE TORTURED POETS DEPARTMENT Beige Colored Vinyl 2LP [Explicit]","description":"\u003cstrong\u003eTaylor Swift - THE TORTURED POETS DEPARTMENT \u003cspan style=\"text-decoration: underline;\"\u003eBeige\u003c\/span\u003e Colored Vinyl 2LP\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e*Each indie has a separate bonus track*\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLimited Edition. Featuring the bonus track, \"The Bolter.\"\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e[Explicit Content] Parental Advisory Explicit Lyrics\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDouble beige colored vinyl LP pressing. 2024 release. The Tortured Poets Department (also shortened to Tortured Poets) is the eleventh studio album by the American singer-songwriter Taylor Swift. Shortly after finishing work on Midnights, Swift conceived The Tortured Poets Department and developed it during the Eras Tour (2023-2024). She described the album as her \"lifeline\" record, a product of imperative songwriting. It consists of sixteen songs, featuring collaborations with the American rapper Post Malone features on \"Fortnight\" and the English indie rock band Florence and the Machine on \"Florida!!!\". Each of the four physical versions of the album include one additional bonus track.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e- 1 -\u003cbr data-mce-fragment=\"1\"\u003e1 Fortnight (Feat. Post Malone)\u003cbr data-mce-fragment=\"1\"\u003e2 The Tortured Poets Department\u003cbr data-mce-fragment=\"1\"\u003e3 My Boy Only Breaks His Favorite Toys\u003cbr data-mce-fragment=\"1\"\u003e4 Down Bad\u003cbr data-mce-fragment=\"1\"\u003e- 2 -\u003cbr data-mce-fragment=\"1\"\u003e1 So Long London\u003cbr data-mce-fragment=\"1\"\u003e2 But Daddy I Love Him\u003cbr data-mce-fragment=\"1\"\u003e3 Fresh Out the Slammer\u003cbr data-mce-fragment=\"1\"\u003e4 Florida!!! (Feat. Florence + the Machine)\u003cbr data-mce-fragment=\"1\"\u003e- 3 -\u003cbr data-mce-fragment=\"1\"\u003e1 Guilty As Sin?\u003cbr data-mce-fragment=\"1\"\u003e2 Who's Afraid of Little Old Me?\u003cbr data-mce-fragment=\"1\"\u003e3 I Can Fix Him (No Really I Can)\u003cbr data-mce-fragment=\"1\"\u003e4 Loml\u003cbr data-mce-fragment=\"1\"\u003e- 4 -\u003cbr data-mce-fragment=\"1\"\u003e1 I Can Do It with a Broken Heart\u003cbr data-mce-fragment=\"1\"\u003e2 The Smallest Man Who Ever Lived\u003cbr data-mce-fragment=\"1\"\u003e3 The Alchemy\u003cbr data-mce-fragment=\"1\"\u003e4 Clara Bow\u003cbr data-mce-fragment=\"1\"\u003e5 The Bolter (Bonus Track)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUPC: 602458933345","brand":"Republic","offers":[{"title":"Default Title","offer_id":48509899112770,"sku":"RPBL147031.1","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/files\/TaylorSwift-THETORTUREDPOETSDEPARTMENTBeigeColoredVinyl2LP.jpg?v=1713922837"},{"product_id":"taylor-swift-the-tortured-poets-department-smoke-colored-vinyl-2lp-explicit","title":"Taylor Swift - THE TORTURED POETS DEPARTMENT Smoke Colored Vinyl 2LP [Explicit]","description":"\u003cstrong\u003eTaylor Swift - THE TORTURED POETS DEPARTMENT \u003cspan style=\"text-decoration: underline;\"\u003eSmoke\u003c\/span\u003e Colored Vinyl 2LP\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e*Each indie has a separate bonus track*\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLimited Edition. Featuring the bonus track, \"The Albatross.\"\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e[Explicit Content] Parental Advisory Explicit Lyrics\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDouble smoke colored vinyl LP pressing. 2024 release. The Tortured Poets Department (also shortened to Tortured Poets) is the eleventh studio album by the American singer-songwriter Taylor Swift. Shortly after finishing work on Midnights, Swift conceived The Tortured Poets Department and developed it during the Eras Tour (2023-2024). She described the album as her \"lifeline\" record, a product of imperative songwriting. It consists of sixteen songs, featuring collaborations with the American rapper Post Malone features on \"Fortnight\" and the English indie rock band Florence and the Machine on \"Florida!!!\". Each of the four physical versions of the album include one additional bonus track.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e- 1 -\u003cbr data-mce-fragment=\"1\"\u003e1 Fortnight (Feat. Post Malone)\u003cbr data-mce-fragment=\"1\"\u003e2 The Tortured Poets Department\u003cbr data-mce-fragment=\"1\"\u003e3 My Boy Only Breaks His Favorite Toys\u003cbr data-mce-fragment=\"1\"\u003e4 Down Bad\u003cbr data-mce-fragment=\"1\"\u003e- 2 -\u003cbr data-mce-fragment=\"1\"\u003e1 So Long London\u003cbr data-mce-fragment=\"1\"\u003e2 But Daddy I Love Him\u003cbr data-mce-fragment=\"1\"\u003e3 Fresh Out the Slammer\u003cbr data-mce-fragment=\"1\"\u003e4 Florida!!! (Feat. Florence + the Machine)\u003cbr data-mce-fragment=\"1\"\u003e- 3 -\u003cbr data-mce-fragment=\"1\"\u003e1 Guilty As Sin?\u003cbr data-mce-fragment=\"1\"\u003e2 Who's Afraid of Little Old Me?\u003cbr data-mce-fragment=\"1\"\u003e3 I Can Fix Him (No Really I Can)\u003cbr data-mce-fragment=\"1\"\u003e4 Loml\u003cbr data-mce-fragment=\"1\"\u003e- 4 -\u003cbr data-mce-fragment=\"1\"\u003e1 I Can Do It with a Broken Heart\u003cbr data-mce-fragment=\"1\"\u003e2 The Smallest Man Who Ever Lived\u003cbr data-mce-fragment=\"1\"\u003e3 The Alchemy\u003cbr data-mce-fragment=\"1\"\u003e4 Clara Bow\u003cbr data-mce-fragment=\"1\"\u003e5 The Albatross (Bonus Track)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUPC: 602458933338","brand":"Republic","offers":[{"title":"Default Title","offer_id":48510088380738,"sku":"602458933338","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/files\/TaylorSwift-THETORTUREDPOETSDEPARTMENTSmokeColoredVinyl2LP.jpg?v=1713925268"},{"product_id":"alice-cooper-welcome-to-my-nightmare-analogue-productions-atlantic-75-180g-45rpm-2lp","title":"Alice Cooper - Welcome to My Nightmare Analogue Productions Atlantic 75 180G 45RPM 2LP","description":"\u003cp\u003e\u003cstrong\u003eAnalogue Productions (Atlantic 75 Series)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCelebrating the 75th Anniversary of Atlantic Records!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlice Cooper's Welcome To My Nightmare\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e180-gram 45 RPM double LP release\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLacquers cut by Chris Bellman at Bernie Grundman Mastering\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePressed at Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShock rocker Alice Cooper's Welcome To My Nightmare — part of our Analogue Productions Atlantic 75th Anniversary Series — embellishes an already landmark release. 1975 was a banner year for superstar Alice Cooper with the release of the groundbreaking concept album. 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The album's production incorporates haunting orchestral arrangements, catchy hooks, and powerful guitar riffs, crafting a sonically diverse and captivating listening experience.\u003c\/p\u003e\n\u003cp\u003eTeaming up again with his longtime producer Bob Ezrin, the duo assembled some of the greatest music to go along with the David Winter-produced TV special, and in doing so, created some of his best known songs like the huge hit single \"Only Women Bleed.\" This Top 5 single carried Welcome To My Nightmare into multiple platinum territory and forever etched the word superstar to the name of Alice Cooper.\u003c\/p\u003e\n\u003cp\u003eAll the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. 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A year ago, Nesuhi Ertegün suggested that I record an entire blues album in the style of 'Haitian Fight Song' (in Atlantic LP 1260), because some people, particularly critics, were saying I didn't swing enough. He wanted to give them a barrage of soul music: churchy, blues, swinging, earthy. I thought it over. I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing. So I agreed.\"\u003c\/p\u003e\n\u003cp\u003eAnyone who had heard \"Haitian Fight Song\" shouldn't have been surprised that such an album was well within Mingus' range. 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Created with minimal overdubs and afforded massive dynamics, air-moving energy, and palpable solidity on this audiophile edition, Van Halen II is rock 'n' roll at its most direct, straightforward, taut, and electric. Every track pulses with what Eddie Van Halen once referred to as a \"vibe, feeling, and pocket\" that only these four individuals could establish and maintain.\u003c\/p\u003e\n\u003cp\u003eIndeed, if ever there was an indication of the spirit and enthusiasm ready to leap from a record, it's the photo montage that originally graced the album's back cover. Captured in mid-flight, legs splayed so wide the tips of his feet approach the height of his shoulders, Roth somehow still clutches the microphone stand all the while remaining unconcerned with how his body could possibly stick a safe landing — especially since he's wearing Capezio dance shoes. 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Arena-bound hooks and pop melodies also emerge on \"Beautiful Girls,\" a hit whose upbeat sound mirrors its subject matter — and which crystallizes the band's unique blend of surf-and-sun California temperament and virtuosic technicality. Roth's rhymed couplets, shoobee-doobee harmonies, and shuck-and-jive deliveries make evident his expert showmanship and desire to entertain. In a brilliant move, the tune also frames the group's famed debauchery and sexual swagger in understated fashion.\u003c\/p\u003e\n\u003cp\u003eThere's nothing downplayed about the crunchy, swinging, high-times-are-here-again rush of \"Somebody Get Me a Doctor,\" whose thick, leathery guitar foundation and freewheeling solo — which earns Eddie Van Halen applause from his cohorts — reflect the non-commercial overdrive and progressive force that define a majority of Van Halen II. 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You can hear the laughter and practically see Roth and Anthony losing it as Eddie Van Halen launches six-string rockets into outer space.\u003c\/p\u003e\n\u003cp\u003eIn a turn of pace, the guitarist picked up a nylon-stringed Ovation acoustic to record \"Spanish Fly.\" Every bit as revolutionary and dizzying as \"Eruption\" on Van Halen, the instrumental finds him channeling flamenco strains into what Roth properly called \"a wall socket. In the middle it sounds like someone speeded up the album to 45 all the sudden, but this guy does it live.\" That he did, Diamond Dave. That he did.\u003c\/p\u003e\n\u003cp\u003eA quick note about Van Halen II: If you listen to MoFi’s UD1S or SACD reissue of Van Halen II, you may hear some recording artifacts such as switch transients or razor-blade edits that were originally done well, but not executed with absolute perfection. Rest assured. Those are not defects. Rather, they are sonic artifacts present on the original master tapes. 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Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolor painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.\u003c\/p\u003e\n\u003cp\u003eSourced from the original analog master tapes, Mobile Fidelity's numbered-edition hybrid SACD delivers Ladies of the Canyon with alluring intimacy, detail, balance, and depth. Marking the first time the record has received audiophile treatment, it's one of six iconic Mitchell efforts Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.\u003c\/p\u003e\n\u003cp\u003ePlaying with organic warmth, superb clarity, and ample spaciousness, this collectible edition does justice to the record that turned Mitchell into a star. Primarily recorded solo, with spare accompaniment on select tracks, she practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; black backgrounds add to the realism.\u003c\/p\u003e\n\u003cp\u003eDeemed \"powerful and brilliant\" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.\u003c\/p\u003e\n\u003cp\u003eMitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving \"a pattern all her own.\"\u003c\/p\u003e\n\u003cp\u003eThat pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. 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To record the album, the band used at least 42 different musicians, spent over a year in the studio, and far exceeded the original monetary advance given by the record label.\u003c\/p\u003e\n\u003cp\u003eDuring the two-year span in which the album was recorded, the band was plagued by a number of creative, personal and professional problems. MCA, Warner Bros. and Steely Dan had a three-way legal battle over the rights to release the album. After it was released, jazz musician Keith Jarrett was given a co-writing credit on the title track after threatening legal action over plagiarism of Jarrett's song \"'Long As You Know You're Living Yours.\"\u003c\/p\u003e\n\u003cp\u003eGaucho marked a significant stylistic change for the band, introducing a more minimal, groove- and atmosphere-based format. 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Indeed, amid an age where it seems every hidden or overlooked gem has already been rediscovered, this 1977 set remains a well-kept secret — a record filled with virtuoso performances, tremendous chemistry, high-wire improvisations, and explosive jazz-rock combinations. No wonder many listeners who came upon the effort in the late ‘70s admit to wearing out multiple copies and standing in awe of its powers. Wait 'til they hear this version.\u003c\/p\u003e\n\u003cp\u003eSourced from the original master tapes, housed in mini-LP-style gatefold packaging, and strictly limited to 2,000 numbered copies, Mobile Fidelity’s hybrid SACD of Jeff Beck with the Jan Hammer Group Live presents this collaborative tour de force in audiophile quality for the first time. Clear, detailed, and dynamic, the collectible reissue places each of the five fabled instrumentalists — Beck, Hammer, drummer Tony “Thunder” Smith, bassist Fernando Saunders, violinist Steve Kindler — in the positions that mirror where they played onstage during the 1976-77 tour.\u003c\/p\u003e\n\u003cp\u003eBenefitting from the resultant three-dimensional soundstaging and black backgrounds, you’ll not only hear but nearly see Beck center right; Hammer center left; Kindler right; and Smith and Saunders anchoring the middle. The quiet vinyl surfaces further contribute to the sonic realism, immediacy, and energy. Paramount to Beck and Hammer, tonalities are natural and balanced. MoFi’s edition also restores and increases the emotionalism at hand. Concentrate on any passage, and you’ll sense the camaraderie, spirit, and joyfulness shared by the quintet — and communicated to the crowds. 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The point at which Cash transformed from a country star into a legendary artist, and a bold statement about the American prison state and its commitment to rehabilitation, the triple-platinum At Folsom Prison remains one the most important, potent, and fabled records of the 20th century.\u003c\/p\u003e\n\u003cp\u003eMastered on MoFi’s renowned mastering system at its California studio and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180g 45RPM 2LP set of At Folsom Prison veritably places you in the cafeteria with the hootin’ and hollerin’ prisoners with which Cash felt a mutual chemistry, sympathy, and spirit. A through-line to the no-frills rawness that helps make this landmark record among the most genuine documents ever committed to tape, this audiophile reissue presents what transpired that winter day with a fullness, directness, spaciousness, and dynamic absent prior editions.\u003c\/p\u003e\n\u003cp\u003eYou can hear it echo off the walls of the room; pulse through the Tennessee Three’s itchy, acoustic-based boom-chick rhythms; crackle in the announcements conveyed over the intercom; ring in the comedy of the off-cuff remarks and pair of novelty tunes; sense it in palpable energy that wells up within Cash and his audience. And you can experience it like never before via Cash’s knockout singing. 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The point at which Cash transformed from a country star into a legendary artist, and a bold statement about the American prison state and its commitment to rehabilitation, the triple-platinum At Folsom Prison remains one the most important, potent, and fabled records of the 20th century.\u003c\/p\u003e\n\u003cp\u003eMastered on MoFi’s renowned mastering system at its California studio and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180g 45RPM 2LP set of At Folsom Prison veritably places you in the cafeteria with the hootin’ and hollerin’ prisoners with which Cash felt a mutual chemistry, sympathy, and spirit. 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The scope, balance, and reach of Ezrin’s explosive production comes to the fore. As does the ample spaciousness and separation that help give the songs breathing room even when the music builds to an orchestral pitch.\u003c\/p\u003e\n\u003cp\u003eReed’s distinctive voice — central to every track — sounds direct, immediate, centered. The realism and clarity of his tone make it appear as if he’s entered the room. You can trace his breath control, reserved coolness, and commanding phrasing. And sense the implied violence, delusion, and sorrow in the questions and statements he issues in the persona of the protagonist Jim — as well as the empathy, fatigue, confusion, and frustration he projects in his guise as Caroline.\u003c\/p\u003e\n\u003cp\u003eMobile Fidelity’s reissue also puts into a new, improved light the brilliant contributions of the standout session players. Steve Winwood (Hammond organ), Michael Brecker (tenor saxophone), Randy Brecker (trumpet), and Procol Harum drummer B.J. 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You can discern the multiple layers of rhythm Davis employed on complex tracks such as \"Black Satin,\" as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analog noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.\u003c\/p\u003e\n\u003cp\u003eNew degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. 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The iconic composer\/trumpeter steps into the role of sideman on the 1958 set, one of just a handful of times he'd make such a move after the calendar passed the mid-1950s. Yet evaluating Somethin' Else strictly on Davis' involvement misses the big picture. 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Each and every snare hit, downbeat, and cymbal splash registered by the latter take on realistic proportions, blooming and decaying as they would in front of you on a stage. Jones' foundational bass lines register with uncommon depth and palpability, the litheness of the strings and fullness of the instrument epitomizing rhythm. Stellar, too, are the surefooted 88s. Sublime in scale, tonality, and attack, with the delineation such you can practically separate the white and black keys in your mind. As for that liquid interplay between Adderley and Davis? Lifelike in timbre, naturalism, purity, and presence.\u003c\/p\u003e\n\u003cp\u003eFor reasons that extend far beyond the outstanding playing and flawless repertoire, Somethin' Else is a record you'll always want to watch and hear come together. 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The opening piece, \"The Musical Box\" combined the band's trademark mix of 12-string guitars with harsh electric guitars and keyboards. The song, a macabre fairy story set in Victorian Britain, became the inspiration for the album cover, and went on to be a live favorite.\u003c\/p\u003e\n\u003cp\u003eThis album played a pivotal role in establishing the band's progressive rock sound and laid the foundation for their future success.\u003c\/p\u003e\n\u003cp\u003eAlthough Peter Gabriel remained the band's primary vocalist, Collins' distinctive voice began to shine through on tracks like \"For Absent Friends\" and \"Harlequin.\" Collins' vocals added a new dimension to the band's sound, blending seamlessly with Gabriel's, and hinting at the vocal prowess that would later define his solo career. 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Available in audiophile quality for the first time since its original release three decades ago, and featuring the bonus track “God Rest Ye Merry, Gentlemen,” the nine-times-platinum set breathes with a newfound transparency that enhances the spirituality, passion, and festive tenor of Carey’s singing.\u003c\/p\u003e\n\u003cp\u003eBenefitting from the superb definition afforded by the wide 45RPM grooves, the music takes on a heightened energy and anticipatory emotion synonymous with the holiday season. Carey’s signature vocals explode with liveliness and dynamics, the full scope of her acrobatic range presented in clear, transparent sound that practically places her on a small stage in your listening room. This collectible version also breathes with the kind of warmth, intimacy, and coziness you want from a landmark vocal album.\u003c\/p\u003e\n\u003cp\u003eRecorded when Carey helped put “diva” back into everyone’s vocabulary, Merry Christmas gave the New York native another smash right out of the box. What nobody knew at the time was the degree of the album’s staying power — and how, many years removed from its initial promotion cycle, its legend would still grow and even spark a 2010 sequel. Having re-entered the Top 200 charts every year since 2019, Merry Christmas ranks as one of the three most commercially successful holiday LPs ever made and, in due time, will likely earn the top distinction in that class. A global blockbuster, it seamlessly ties together Christian, gospel, and secular threads and speaks to a boundless audience, independent of denomination.\u003c\/p\u003e\n\u003cp\u003eMost obviously, the record remains inescapably connected to “All I Want for Christmas Is You,” an uptempo anthem that towers as a holiday standard and one of the biggest-selling singles in history. Punctuated with celesta chimes, sleigh bells, springy keyboards, and joyous beats, the song echoes the simple albeit engaging melodies and doo-wop style of beloved holiday classics of yore — and blends such elements with contagious dance-pop rhythms to create an atmosphere rich in joy, wonder, and excitement. Radiant with golden soulfulness and sincere conviction, Carey’s exuberant singing and on-point phrasing put it all over the top. And how.\u003c\/p\u003e\n\u003cp\u003eThe song stands as the only effort in Billboard history to top the Hot 100 chart during at least three separate runs. Carey’s blockbuster has already hit No. 1 during five runs, spanning every year between 2019 and 2024. That’s just one of the many records the singer holds — and only one of the multiple highlights from Merry Christmas, which includes two other Carey-penned originals, “Miss You Most (At Christmas Time)” and “Jesus Born on This Day.”\u003c\/p\u003e\n\u003cp\u003eThough slightly lesser known, Carey’s remarkable rendition of Darlene Love’s “Christmas (Baby Please Come Home)” further links her album with the big, lush, Wall of Sound heritage that helped inspire its production. Carey’s heartfelt take and transformation of the traditional “Santa Claus Is Coming to Town” into an animated tune that even adults can believe, as well as her clairon reading of “Joy to the World” — cleverly augmented with bits of Three Dog Night’s 1971 hit of the same name — further reinforce her status as Queen of Christmas.\u003c\/p\u003e\n\u003cp\u003eAt the peak of her powers, Carey finds equivalent success when tapping more spiritual veins. Witness the reverence she brings to the timeless carol “Silent Night,” the piousness she invests in “Jesus Oh What a Wonderful Child,” and the sacred feeling she conveys throughout “O Holy Night.” You’ll also never think of “Hark! The Herald Angels Sing” and “Gloria (In Excelsis Deo)” the same way again after hearing Mimi pour her heart and soul into them, and pair the songs together.\u003c\/p\u003e\n\u003cp\u003eIndeed, it’s Carey’s pliable voice, melismatic technique, and five-octave range — on display here in definitive fashion — coupled with her undeniable love for Christmas and understanding of the religious significance of the season that make Merry Christmas a must-have holiday staple. And on Mobile Fidelity’s LP, something you better add to your wish list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003eSilent Night\u003cbr\u003eAll I Want for Christmas Is You\u003cbr\u003eO Holy Night\u003cbr\u003eChristmas (Baby Please Come Home)\u003cbr\u003eMiss You Most (At Christmas Time)\u003cbr\u003eJoy to the World\u003cbr\u003eJesus Born on This Day\u003cbr\u003eSanta Claus Is Coming to Town\u003cbr\u003eHark! 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The confident sound of Santana stretching out and carving out new musical territory, the band's 1970 effort pulses with psychedelic accents and Afro-Latin grooves. Ranked on Rolling Stone’s list of the 500 Greatest Albums of All Time and selected by the Library of Congress for inclusion in its National Recording Registry, Abraxas immediately captured the public’s ear, spending six weeks at the No. 1 spot and sending the band's cosmic cover of Fleetwood Mac's “Black Magic Woman” into the Top 5. More than five million copies and countless global accolades later, Abraxas is legend.\u003c\/p\u003e\n\u003cp\u003eSourced from the original analog tapes, housed in a Stoughton gatefold jacket, and improving upon the label's critically acclaimed out-of-print 180g LP pressing, Mobile Fidelity's numbered-edition 180g SuperVinyl LP teems with information, clarity, textures, and colors. The result: Spacious, airy, and you-are-there sonics that further benefit from the characteristics of MoFi SuperVinyl: an ultra-low noise floor, superior groove definition, and dead-quiet surfaces.\u003c\/p\u003e\n\u003cp\u003eExperience Abraxas the way it is meant to be heard, with the instruments and musicians placed in the proper channels. This collectible version captures the full tonal range of Santana’s guitar and nuances of his distinctive touch. Passages and notes are brought to the forefront and properly scaled, enhancing your emotional connection to this iconic record.\u003c\/p\u003e\n\u003cp\u003eFilled with celebratory vibes, bluesy jams, mellow vocals, and hip-shaking grooves, Abraxas picks up on the momentum of Santana's self-titled 1969 debut. Drifting into more versatile territory, Santana reimagines what’s possible in melding various disciplines and styles. Mysticism and spirituality abound amid performances featuring a thrilling assembly of purring organs, conga beats, and fluid bass lines. And that says nothing of the bandleader’s extraordinary guitar playing.\u003c\/p\u003e\n\u003cp\u003eWild, free, and loose, the group conjures the feeling of mountains and rivers on the opening instrumental “Singing Winds, Crying Beasts,” leads a salsa parade on a definitive version of Tito Puente’s “Oye Como Va,” and explores its sensual side on “Samba Pa Ti,” a track indicative of the album’s Latin vibes and percussion. Sonically, Abraxas takes advantage of then-advanced studio techniques such as cross-fading and state-of-the-art mixing. As The Mojo Collection explains: “Dissatisfied with the sound of their debut, the group brought in as a co-producer veteran jazz engineer Fred Catero, whose skills proved invaluable in balancing the new range of musical flavors Santana [was] bringing into its sound: the result was a giant step on from [the band’s] debut.”\u003c\/p\u003e\n\u003cp\u003eLike the group’s debut, Abraxas long laid claim to one of the biggest production gaffes in music history. Until Mobile Fidelity corrected the error with its 2008 LP and gold CD reissues, Abraxas had never been heard correctly. For nearly four decades, copies were produced with the left and right channels reversed. So, in addition to showcasing reach-out-and-touch it sound, this SuperVinyl edition gets all the specifications right.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003eSinging Winds\u003cbr\u003eCrying Beasts\u003cbr\u003eBlack Magic Woman\/Gypsy Queen\u003cbr\u003eOye Como Va\u003cbr\u003eIncident at Neshabur\u003cbr\u003eSe a Cabo\u003cbr\u003eMother's Daughter\u003cbr\u003eSamba Pa Ti\u003cbr\u003eHope You're Feeling Better\u003cbr\u003eNicoya\u003c\/p\u003e\n\u003cp\u003eUPC: 196588920615\u003cbr\u003e\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":50156214944066,"sku":"MFSV 1-539","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/files\/Santana-Abraxas180GSuperVinylLPNumberedLimitedEdition.jpg?v=1734243406"},{"product_id":"michael-jackson-off-the-wall-ultradisc-one-step-180g-45rpm-2lp-box-set-supervinyl","title":"Michael Jackson - Off the Wall UltraDisc One-Step 180G 45RPM 2LP Box Set SuperVinyl","description":"\u003cp\u003e\u003cstrong\u003eOUT OF PRINT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Jackson’s Reign as the King of Pop Starts Here: RIAA-Certified Nine-Times-Platinum Off the Wall Blends Funk, Disco, Soul and R\u0026amp;B in Visionary Ways, Features “Don’t Stop ‘Til You Get Enough” and “Rock With You”\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e1979 Landmark Presented in Audiophile Sound for the First Time: Mobile Fidelity’s UltraDisc One-Step 180g 45RPM 2LP Box Set Explodes with Energy, Plays with Superb Clarity and Detail, Is Strictly Limited to 6,000 Numbered Copies\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e1\/4\" \/ 30 IPS analog master to DSD 256 to analog console to lathe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMobile Fidelity’s UltraDisc One-Step 180g 45RPM 2LP box set of Off the Wall is sourced from the original master tapes, housed in a deluxe slipcase, pressed on MoFi SuperVinyl at Fidelity Record Pressing, and strictly limited to 6,000 numbered copies. The keepsake packaging of this Off the Wall UD1S set further befits the album's preeminent status. Housed in a deluxe slipcase, it features a special foil-stamped jacket and faithful graphics. 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Inspired by Miles Davis' pioneering period work, and aiming to discover and develop inner peace within a musical realm, the guitarist sets off on a quest to find his equivalent of the spiritual dimensions John Coltrane channels on A Love Supreme. The daring move paid dividends: The namesake band's 1972 album landed in the Top 10, sold more than a million copies, and established Santana as a visionary who refused to cater to commercialism.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003eEternal Caravan of Reincarnation\u003cbr\u003eWaves Within\u003cbr\u003eLook Up (To See What's Coming Down)\u003cbr\u003eJust in Time to See the Sun\u003cbr\u003eSong of the Wind\u003cbr\u003eAll the Love of the Universe\u003cbr\u003eFuture Primitive\u003cbr\u003eStone Flower\u003cbr\u003eLa Fuente del Ritmo\u003cbr\u003eEvery Step of the Way\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSourced from the original master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180g 33RPM LP brims with atmospheric texture, three-dimensional spaciousness, and revealing microdynamics. This collectible audiophile reissue exposes the natural feel of Santana and drummer Mike Shrieve's production, allowing the music to emerge with refreshing airiness, intimate presence, and organic balance. Whether the sound pertains to the brassy reach of a saxophone, bloom of an acoustic bass, intricate wash of an organ, or trailing note of an echo, Caravanserai projects with superb detail and clarity. This is an album whose meanings and scope tremendously benefit from such enhanced closeness, warmth, and tonality.\u003c\/p\u003e\n\u003cp\u003eJust consider the quote from Indian monk-yogi Paramahansa Yolanda gracing the album's inner cover: \"The body melts into the universe. The universe melts into the soundless voice. The sound melts into the all-shining light. And the light enters the bosom of infinite joy.\" Yolanda's words serve as a guide: Caravanserai feels at once cosmic, hopeful, bright, festive. Though grounded and centered, its songs seem to float in an otherworldly stratosphere; its liberating passages and pulsing rhythms don't touch the ground. Arrangements point forward and skyward, drawing attention to a higher consciousness and away from earthly pursuits. The effect is beautiful, uplifting, freeing.\u003c\/p\u003e\n\u003cp\u003eSoulfulness and spirituality course throughout Caravanserai. Its deep emotionalism and heartfelt expressiveness are on par with the most personalized playing of Santana's career. Distinct from instrumentally based albums centered around jams performed for the sake of virtuosity, Caravanserai retains a cohesive focus and purpose. It is foremost an album of songs connected by melody, groove, and relative concision. It makes demands on not just the ears but the heart and mind. Directly and indirectly invoking concepts like purifying, cleansing, and sharing, it invites you to listen and concentrate with undivided attention.\u003c\/p\u003e\n\u003cp\u003eThe final Santana record to feature guitarist Neil Schon and organist Greg Rollie for more than four decades, Caravanserai displays no hint of the discord that would soon cause the lineup to splinter. Functioning as a unified collective with an all-for-one mentality, the band arrives at intersections at which rock, Latin, jazz, and funk speak a common language. Santana, Schon, Rollie, bassist Douglas Rauch, and company delve into the boundless – and then-novel – possibilities of fusion without exploiting technique, taxing patience, or running adrift.\u003c\/p\u003e\n\u003cp\u003eOpening with the sound of chirping crickets – which immediately announces the album's preoccupation with nature and harmonious existence in the universe – Caravanserai brings listeners into a world unlike that on any other record. Designed to be heard in sequence, the 10-track LP doubles as an immersive adventure into the known and unknown. In addition to the exceptional musicality, the band embraces a metaphysical vibe that suits the wordless messages conveyed in aptly titled songs such as the explorative \"Waves Within\" and funk-laden \"Look Up (To See What's Coming Down).\" On the radiant \"Song of the Wind,\" Santana and Schon trade sun-bound solos atop a subtle foundation laid by Rollie's organ. So it goes on Caravanserai: As Santana shines, so does his band.\u003c\/p\u003e\n\u003cp\u003eThe record's second half ventures deeper into the mystic. \"All the Love in the Universe\" incorporates sitar-like elements and harmonious chants; the mediative \"Future Primitive\" uses quiet as an instrument; the Brazilian-spiced \"Stone Flower\" sees the group setting lyrics to an Antonio Carlos Jobim tune; Cuban accents, timbales, and bongos pop on the danceable \"La Fuente del Ritmo,\" featuring contributions by jazz legend and then-new recruit Armando Peraza. On the epic closer \"Every Step of the Way,\" the group nods to Miles Davis' space-jazz oeuvre before transitioning to a woodwinds-meet-conga-meets-guitar blowout topped off by an orchestral arrangement.\u003c\/p\u003e\n\u003cp\u003eIt's a lot to absorb. This reissue invites you to listen again and again – and experience everything that makes the album inimitable.\u003c\/p\u003e\n\u003cp\u003eUPC: 196588867415\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":50263610097986,"sku":"MFSL 1-524","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/files\/SantanaCaravanseraiNumberedLimitedEdition180GVinylLP.jpg?v=1737605588"},{"product_id":"santana-inner-secrets-numbered-limited-edition-180g-vinyl-lp-mfsl","title":"Santana Inner Secrets Numbered Limited Edition 180G Vinyl LP MFSL","description":"\u003cp\u003e\u003cstrong\u003eSantana Moves Toward the Rock Mainstream: Inner Secrets Features Three Top 100 Singles, Passionate Performances, and Tightened-Up Frameworks\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSourced from the Original Analog Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s 180g 33RPM LP Exposes Critical Details and Tones That Make the 1978 Album Soar\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e1\/4\" \/ 15 IPS analog master to DSD 256 to analog console to lathe\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCarlos Santana refused to sit still or commit to one style during his fantastically adventurous stretch in the 1970s. That prolific decade witnessed his namesake band release nine studio albums, one hybrid live-studio double album, and a triple live set. The group’s penchant for exploration and mutation — and adopting those constructs into appealing songs that surprise, delight, and inspire — flares throughout Inner Secrets, a gold-certified effort that finds the collective reaching heights it would not again realize for another 10 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003eDealer\/Spanish Rose\u003cbr\u003eMove On\u003cbr\u003eOne Chain (Don’t Make No Prison)\u003cbr\u003eStormy\u003cbr\u003eWell All Right\u003cbr\u003eOpen Invitation\u003cbr\u003eLife Is a Lady\/Holiday\u003cbr\u003eThe Facts of Life\u003cbr\u003eWham!\u003c\/p\u003e\n\u003cp\u003eSourced from the original master tapes, pressed at Fidelity Record Pressing, and strictly limited to 3,000 numbered copies, Mobile Fidelity’s 180g 33RPM LP of Inner Secrets presents the 1978 album in audiophile sound for the first time on a domestic reissue. Part of the label’s Santana series, this collectible version features quiet surfaces and black backgrounds that help expose the critical details, dynamics, and tones that really allow Santana’s music to soar.\u003c\/p\u003e\n\u003cp\u003eAs for Carlos Santana’s signature guitar voicing, spicy leads, and acrobatic solos? Hear them with newfound definition and enhanced clarity — all the better to appreciate the dexterity, vision, and soulfulness on display. Those characteristics extend to the contributions from the other players on Inner Secrets, including Graham Lear’s invigorating drumming and David Margen’s foundational bass lines. They form a solid rhythmic foundation capable of veering from disco grooves to moody pop and radio-friendly classic rock.\u003c\/p\u003e\n\u003cp\u003eHome to three Top 100 singles, Inner Secrets marks another turning point in Santana’s evolution. It is the band’s first project without keyboardist Tom Coster since the latter arrived in 1972. Gone, too, from the lineup is original percussionist Jose Areas. In their places are Chris Rhyme and Pete Escovedo, respectively, with the latter having debuted on the studio portion of the preceding Moonflower (1977). Multi-instrumentalist Chris Solberg counts as the other notable new addition. All three pros play key roles on a work that witnesses Santana moving away from fusion-laden fare and toward mainstream-oriented material.\u003c\/p\u003e\n\u003cp\u003eObvious evidence of that transformation arrives in the form of four inspired covers, including renditions of Buddy Holly’s “Well All Right,” Four Tops’ “One Chain (Don’t Make No Prison),” Classic IV’s “Stormy,” and Traffic’s “Dealer” — with the latter tune soldered into “Spanish Rose.” Santana’s focused approach is also reflected in the structures and lengths of the songs. No track lasts longer than six minutes and 15 seconds. Yet the band packs an array of contagious melodies, complex passages, and passionate performances into the tightened-up frameworks.\u003c\/p\u003e\n\u003cp\u003eIn addition to the instrumental prowess, Inner Secrets especially benefits from the singing of Greg Walker. Carlos Santana called Walker’s technique a “combination of street and church music; 'street' being raw, sexy, warm, and naked; 'church' being spiritual, inspirational, soulful, and sincere.” Those elements further punctuate Inner Secrets and ensure the album stands as a bookend to the group’s peak era. 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Smith direct to DSD from the original master tape\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStone Temple Pilots roared on to the scene in 1992 with their raucous debut Core. A breakout success, the album peaked at No. 3 on the Billboard 200 chart, dominated radio waves with hits like \"Sex Type Thing\" and \"Wicked Garden,\" and has been certified 8x platinum by the RIAA. The band also took home the 1994 Grammy Award for Best Hard Rock Performance for their smash single \"Plush.\"\u003c\/p\u003e\n\u003cp\u003eAlthough it faced initial criticisms for being derivative of other grunge bands, such as Pearl Jam and Alice in Chains, time has gained Core recognition as a classic of the 1990s alternative rock era and remains a pivotal album in the Stone Temple Pilot's discography. Critics praised the band's musicianship, Scott Weiland's charismatic vocals, and the album's songwriting. \u003c\/p\u003e\n\u003cp\u003eCore showcases a diverse range of musical styles, blending elements of alternative rock, grunge, hard rock, and even psychedelic influences. The band's sound is characterized by powerful guitar riffs and a melodic bassline.\u003c\/p\u003e\n\u003cp\u003eThe album strikes a balance between heavy, grunge-infused tracks and more introspective, melodic compositions. Songs such as \"Sex Type Thing\" and \"Wicked Garden\" exemplify the band's heavier, hard rock side, while tracks like \"Plush\" and \"Creep\" showcase their ability to craft emotionally charged, radio-friendly ballads. The album's eclectic mix of styles contributed to its widespread appeal and longevity in the alternative rock scene.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003e1. Dead \u0026amp; Bloated\u003cbr\u003e2. Sex Type Thing\u003cbr\u003e3. 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These are perfectly sized to fit some of the larger box sets currently on the market such as the  Analog Productions Bill Evans box sets shown in the picture (not included). They are sized at 16x16 so you can measure the circumference of other box sets you may own to see if they will fit. (leave a tiny bit of room for some play)\u003c\/p\u003e\n\u003cp\u003ePoly bag measuring 16\" x 16\" comes in clear color and is made of 100 percent virgin low-density polyethylene resin for longer life.\u003c\/p\u003e\n\u003cp\u003eDesigned with 100 percent renewable energy. Please note these are considered \"clear\" color and are see through as seen in the pictures but given the thickness there is a slight haze. For more sizes see our other listings. The manufacturer listed these as 4 mil thick but we measured a little over 3 mil in thickness (roughly 3.2 to 3.5) but we do not have lab grade measurement devices so we are not guaranteeing a specific thickness, but we find them to be a nice durable sleeve.\u003c\/p\u003e\n\u003cp\u003eUse tip: for easy insertion of records or box sets in an outer sleeve, use a piece of paper as a \"shoe horn\". This tip can save a lot of frustration and can be used for just about any record sleeve. \u003c\/p\u003e\n\u003cp\u003ePlease note that these bags come bulk packed to us and may have some minor creases but generally look great once on the box and most importantly protect your record investment from shelf wear. 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The 1983 album remains their best-selling album with more than 3 million copies sold in the U.S. \"Cinema\" earned the group a Grammy Award for Best Rock Instrumental Performance, while \"Owner Of A Lonely Heart\" was the band's first and only single to reach No. 1 on the Billboard Hot 100 chart.\u003c\/p\u003e\n\u003cp\u003eNamed for its Atco catalog number, 90125, the album — the band's 11th studio effort — it was born out of the band's self-reinvention. Begun as Cinema, a new band by Chris Squire and Alan White, the project grew to include the slick production of Trevor Horn, the new blood (and distinctly '80s guitar sound) of Trevor Rabin, and eventually the trademark vocals of returning founder Jon Anderson. His late entry insured that Rabin and Horn had a heavy influence on the sound. 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Commercially and creatively, the painstaking efforts paid off. Recorded over the span of 18 months, the triple-platinum album spawned four hit singles and put Fleetwood Mac back at the center of mainstream conversation. Its demands also ultimately forced its primary architect, guitarist-singer Lindsey Buckingham, to leave the group shortly after its completion. Was it all worth it? A thousand times “yes.”\u003c\/p\u003e\n\u003cp\u003eSourced from the original master tapes and housed in mini-LP-style packaging, Mobile Fidelity’s numbered-edition hybrid SACD of Tango in the Night presents the 1987 record in audiophile sound for the first time. Everything co-producers Buckingham and Richard Dashut sought to instill in the music — the exacting tones, gauzy textures, plush atmospherics, shifted harmonics, unique pitches, pristine acoustics, biting rhythms — can now be heard with elevated accuracy, range, depth, and detail.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBig Love\u003c\/li\u003e\n\u003cli\u003eSeven Wonders\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEverywhere\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCaroline\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTango in the Night\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMystified\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLittle Lies\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFamily Man\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWelcome to the Room…Sara\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIsn’t It Midnight\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWhen I See You Again\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eYou and I, Part II\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eUPC: 821797228565\u003c\/p\u003e","brand":"Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":50488480203074,"sku":"UDSACD2285","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/3668\/2182\/files\/FleetwoodMac-TangoInTheNightNumberedLimitedEditionHybridStereoSACD.jpg?v=1744160957"},{"product_id":"patricia-barber-modern-cool-180g-vr900-d2-audiophile-vinyl-2lp","title":"Patricia Barber Modern Cool 180G VR900-D2 Audiophile Vinyl 2LP","description":"\u003cp\u003e\u003cstrong\u003eAudiophile 180g Vinyl Double LP!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eNewly Remastered by Bernie Grundman from the Original David Glasser Master!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePressed on VR900-D2 Vinyl at Fidelity Record Pressing!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePatricia Barber's Modern Cool brought her mainstream success, propelled by her classic version of the Doors' \"Light My Fire.\" Touring for this album, Barber played selections from it during her four-night stand at The Jazz Standard in New York. 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