Strictly limited to 7,000 numbered copies and pressed on SuperVinyl at RTI, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step collector's edition brings Vaughan and Co. into your listening room and places them at your feet. You'll enjoy deep-black backgrounds, pointillist details, staggering dynamics, and arguably, the most lifelike tonalities and nuances ever committed to vinyl. Experienced via UD1S, Vaughan's scrunched-up face, closed-eyes appearance, quick-draw fingers, and cowboy hat into pristine focus. More importantly, the searing tones from his Fender Stratocaster and every touch of his pick on the strings are captured with extreme delicacy. You won't miss a note. The soundstage is deep and wide, and the microdynamics pop. This is the closest you will ever come to hearing Vaughan perform in Antone's, circa 1982.
The lavish packaging and beautiful presentation of Mobile Fidelity's Texas Flood UD1S pressing befit its extremely select status. Housed in a deluxe box, this UD1S version contains special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this reissue exists a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound quality and creativity, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the textures.
More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
Mobile Fidelity SuperVinyl: The World's Quietest Surfaces and Cleanest Grooves
Mobile Fidelity SuperVinyl is a new proprietary compound developed by NEOTECH and RTI to address two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. Mobile Fidelity Sound Lab feels SuperVinyl provides the closest approximation of what we hear in the mastering lab.
Out of Print: Given the unique nature of this item it is final sale. There is no guarantee or warranty including against manufacturing/pressing defects.